Emote Quotes

That sense of failure, I don't know where people put it who don't write songs and aren't able to emote physically. It must go somewhere.

I think you can really tell a good actor if you can put a camera on them and they can just talk and emote and react and you don't have to keep cutting away from them, because they are the language and the behavior. It's all a tour-de-force performance.

An actor without techies is a naked person standing in the dark trying to emote. A techie without actors is a person with marketable skills.

I try not to write songs. I would rather emote them, and I found myself going back to my room every night while on my trip, just pouring out new songs and new stories about what I was seeing, what I was feeling.

If you interview people or friends who work with me, they would say I'm private or internal or don't emote a lot. Yet I do it every day for 10 million people. I just don't do it for the 30 people I'm in the room with.

To do a portrait today, I decide how close I can get to my subject. First, of course, mentally or intellectually, then in the viewfinder. Music cues the subject and me when to shoot. The music played during a photography session is most important - stimulating to the subject and to me. As in a film, the music builds or becomes quiet, romantic; just one note sets the actor up to emote for his audience. I want a reciprocal portrait, not a bureaucratic one

I love that I'm able to take people away just for a little while. Even if they come to my show and it's an escape from taxes or heartbreak or a shitty workplace experience - all those human beings I get to sing for laugh and emote with give me more happiness than I could ever give them.

There is a point when grief exceeds the human capacity to emote, and as a result one is strangely composed-

Laugh. Laugh as much as you can. Laugh until you cry. Cry until you laugh. Keep doing it even if people are passing you on the street saying, "I can't tell if that person is laughing or crying, but either way they seem crazy, let's walk faster." Emote. It's okay. It shows you are thinking and feeling.

I am so enriched because so much has happened in my life. The way I can express myself is because of the life I have led. It's only when you experience life can you emote it.

If you emote in your performances, people feel connected to you as an emotional person, because that's how we communicate. That doesn't mean people know you. At a certain point, I think you have to just be your own self.

This is not a rock opera. This is not Tommy. I can write songs that emote, and that's it.

Words can make the illness a subject I can master, and not one that one simply emotes over.

I got interested in the emotions after studying patients who had lost the ability to emote and feel under certain circumstances. Many of those patients also had major impairments in their ability to make decisions.

I emote. I love things so much.

Because sometimes listening to something will connect to a feeling, it will allow you to emote subconsciously, and you don't even understand why you're in it.

As an actor, I think most people have a tendency to want to demonstrate that they can act, they can emote.

Emote. It's okay. It shows you are thinking and feeling.

You have to emote much more to get what you're trying to get across to come through a quarter inch of latex that's superglued to your face.

The inspired moment may sometimes be described as a kind of hallucinatory state of mind: one half of the personality emotes and dictates while the other half listens and notates. The half that listens has better look the other way, had better simulate a half attention only, for the half that dictates is easily disgruntled and avenges itself for too close inspection by fading entirely away.

When I'm singing a song on stage, I hate hypocrites. If you don't put yourself in that lyric and emote and be what that lyric says that you are, then you're just going through the motions and you're being hypocritical. I just take that same approach with acting. I just take the dialogue and I emote it and become that. I use the same technic.

Your lifestyle - how you live, eat, emote, and think - determines your health. To prevent disease, you may have to change how you live.

As dancers, especially for myself, personally, dance constitutes a lot of the conversation that I have. While I'm not a ridiculous wordsmith and I can't clearly verbalize the things that I'm feeling sometimes, I'd say that I can emote how I feel by dancing, 100% of the time, and fearlessly at that.

This is my living faith, an active faith, a faith of verbs: to question, explore, experiment, experience, walk, run, dance, play, eat, love, learn, dare, taste, touch, smell, listen, speak, write, read, draw, provoke, emote, scream, sin, repent, cry, kneel, pray, bow, rise, stand, look, laugh, cajole, create, confront, confound, walk back, walk forward, circle, hide, and seek.

A tattoo is a true poetic creation, and is always more than meets the eye. As a tattoo is grounded on living skin, so its essence emotes a poignancy unique to the mortal human condition.

The Indians used to be the only inhabitants of the Americas, but times change. Having perceived us as belonging to history, they are free to emote over us, to re-create us in their history-based understanding, and dismiss our present lives as archaic and irrelevant to the times.

Of course I love when people are quiet, but I also love when people are comfortable. I love when people emote. The flip side of having a totally silent audience is that they're less likely to react to you in the space, and I think that's one of the great things about performing live: you get energy from the audience, and you give energy back to them. There's interaction.

An actor uses his body as a tool and an instrument. In the same way a musician plays an instrument, the actor uses his body to convey feeling and emotion. An animator uses a pencil or a computer to create the same thing, the same exact way... An actor is taking words that are not his own, and he has to bring some kind of authentic life to those words. It's the same goal, to create this authentic life. Even if it's a drawing, or if it's a cartoon, you're still trying to create authenticity because, if the character emotes authentically, it has a power to connect with the audience.

Being a geek is all about being honest about what you enjoy and not being afraid to demonstrate that affection. It means never having to play it cool about how much you like something. It’s basically a license to proudly emote on a somewhat childish level rather than behave like a supposed adult. Being a geek is extremely liberating.