Fonts Quotes

In giving presentations, use the 10/20/30 rule....use only 10 slides, take 20 minutes maximum, and use at least 30-point fonts.

How do you do original work when culture is telling you which font face to use, which layout.

Helvetica is the font of the Vietnam War.

Patience et longueur de temps Font plus que force ni que rage. Patience and longevity Are worth more than force and rage.

I love the book. I love the feel of a book in my hands, the compactness of it, the shape, the size. I love the feel of paper. The sound it makes when I turn a page. I love the beauty of print on paper, the patterns, the shapes, the fonts. I am astonished by the versatility and practicality of The Book. It is so simple. It is so fit for its purpose. It may give me mere content, but no e-reader will ever give me that sort of added pleasure.

I was never really satisfied with writing only text or with the way my texts looked when they were published. Most online journals have a pretty lame sense of typography - bad font, counter-intuitive margins and line spacing - that it makes me sour on my writing.

The problem with these interviews is that there's no sarcastic font.

There is a great need for a sarcasm font.

Clearly, when we baptize, our eyes should gaze beyond the baptismal font to the holy temple. The great garner into which the sheaves should be gathered is the holy temple.

As the saying goes, type is a beautiful group of letters, not a group of beautiful letters.

I can’t go to a restaurant and order food because I keep looking at the fonts on the menu.

Fonts. I get emotional over fonts.

I mean, what's thematic? How to put it? Going back to, like, 1980, when I started writing poetry. Language itself became an issue. I'd even think about font as an aspect of text, you know, how something looks on a page. A lot of this is the product of a very solitary existence, it's like, language, I mean, you know. A lot of time spent alone in the creation of all of this stuff.

I got to draw shapes. I really like to draw funky, geometric shapes. And I got to use just different fonts and make a joke of how feminine it was, but it didn't even have people in it. To me, it was so exciting and interesting to do that for a while.

In Lucretius, sexual desire is considered real and genuine, whereas love is illusory. Venus, the goddess who represents the power of sexual desire, is the font of love. She merely mocks lovers with mental images. Try as they might, lovers cannot satisfy themselves by gazing nor by rubbing against one another because the madness of love will always return; hence Lucretius' prescription to flee the mental images, that is, to ward off what feeds love, turning the mind elsewhere.

For me, the eye and the word go together. Even when I was working in word documents, I was always obsessed with fonts, size, margins - the look of words on a page. The way something looks or sounds is also what it means.

Imagination helps me to become part of that journey that I'm going through in font of the camera, or in front of an audience. I used to think you had to disappear within a character, but I find that puts a mask on what I do.

I hate videos. I'm meticulous on everything from cover art, fonts, productions, mixing. But when it comes to videos, I just feel so defeated.

I guess if there was a desert island scenario and I only could take one font with me, I guess it would be Helvetica, though it has it's limitations, I think it's incredibly versatile and gets the job done and I also think it's one of the typefaces that will really survive the test of time beyond the next several decades if not into the next century.

Love properly understood is God—the font of all creation and the ultimate goal of all desires; God properly understood is love.

Neither blows from pitchfork, nor from the lash, can make him change his ways. [Fr., Coups de fourches ni d'etriveres, Ne lui font changer de manieres.]

Instead of being the 'font of all knowledge,' teachers are required to be effective facilitators of student learning both within and outside the classroom at any time.

Nothing on Earth is so beautiful as the final haul on Halloween night.

The fact that this chain of life existed [at volcanic vents on the seafloor] in the black cold of the deep sea and was utterly independent of sunlight - previously thought to be the font of all Earth's life - has startling ramifications. If life could flourish there, nurtured by a complex chemical process based on geothermal heat, then life could exist under similar conditions on planets far removed from the nurturing light of our parent star, the Sun.

The Canon AE1 - a fully manual camera. [My mother] had a 50mm, which is a standard lens, and then I got a 28mm. Then I started a little punk magazine, a zine, when I was 14 or 15 years old. I was shooting my friends skateboarding and it was the beginning of the Macintosh. We wouldn't do layouts on the computer; we would pick the font and then type up a paragraph and then print it out and cut it up and put it in a little mock-up and Xerox it.

If I had never dropped in on that single course in college, the Mac would have never had multiple typefaces or proportionally spaced fonts. And since Windows just copied the Mac, it's likely that no personal computer would have them.

If I had never dropped in on that single course in college, the Mac would have never had multiple typefaces or proportionally spaced fonts. And since Windows just copied the Mac, it's likely that no personal computer would have them. If I had never dropped out, I would have never dropped in on this calligraphy class, and personal computers might not have the wonderful typography that they do. Of course it was impossible to connect the dots looking forward when I was in college. But it was very, very clear looking backward 10 years later.

