"The WWE has a massive outreach on social media, and our fanbase is very vocal. So many young people watch the WWE, and I can turn around and say: "This also happens to me. Daily." I've been regarded as a very "controversial" figure, but in a setting like this, where I talk to young people, it helps."

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I opened with Edward Kienholz's The Beanery, and that's such a controversial piece that I think that brought people right away. It was a room-size work that one walked into. It was a bar with Kienholz-type figures sitting and drinking and talking - all life-size characters in a life-size setting. The exhibition was covered in Time, Newsweek, and Life, so it had huge recognition right away.

— Virginia Dwan