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So many of the conscious and unconscious ways men and women treat each other have to do with romantic and sexual fantasies that are deeply ingrained, not just in society but in literature. The women's movement may manage to clean up the mess in society, but I don't know whether it can ever clean up the mess in our minds.
Sep 28, 2025
The imagination is an organ of understanding. And the imagination needs all the faculties at hand, all the sensibility, all the conscious and unconscious intelligence it can galvanize to fulfill its luminous mission.
A man's acts are partly determined by spontaneous impulse, partly by the conscious and unconscious effects of the various groups to which he belongs.
While Poe and the Symbolists were exploring the irrational in literature, Freud had begun to explore the resonant figure/ground double-plot of the conscious and unconscious.
The need for mythic statements is satisfied when we frame a view of the world which adequately explains the meaning of human existence in the cosmos, a view which springs from our psychic wholeness, from the co-operation between conscious and unconscious. Meaninglessness inhibits fullness of life and is therefore equivalent to illness. Meaning makes a great many things endurable - perhaps everything.
Central to Jungian psychology is the concept of "individuation," the process whereby a person discovers and evolves his Self, as opposed to his ego. The ego is a persona, a mask created and demanded by everyday social interaction, and, as such, it constitutes the center of our conscious life, our understanding of ourselves through the eyes of others. The Self, on the other hand, is our true center, our awareness of ourselves without outside interference, and it is developed by bringing the conscious and unconscious parts of our minds into harmony.
We lost not only through death, but also by leaving and being left, by changing and letting go and moving on. And our losses include not only our separations and departures from those we love, but our conscious and unconscious losses of romantic dreams, impossible expectations, illusions of freedom and power, illusions of safety -- and the loss of our own younger self, the self that thought it would always be unwrinkled and invulnerable and immortal.
The fear of loss, in one form or another, is the motivator behind all conscious and unconscious dishonesties.
There is no doubt that the resistance of the conscious and unconscious ego operates under the sway of the pleasure principle: it seeks to avoid the unpleasure which would be produced by the liberation of the repressed.
To stop thought it's necessary to put your life into a state of balance. Otherwise you can sit and meditate for hours and all kinds of conscious and unconscious thoughts will flow through you.
Acting isn't something you do. Instead of doing it, it occurs. If you're going to start with logic, you might as well give up. You can have conscious preparation, but you have unconscious results.
My unconscious knows more about the consciousness of the psychologist than his consciousness knows about my unconscious.
A shoe that fits one person pinches another.
If a union is to take place between opposites like spirit and matter, conscious and unconscious, bright and dark, and so on, it will happen in a third thing, which represents not a compromise but something new.
Our heart glows, and secret unrest gnaws at the root of our being. Dealing with the unconscious has become a question of life for us.
The bad poet is usually unconscious where he ought to be conscious, and conscious where he ought to be unconscious.
Meaning makes a great many things endurable---per haps everything.
It is often tragic to see how blatantly a man bungles his own life and the lives of others yet remains totally incapable of seeing how much the whole tragedy originates in himself, and how he continually feeds it and keeps it going.
Properly speaking, the unconscious is the real psychic; its inner nature is just as unknown to us as the reality of the external world, and it is just as imperfectly reported to us through the data of consciousness as is the external world through the indications of our sensory organs.
The unconscious is not just evil by nature, it is also the source of the highest good: not only dark but also light, not only bestial, semihuman, and demonic but superhuman, spiritual, and, in the classical sense of the word, "divine."
Man's task is to become conscious of the contents that press upward from the unconscious.
Dreams are the royal road to the unconscious.
Women must work doubly hard to overcome their conditioning in order to become enlightened. They must erase both conscious and unconscious ideas of sexual inferority that have been programmed into their awareness.
The multilevel, the conscious and the unconscious, is natural when I write scripts, when I come up with ideas and stories.
The poetry of a people comes from the deep recesses of the unconscious, the irrational and the collective body of our ancestral memories.
The interpretation of dreams is the royal road to a knowledge of the unconscious activities of the mind.
