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— Erik Wiegand"The positive thing about collaborating is that I cannot get distracted by coding work, because I cannot waste the other collaborator's time in the same way as I can my own. And it's always good to learn how the other person works, learn about techniques, learn social things like: how do you communicate with another person? The music I make with other people I'm much more confident about, I'm a little bit less judgemental of the outcome than with my own stuff because I know it's not only me, it's a more outside of me. Sometimes I even like them better than my own tracks."
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Sometimes I'm trying to communicate a feeling. Sometimes I can't piece it together into any kind of coherant thesis. I'm just trying to evoke some kind of mood, and put some kind of idea in somebody's head. If Marshall McLuhan or Harold Innis were looking at it, they would tell you that the genre of rock music isn't the best way to deliver a political message because it distorts it, it makes it into entertainment. Perhaps the best political message is just to speak it to somebody. I think that's something I'm always writing about in songs, just how to mediate, how to present something.
— A.C. Newman
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I'm process-orientated, and people say that about the details. But I love the players. My No. 1 job is to make them better men. My No. 2 job is to make them better at hockey, and I never confuse that. The best people I've ever been around in my life never let me get away with anything - ever. You can have all the details in the world, but if you can't communicate with people and find a way to help them help themselves, you have no chance in this league. To me, that's what the profession is about: getting guys to believe in themselves and each other.
— Mike Babcock
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