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— Duke Ellington"In music, as you develop a theme or musical idea, there are many points at which directions must be decided, and at any time I was in the throes of debate with myself, harmonically or melodically, I would turn to Billy Strayhorn. We would talk, and then the whole world would come into focus. The steady hand of his good judgment pointed to the clear way that was fitting for us. He was not, as he was often referred to by many, my alter ego. Billy Strayhorn was my right arm, my left arm, all the eyes in the back of my head, my brainwaves in his head, and his in mine."
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He grinned. “Busted. I’m a monster. Jev is my deceptively harmless — and shockingly handsome — alter ego.” “And I’m on top of it,” she announced with witty triumph. “Is that a Freudian slip?” His bluntness caught her off guard. A self-conscious blush rose in her face.
— Becca Fitzpatrick
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Film works when a director and a star have a connection. You know, when there's something telekinetic between them, there's a partnership, it's like alter egos. It's like James Stewart and Alfred Hitchcock, or Fellini and Mastroianni. I'm not comparing, I'm just saying, if you can come into a relationship where the director and star have such a bond, it's so much easier to make a movie.
— Nicolas Winding Refn
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