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I've always enjoyed feeling a connection to the avant-garde, such as Dada and surrealism and pop art. The only thing the artist can do is be honest with themselves and make the art they want to make. That's what I've always done.
Sep 24, 2025
I got into trad jazz, then modern jazz, then avant-garde jazz, between the ages of 16 to 18.
Experiment - exercising to see the result. We planned Europa not as an experiment in this sense but as a work of art. Yet The Eye and the Ear was done as a consciously designed experiment. Not every avant-garde dealt with experiments and not every experiment equalled avant-garde.
TV taste is an aftertaste. Whatever gets on the tube is always a foregone conclusion, a fait accompli. That is, any new ideas or social changes have already been fought for in the real world of the streets, or in the bedroom or even the law courts long before they reach the screen. By the time you see it on prime time, it's usually all over and done with, whatever it was. Television by definition is not avant garde. It is often reactionary and always sentimental.
In short, it occurred to me that perhaps the only possible avant garde is the avant garden.
Picasso never thought of himself as avant-garde. I just find it a bad way to think of yourself.
It's hard / Keeping up with the avant-garde.
I'm really attracted to music that sort of toes that line between pop and avant-garde, that pushes the envelope of what you can get in a pop song.
Conformism is so hot on the heels of the mass-produced avant-garde that the 'ins' and the 'outs' change places with the speed of mach 3.
I never thought of myself as being in the avant-garde. I said what I had to say, as I was able to say it.
But this is where you get all the market research and things get in danger of becoming formulaic, and where you depend on brands and getting recognised actors. It's the thing that precludes risk very often, otherwise everyone would be avant-garde all over the place.
I didn't have any set idea of what kind of filmmaker I wanted to be. I knew I wanted to tell stories that meant something to me, but I never said I was going to be the weird, avant-garde guy.
We have learned so well how to absorb novelty that receptivity itself has turned into a kind of tradition- "the tradition of the new." Yesterdays avant-garde experiment is today's chic and tomorrows cliche.
My dad was this sort of avant-garde guy who did all kinds of weird things. He was a true original and anybody who met him never forgot him.
I first of all have a problem with the term 'avant-garde'. Because it is a military term, it means the guard that runs before the rest of the soldiers. And if I want to see myself presented in military terms, I don't want to be part of that. I want to be one of the deserters. I want to be in the woods, maybe.
What guides me is to do work that's more avant-garde - things that I think are special. You can easily become a celebrity and get caught up in all that blur. I just want to work and surprise myself.
There is a place for visionaries and the avant-garde in this world, but not at 9 o'clock on a network.
I love art, I love music. I can listen to Stockhausen and a very experimental, avant-garde approach, and I can listen to Beethoven and have a more classical, traditional approach. Why not be able to do that with film performance?
There's a fine line between what would characterize you as a troglodyte and what would characterize you as a brilliant, avant-garde, forward-thinking genius. There's some middle ground.
It's important that you think of your relationship with the world and the way you can express that world and that you not be stopped if it scandalizes or embarrasses; but you must not look for scandal or for the avant-garde as a thing in itself.
No matter how much people in fashion think we're so cool and avant-garde, for most fashion people, creativity is quite taboo.
The avant-garde has always existed throughout the history of mankind. The good things from the avant-garde last and eventually, after many years, become tradition and people forget they were ever part of the avant-garde. The kitchen is a living discipline, always evolving, and there will always be cutting edge things that over the years, ends up being part of tradition.
If you try consciously to be avant-garde, it's a little dangerous, like the present state of modern painting, where dealers try to be avant-garde, and under this pretext, painters take some old scraps and call it avant-garde.
More than a rejection or dissolution of the past, avant-garde originality is conceived as a literal origin, a beginning from ground zero, a birth.
Life is like Avant Garde. It will make you uncomfortable, and leave the room. But always remember to come back and watch the artist bow.
I grew up mostly in Champaign, Illinois. My dad was at the University of East Illinois, so I was always around the music. One of my dad's buddies was the avant-garde composer John Cage, so I picked up on that weird classical and eclectic music.
Art is art. Everything else is everything else.
Avant-garde is French for bullshit
The avant-garde in every field consists of the lonely, the friendless, the uninvited. All progress is the product of the unpopular.
We must revolutionize our optical perception. We must remove the veil from our eyes.
I like fantasy. I like horror, science fiction because I can get avant-garde with those performances in those movies.
The only place Avant Garde looks good is in the words Avant Garde.
To some degree, yeah, because I have to play a certain number of originals that might be considered avant-garde material. I realize though, that only a few people in the audience actually know what that music is, or understand it.
I've always liked pop music. There was a bit of a misunderstanding with the avant-garde rock scene, because I think I was sort of swimming the wrong way, really.
It's very schizophrenic because I like a lot of very straight pop, like Small Faces, Stones, Kinks; and on the other hand, I like a lot of avant garde things.
Physicists are more like avant-garde composers, willing to bend traditional rules... Mathematicians are more like classical composers.
Music is a continuum and the modern and avant-garde composers of today will be part of the standard repertoire 30 years from now.
I hate the terminology of "costume" because my clothes are not costumes at all. I think they're high fashion, avant-garde, and more couture, definitely, and yes, some of my pieces are not particularly wearable, but I wouldn't say they're costumes, I'd say they're more couture.
The avant-garde makes more sense to me.
Avant-garde music is sort of research music. You're glad someone's done it but you don't necessarily want to listen to it.
Life is difficult for those who have the daring to first set out on an unknown road. The avant-garde always has a bad time of it.
An avant-garde man is like an enemy inside a city he is bent on destroying, against which he rebels; for like any system of government, an established form of expression is also a form of oppression. The avant-garde man is the opponent of an existing system.
Avant-garde art jousts with propriety, but takes care never to unseat it.
The main trouble with avant-garde art and literature, from the point of view of fascists and Stalinists, is not that they are too critical, but that they are too "innocent," that it is too difficult to inject effective propaganda, that kitsch is more pliable to this end.
Dance in this century has remained primarily a personal ritual operating, like most avant-garde art, as an idiosyncratic form rather than a tribal expression of religious powers or a corporate expression of societal values.
In the '60s, people were still very protective of each field that they belonged to. Avant-garde artists didn't know about rock or pop or jazz. And the jazz people of course didn't want to know about any other music. They were all just kind of protecting their territory.
Publishing has gone very middlebrow. It's turned its back on legacy of modernism and gone into a humanist mode. When people go through art school they are exposed to the history of the avant-garde, and there's a general understanding that what you're doing as an artist is to a large extent, not just regurgitating that history, but engaging with it. There's this denial of that in the mainstream publishing world.
I'm not so in with the prescriptive avant-garde agenda. I can do that sort of thing, but I feel that I'm still interested enough in song structure. When I look at a lyric on the page, the lyric is alive to me, looking like soldiers in a field. I can move it around, and it's very black-and-white.
In almost every book I've written, there is a reference to a movie - legendary films, actors and actresses, and forgotten made-for-TV movies. The leaps poems make are not unlike the cuts in a film. The miniature and avant-garde prose poets have perhaps the most obvious ties to film, as a prose poem in its shape is not unlike a movie screen.
I must confess that I and a few others are burdened with heavy responsibilities regarding the future of criticism. I am certainly, if not the inventor, then at least one of the first systematizers of an absurd critical practice that, as soon as it had peeked its beak out of the nest, flapping its new wet wings, took flight in the minds of the young, becoming a wild ox and sowing avant-garde literature with the mighty tomes of what might as well be called the abstract bear.