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— James Kavanaugh"I am one of the searchers. There are millions of us. We are not unhappy, but neither are we really content. We continue to explore ourselves, hoping to understand. We are drawn by the ocean, taken by its power, its unceasing motion, its mystery & unspeakable beauty. We like forests & mountains, deserts & hidden rivers, & lonely cities. Our sadness is as much a part of our lives as is our laughter. To share our sadness with one we love is perhaps as great a joy as we can know."
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To Forget Venice is a tour de force of ventriloquism. Elegant, contemporary, and wry, the voice at its center is also capable of disarming flights of imagination as it enters and inhabits other lives across time and gender. The glittering, fetid city emerges as a complex metaphor for the human heart’s simultaneous tenderness and capacity for cruelty, its ‘silver glow / a local specialty: filth / disguised as ornament.’ This Venice is unforgettable.
— Chase Twichell
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The role of the animal messenger in the dreams of modern city-dwellers is often to recall us to our wild side, and the natural path of our energy.
— Robert Moss
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