Guitar Solos Quotes

If someone can relate my guitar solo to an exercise in a book... that's no fun at all.

I would just like to say that Ritchie Blackmore did a bunch of great stuff guitar - wise. I'm happy to play the solo from 'Highway Star'. I always thought it was one of the most exciting guitar solos I'd ever played.

I think that the blues is in everything, so it's not possible to neglect it. You hear somebody go 'Ooh ooh oooh,' and that's the blues. You hear a rock n' roll song. That's the blues. Somebody playing a guitar solo? They're playing the blues.

You know, when Michael Jackson does the moonwalk, he's showing off! When Prince or Hendrix do a guitar solo, it's confidence! I would hate to be at a show and some nervous wreck is sweating up there and doesn't feel like he deserves to be there.

It really shocked me just to hear of the fans' response to 'St. Anger' not having guitar solos.

Any guitar solo should reflect the music that it's soloing over and not just be existing in its own sort of little world.

So you do shorter versions of the hits, or you take out a long guitar solo or things like that to make time for the hits and new music as well. But I don't think any of us ever get to do as much new music as we would like to.

I'll get up there and I'll do my guitar solos in one of those space outfits.

Just as with a guitar, you can improvise a guitar solo, and they'd probably be similar each time, but they won't be exactly the same. With the word, it's probably a bit freer than that. I probably repeat myself more musically than I do verbally.

I think there are some good players coming up. I think we are at a point where people can swallow a guitar solo in a pop rock record again.

From now on all of my guitar solos will be in morse code.

Generally my songs are just some riffs slung together as an excuse for a guitar solo.

Sometimes it's the mistakes that end up leading you into new territory .. like the guitar solo on 'Peelin' Taters' - I had some speaker problems, but the tone ended up sounding better than if I had new speakers .. it's a 60's Nashville, 'uptown' thing

The most important part of any rock song is the guitar solo.

In the '90s, guitar solos were dead.

I didn't want to take the guitar solos down note-for-note, but more or less use them as a map, and keep all the hooks from the guitar playing, and let myself come through.

Punk came along and grunge made guitar solos uncool.

I have them a few minutes to absorb everything while I teased Ubie, who only had to recover from his near-death experience. I was so glad Reyes hadn't ripped him to shreds. I liked him much better un-shredded. Unlike, say, my preference for lettuce or heavy metal guitar solos.

Guitar solos, to me, should be a really articulate way to make fun of guitar solos.

I do media every day I tour and the travel itself is a bit testing, so I don't get to do much gregarious activity when I'm on the road, but I do enough barbequing and enough hanging out and training with enough law enforcement and military to keep me bright-eyed and bushy-tailed and to make sure my guitar solos every night breath fire.

It's quite similar to guitar solos, only with programming you have to use your brain. The most important thing is that it should have some emotional effect on me, rather than just, 'Oh, that's really clever.'

I would have to say I'm bored with the standard rock, guitar solos, but I've done it for five albums now, and this time I wanted to go in a completely different direction. I wasn't interested in showing off any more.

My dad is a huge rock and roll lead guitar fan. I didn't even really know that until recently. Everything has to have a guitar solo in it.

I can't use logic concerning my feelings, my feelings demand musical notes, violins, guitar solos, the stomping of feet, poetic language, metaphors, poetic lines about birds or deserts or tree-crowded forests.

Playing live is about going for it .. it's about bringing it ... you should see a bunch of people trying out stuff, actually performing, instead of learning the record and recreating it note for note. I can't play the show the same way every night .. I really need to be in a creative environment, every night or I'll go nuts ... my manager accuses me of singing just long enough to get me to my next guitar solo - which is true.

And I've also come to the conclusion that, as far as guitar solos and things like that are concerned, it's more important to complement the music rather than take away from it.

I'm sure if Shakespeare were alive today, he'd be doing classic guitar solos on YouTube.

A lot of people at my school could play the "Stairway to Heaven" guitar solo, but they couldn't play three chords of a Ramones song if their life depended on it because they didn't have the strength or ability to do it. But all I did was practice that, and the style that I eventually fell into is more focused than people would actually imagine.

I would urge a young player to listen to Charlie Christians' sense of time ... I'll never forget listening to my father (Bucky Pizzarelli) and Tal Farlow playing Christians' 'Solo Flight' backstage at a gig... that's when it hit me how big of an effect Christian had on jazz guitar. 'Solo Flight' was like the gospel.

Guitar solos bore the hell out of me. Only a few guitarists interest me, and it's not about the solos they play, it's about the grooves they create.

It grabs me, but not as much as it grabs some of the other people that rave about them. With the Black Keys, I'm missing crescendos with the sax, keyboard or guitar solo. It never comes to me. All my favorite music is rife with crescendo and I'm not hearing enough with them. If you can get the Black Keys to hear this, tell them I offer my crescendo guitar anytime they desire it.

When "Here Comes the Sun" started, what happened? No, the sun didn't come out, but Mom opened up like the sun breaking through the clouds. You know how in the first few notes of that song, there's something about George's guitar that's just so hopeful? It was like when Mom sang, she was full of hope, too. She even got the irregular clapping right during the guitar solo. When the song was over, she paused. "Oh Bee," she said. "This song reminds me of you." She had tears in her eyes.

If I look at my own recordings, I think generally there is a focal point within the song and often it's the instrumental bridge or a guitar solo where we try to do something unexpected, something beautiful or weird, or beautiful because it is weird. And of course I fail half the time, but yes that is the goal, to create even a few seconds of bliss, or sadness. The electric guitar is a great instrument for doing this because it is capable of surprising you. There are so many different sounds available.

I did the first backwards guitar solo on ‘I’m Only Sleeping’

Listening to as many guitar solos as possible is the best method for someone in the early stages. But saxophone solos can be helpful. They're interesting because they are all single notes, and therefore can be repeated on the guitar. If you can copy a sax solo you're playing very well, because the average saxophonist can play much better than the average guitarist.

I can't draw. But I can draw with sound. That's the most useful thing I learned in terms of what my craft is... The arrangements were mine. They were little lines and stuff that I had written myself... And I was locked into this idea that vocals didn't count, melodies didn't count, songwriting craftsmanship didn't count. The only thing that counted was high arching guitar solos...

I Still Approach A Scene As One Would Approach A Guitar Solo. You Don't Exactly Know How You're Going To Phrase This Or That. Which I Think Is Beautiful. That Idea Of Chance.

The jam stuff doesn't appeal to me in general. My newfound love for the Dead came from Robert Hunter and Jerry Garcia's songwriting, not the elaborate guitar solos. I'm a song person. Once it starts to break out of that structure and become loopy, it's uninteresting to me.

My favorite guitar solo of all time was Elliot Randall's on `Reelin' In The Years'.