Accompanists Quotes

I wanted to be a concert pianist at Carnegie Hall; that is what I wanted to do from really early on. I actually was the accompanist for a couple of the musicals I was in growing up.

The majority of my training was as a drummer, and drummers are basically accompanists.

My dad had even hired an accompanist to play for me on a piano. But he had never pushed me to music because I don't think he wanted me to be hurt as much as he was if it didn't work.

I actually was the accompanist for a couple of the musicals I was in growing up.

It's really fun to listen to other people and be an accompanist.

I was deeply impressed and moved by his masterful playing. He was highly polished, profound, subtle, and intense. He was extremely fluent in a great combination of the traditional vernacular with his own. Hearing it unfold and being in a position to participate was a great pleasure. Part of being an accompanist is that the stronger the soloist, the more I can do all that I know to do. So, Joe was as good as it gets.

I did not want to be the accompanist to an operatic star. But I was at a very high level for a 16-year-old, and I maintained that. So really good, but more impressive than classically trained. So I had to take a crash course in classical technique because I really wanted to get away with playing this character [in Florence Foster Jenkins] without people saying, "That's not really accurate."

I looked at the job of piano accompanist. It's a selfless position and generally they are odd people, according to opera singers I talked to. Just like everybody else, they want more from their life, but now their job is to make others shine.

Food and wine. Decide which is the soloist, which the accompanist.