"Bergman was the first to bring metaphysics - religion, death, existentialism - to the screen. ... But the best of Bergman is the way he speaks of women, of the relationship between men and women. He's like a miner digging in search of purity."

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An Ingmar Bergman film would probably owe a sizeable bulk of its import and its direction and its quality to the directorial end and to the director because it's uniquely a Bergman film. But that again is not the general - no, that's much more the exception than the rule.

— Rod Serling