Drum And Bass Quotes

I write pop songs. But I think it is sprinkled with a lot of counter-culture references. It ranged from rap to hip hop to trip hop, house, drum and bass, and experimental and improv and jazz.

Nothing beats 2 guitars, drum and bass.

Yes, I love to play drums and bass and guitar and piano. Those are the main instruments I play. That is it.

I love electronic music, and I love drum and bass.

Grunge, like Nirvana and all that. Heavy metal, Iron Maiden, Metallica, Guns and Roses, drum and bass. I like to listen to it and try and break down what makes a fan of that music say 'Ah fuck that other music', do you get me? Trying to figure out what makes them tick, I always try and break that down with every piece of music. But the energy in that music, I love it.

I think the biggest problem with drum and bass is that people don't like to collaborate, and so from very early on I have made a point of stepping outside the box and working with as many people as I can.

I think the most note-worthy part is that Stella [Mozgawa] had joined the band two weeks before we started recording, so that really influenced the way that the album was recorded. It was really important for Stella and Jen[ny Lee Lindberg] to lay down the drums and bass first for most songs, because they were determining how they needed to lock in together, and Stella was still kind of learning and figuring out her parts.

I love when things bend out of shape. That's why I love drum and bass music.

My son, Wolfgang, plays drums, guitars and bass.

I like to combine the dramatic emotional warmth of strings with the grooves and body business of drums and bass.

I'm writing new songs for a Broadway version of Tarzan, which is very interesting. I think what I learned from the Brother Bear score side of things, I've brought into the new Tarzan songs. Thinking outside just guitar, bass, drums and keyboards.

I'm not going to do the Ben Harper house record or the Ben Harper drum 'n' bass record.

I got heavily into the drum-and-bass scene, which is really wicked.

Because Larry, by then, was a drummer, who would sort of get bored and tired, and rather stand up and blow kisses to people. So we needed the bass to sort of drive along.

As I said, when we needed to move over to rock'n'roll, Sam and Vernon couldn't quite make the shift. So that's when Larry took over on drums, and we needed a bass player.

Obviously, it's had a huge effect on repetitive music or dance music or house music. Ambient in the last ten years has infiltrated into all those repetitive musics. I don't know what part it plays in pop necessarily but I'm sure there's some connection. But in all the music that deals with experimental repetition, drum and bass, dub, various kinds of house music, there's always been a quality of atmosphere and ambience. I think it's infiltrated that pretty heavily.

In all the music that deals with experimental repetition, drum and bass, dub, various kinds of house music, there's always been a quality of atmosphere and ambience.

Most records, you build from the drums and bass up. This one, we started with the vocals in Nashville and recorded them live with just the guitars and tried to make that complete and lovely-sounding without any adornment at all. I really wanted to get something with the vocal that I've never gotten before Armchair Apocrypha.