Until you make the unconscious conscious, it will direct your life and you will call it fate.
Designers must be both conscious and unconscious at the same time. Clear thinking at the wrong moment can stifle talent.
Clear thinking at the wrong moment can stifle creativity.
The self is not only the centre but also the whole circumference which embraces both conscious and unconscious; it is the centre of this totality, just as the ego is the centre of consciousness.
The difference between the "natural" individuation process, which runs its course unconsciously, and the one that is consciously realized is tremendous. In the first case, consciousness nowhere intervenes; the end remains as dark as the beginning. In the second case, so much darkness comes to light that the personality is permeated with light and consciousness necessarily gains in scope and insight. The encounter between conscious and unconscious has to ensure that the light that shines in the darkness is not only comprehended by the darkness, but comprehends it.
The shoe that fits one person pinches another; there is no recipe for living that suits all cases.
Our inner weighing of evidence is not a careful mathematical calculation resulting in a probabilistic estimate of truth, but more like a whirlpool blending of the objective and the personal. The result is a set of beliefs - both conscious and unconscious - that guide us in interpreting all the events of our lives.
The connection between conscious and unconscious poses particular problems in the dancer because the body is the soul of action.
The unconscious mind of man sees correctly even when conscious reason is blind and impotent.
The meme for blind faith secures its own perpetuation by the simple unconscious expedient of discouraging rational inquiry.
That because of this interplay of conscious and unconscious factors in guilt and the impossibility of legalistic blame, we are forced into an attitude of acceptance of the universal human situation and a recognition of the participation of every one of us in man's inhumanity to man.
Our lives can be considered a sacred quest. It is a quest which may have begun in this lifetime or many lifetimes before. It is a quest to find ourselves: who and what we really are. To do this we must first cease to pretend to be what we are not. We must cast away our Persona or mask. We must be prepared to confront the Shadow, that which we are and rather were not. Only then can we unify our conscious and unconscious minds and so give birth to the hidden Sun - the Self.
Every day-care center, whether it knows it or not, is a school. The choice is never between custodial care and education. The choice is between unplanned and planned education, between conscious and unconscious education, between bad education and good education.
Conscious and unconscious experiences do not belong to different compartments of the mind; they form a continuous scale of gradations, of degrees of awareness.
Some women have 'always' been lesbians. Others, like myself, have 'become' one. As much a sociocultural construction as it is an effect of early childhood experiences, sexual identity is nether innate nor simply acquired, but dynamically (re)structured by forms of fantasy private and public, conscious and unconscious, which are culturally available and historically specific.
Art is a marriage of the conscious and the unconscious.
Every extension of knowledge arises from making the conscious the unconscious.
Be aware of the words that go into your mind, both conscious and unconscious, because words and ideas can be great tools for your mind to use in coming to appropriate decisions. Remember that a statement spoken in spiritual consciousness can contain great spiritual power. Speaking powerful words of love changes things and outer circumstances as well as consciousness itself.
Here's what the right-wing has in, there's no shortage of the natural resources of ignorance, apathy, hate, fear. As long as those things are in the collective conscious and unconscious, the Republicans will have some votes.
The great problems of life — sexuality, of course, among others — are always related to the primordial images of the collective unconscious. These images are really balancing or compensating factors which correspond with the problems life presents in actuality. This is not to be marveled at, since these images are deposits representing the accumulated experience of thousands of years of struggle for adaptation and existence.
A life lived of choice is a life of conscious action. A life lived of chance is a life of unconscious creation.
Our life is composed greatly from dreams, from the unconscious, and they must be brought into connection with action. They must be woven together.
Influences come from everywhere but when you are actually shooting you work primarily by instinct. But what is instinct? It is a lifetime accumulation of influence: experience, knowledge, seeing and hearing. There is little time for reflection in taking a photograph. All your experiences come to a peak and you work on two levels: conscious and unconscious.
All good art has contained both abstract and surrealist elements, just as it has contained both classical and romantic elements - order and surprise, intellect and imagination, conscious and unconscious. BOTH SIDES of the artist's personality must play their part.