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— David Sanborn"When you have an acoustic bass in the ensemble it really changes the dynamic of the record because it kind of forces everybody to play with a greater degree of sensitivity and nuance because it just has a different kind of tone and spectrum than the electric bass."
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Any effects created before 1975 were done with either tape or echo chambers or some kind of acoustic treatment. No magic black boxes!
— Alan Parsons
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In the early 1970s. 1971, '72. The rooms were closing down, record labels weren't signing acoustic acts any more. Although they had been pretty much been getting out of that for some time before that.
— Dave Van Ronk
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