Sure am glad I'm not royalty," I muttered. "I wouldn't want to have to bump uglies with someone I can't stand. On a regular basis. And no one else." "Ow!" I exclaimed, trying to yank my fingers from Trent but finding them caught. Then I colored, realizing what I'd said. "Oh… sorry," I stammered, meaning it. "That was insensitive." Trent's frown turned into a sly smirk. "Bump uglies?" he said, eyes on the table behind me. "You are a font of gutter slang, Rachel. We must do this again.

The other big factor in building trust quickly is site design quality. Mint.com has one of the best graphic designers ever (Jason Putorti) - he cares about every pixel, all the fonts, all the transparencies and effects. And that shows instantly. People do make judgments of trust on appearance - in the real world and online.

Are some free fonts a gift to humanity rather than a blight on typographic civilization ?

I’m a bit of an expert on anger, having suffered from it all through my youth, when I was both brunt and font. It’s certainly the most miserable state to be in but it’s also tremendously gratifying, really—rage feels justified. And it’s an excellent substitute for action. Why would you want to sacrifice rage to go about the long, difficult, dreary business of making something more tolerable?

Type design moves at the pace of the most conservative reader. The good type-designer therefore realizes that, for a new font to be successful, it has to be so good that only very few recognize its novelty.

It's too difficult to convey tone in electronic communication. And we can solve this my friends. All we need is some new fonts. 'Great party Arj. Best party ever.' What a jerk! How do you know he wasn't being sincere, Arj? Because he wrote it in Sarcastica! If he had enjoyed himself, he would have used Good Times Roman.

From all these experiences the most important thing I have learned is that legibility and beauty stand close together and that type design, in its restraint, should be only felt but not perceived by the reader.

You have the Super Soaker filled with holy water?” “Yeah. I sucked it out of the church. You know that bird-bath thing they got right up front?” “The baptismal font?” “That’s it. They got it filled with holy water, free for the taking.” “Brilliant,” I said to Lula. She tapped her head with her finger. “No grass growin’ here.

But I can think of nothing on earth so beautiful as the final haul on Halloween night, which, for me, was ten to fifteen pounds of candy, a riot of colored wrappers and hopeful fonts,snub-nosed chocolate bars and SweeTARTS, the seductive rattle of Jujyfruits and Good & Plenty and lollipopsticks all akimbo, the foli ends of mini LifeSavers packs twinkling like dimes, and a thick sugary perfume rising up from the pillowcase.

And each one is a partaker of this spiritual origin in regeneration; and to every one when he is re-born, the water of baptism is like the Virgin's womb; for the same Holy Spirit fills the font, Who filled the Virgin, that the sin, which that sacred conception overthrew, may be taken away by this mystical washing.

For whenever unbaptized persons die confessing Christ, this confession is of the same efficacy for the remission of sins as if they were washed in the sacred font of baptism.

There is no idea so bad that it cannot be made to look brilliant with the proper application of fonts and color.

The beginning and the end of love are both marked by embarrassment when the two find themselves alone. [Fr., Le commencement et le declin de l'amour se font sentir par l'embarras ou l'on est de se trouver seuls.]

Poetry is a type-font design for an alphabet of fun, hate, love, death.

When a type design is good it is not because each individual letter of the alphabet is perfect in form, but because there is a feeling of harmony and unbroken rhythm that runs through the whole design, each letter kin to every other and to all.

You know, I think that allowing somebody, one mere person to believe that he or she is like, the vessel you know, like the font and the essence and the source of all divine, creative, unknowable, eternal mystery is just a smidge too much responsibility to put on one fragile, human psyche. It's like asking somebody to swallow the sun.

Nowhere was the airport's charm more concentrated than on the screens placed at intervals across the terminal which announced, in deliberately workmanlike fonts, the itineraries of aircraft about to take to the skies. These screens implied a feeling of infinite and immediate possibility: they suggested the ease with which we might impulsively approach a ticket desk and, within a few hours, embark for a country where the call to prayer rang out over shuttered whitewashed houses, where we understood nothing of the language and where no one knew our identities.

In the afterlife you don't have to worry about looking for work.

For all things are baptized at the font of eternity, and beyond good and evil; good and evil themselves, however, are but intervening shadows and damp afflictions and passing clouds.

The Administration's policy on women is often hard to see because it is written in the font size of pharmaceutical ads.

Combien de gens se font abstraits pour para?tre profonds! La plupart des termes abstraits sont des ombres qui cachent des vides. How many people become abstract in order to appear profound! Most abstract terms are shadows that conceal a void.