"I've always tried to make the strip animated, even when the characters aren't moving, with expressions or perspectives or some sort of exaggeration. There's great potential for that which has yet to be fully mined."

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[On John Tunnard:] One day a marvelous man in a highly elaborate tweed coat walked into the gallery. He looked a little like Groucho Marx. He was as animated as a jazz-band leader, which he turned out to be. He showed us his gouaches, which were as musical as Kandinsky's, as delicate as Klee's, and as gay as Miró's.

— Peggy Guggenheim