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— Terrence McNally"Write plays that matter. Raise the stakes. Shout, yell, holler, but make yourself heard. It's time for playwrights to reclaim the theatre. We do that by speaking from the heart about the things that matter most to us. If a play isn't worth dying for, maybe it isn't worth writing."
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And, like poor Phaedra, we fall in love not with who we want to fall in love with, but with one who moves us, and sometimes it is the last person we should fall in love with. Our involuntary choice is not always the right one, and sometimes it is actually the worst one, hence our suffering. And then, of course, there is the completely different situation of the loving people where, over the years, the love they once felt for each other fades and they can't go on. They feel their love dying, but are unable to bring it back to life.
— François Lelord
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THE DYING GAUL is a Hollywood satire. But Hollywood is not the real subject matter here. My play uses that world of high-rolling big money - that crazy-making business - to examine a whole range of subjects.
— Craig Lucas
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