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I really like to think of each record as its own thing. So, for sure, but I hate the idea of being stuck in anything. Like I want to do a Hawkwind-style record too, or a noise rock record or a hardcore record. Why not, you know? I would just not want to keep heading too far in one direction, without pulling off and going the other way. That is what is fun for me.
Sep 28, 2025
I am so all over the place with my music taste, it's ridiculous. It is! I mean, I find myself listening to weird things like hardcore techno music and then I'll be listening to mainstream hip-hop music. But it's like I am so crazy with my music taste. I'll listen to a song, I'll become obsessed with it, and then I'm on to the next one. So it's just very inconsistent.
One of the great ironies of my career is that people imagine me as some sort of hardcore metal guy because of the Metallica film.
In Jamaica, them always have throwback riddims, recycled old beats, and the hardcore reggae scene is always present. You have faster stuff like the more commercialized stuff, but you always have that segment of music that is always from the core, from the original root of it. This year, you have seen a lot of it explode on the international scene. It's great. People are looking for something different. Maybe there was too much of one thing, and now they're looking for something fresh.
I was part of punk's second generation, so, not the first wave of '70s punk, but the American hardcore scene. I had a really strong love for music prior to that, but punk created a new template.
I was such a weird kid. The really hardcore stuff like Venom - I was totally aware of them, and I listened to some of it - but they actually frightened me.
The last two days of shooting ('Harper's Island') was probably the most hardcore, the coldest anyone has ever been. It was like your head was freezing, and my motivation for most scenes was, 'The minute this scene is over, I'm heading straight over to that heater to get warm.'
I was raised by a hardcore feminist.
The only people that recognize me are the hardcore fans, and I always find that really flattering. I think it is super cool.
We write for actors and even down to the smallest character in the film, they all have their moment. You take that and you put it in a story that's in your face and there's tons of hardcore R action, nudity and you name it, but at the same time there really is a story there. It's got heart and at the end of the movie people will feel it. So I hope they'll their friends and want to see more.
There's the difference between hardcore motorcycle riders and people who own motorcycles. Some people ride'em and some people trailer'em.
Florida is such an unlikely place for a band, unless you're an emo or hardcore band. In terms of the touring route, or even the way the geography works in terms of bands and communities, Florida's always been this appendage that you either cut it off and dismiss it, or you somehow include it in your scope.
In my teenage years I was as addicted to great pop as I was to free jazz, electronic music, and hardcore blues.
In terms of how Iranians see the U.S. government, that's a difficult question. But in terms of how Iranians see Americans, there is a very good mutual belief that they have so much in common with American people and they feel totally related to them. In terms of government, definitely there are some hardcore hardliners who hate the U.S. government, but at the same time, there are some more moderate.
I completely love playing and designing games and always will. I am so into games that I listen to game music all day. That may sound strange, but you can guarantee I'm a hardcore gamer and would never let you down by designing a crappy title.
I'm quite curvy and I just try and exercise whenever I can. I don't do anything hardcore as I'm just not that dedicated.
The critics and hardcore music fans, those are the people you have to get to first, so we're really happy about it.
They put me in an office with the TV set up and said "Here's the tape. When you're finished writing your copy for the little trailer you're going to do, you'll come out and show it to us and we set you up to go edit it." I turned it on and it was just this hardcore film and I was like, "Oh my God, I've fallen down the rabbit hole."
I respect Chris Carrabba as a songwriter and I also respect his past. He's got this fierce, straight edge, kind of hardcore core. There's so many songs that people are connected to and they all came together in a kind of DIY way, which I really do respect.
I'm sure a lot of the hardcore folks are going to be up in arms and I'm really looking forward to getting into that discussion with them. I don't believe I'm compromising on my gameplay ideals at all. [But] any artist who doesn't want his or her work in front of the largest audience possible is nuts.
If I like hardcore straight-edge punk music, gentle psychedelic folk music, gangster rap, indie-rock with a lot of guitar pedals, and I find inspiration from all these things in different songs of mine, shouldn't I be allowed to make any of this kind of music that I want? And it's the same for the comic books, why should I only make autobiographical stories? Or only political stories? Or only superhero stories? Or only comedy stories? I am a bit creatively desperate, when I sit with a pen and paper I am desperate for ANY idea that makes me excited, I don't care what kind of idea it is!
I've been an artist forever. I started when I was in the third grade. I drew drawings of monsters and I sold them to my classmates for a dime. I studied painting. Originally I was a design and illustration major, but I met this girl. Back then, if you were a designer, you were a real sellout, and she was a real hardcore painter. I knew she would never take me seriously unless I was an art major, so I switched majors to fine arts. Anyway, we're married now. So it worked. How I got to my style? I'm a weird artist in that everything I do looks a little different.
Romeo is the most misunderstood character in literature, I think. He's hardcore to play because he's displaying the characteristics of Hamlet at the beginning, and, well, then everything else happens.
There weren't a lot of career opportunities in crazy-fast hardcore punk, so you didn't have a lot of ambition, just the love and passion to play music with your friends.
I worked for this company that repossessed cars. Sure enough, the day after I quit, they repossessed my car, but that would probably be my strangest job to date. You have to work your way up to become a hardcore repo man.
I'm actually a hardcore otaku who likes maids more than having three meals a day. And I only read books related to maids. Also, I only visit maid cafes. Of course, I also collect maid figurines. I play games which feature female maids and it turns me on so much. Then I'll wear the maid uniforms and jump in joy. I'll take my leave now.
What's when you rap and don't appreciate the art? What's when you sell out just to get a start? What's when you make bullshit just for the charts? What's when you rap, but it's not from the heart? What's when you're hardcore, then you turn pop? When you steal ideas to get props? When you sell out to be on top? What's when you front like you're hard, but you're not? That's a gimmick.
I've probably got the most loyal hardcore fans in the music business. You know, I can sit around, go fishing, do ten shows a year, fifteen, none, twenty, and it's just fantastic. Because they know I shoot straight and I don't talk bull.
I feel like it's impossible to please the hardcore comic book fans, because they'll never be happy no matter what you do.
I used to do boiler room telemarketing for a living, like hardcore fraud stuff that gets busted on 60 Minutes every week.
I have found the Iron to be my greatest friend. It never freaks out on me, never runs. Friends may come and go. But two hundred pounds is always two hundred pounds
Obama is trying to paint us as a caricature, as if we're some bizarre individualists who are hardcore libertarians. It's a false dichotomy and intellectually lazy. Of course we believe in government. We think government should do what it does really well, but that it has limits.
I don't do this to be healthy, I do this to get big muscles.
I'd like to go on a hardcore safari in Africa, something off the beaten track with anti-poaching people and camping out in the savannah.
Everything I do, writing, touring, travelling, it all comes from the punk and hardcore attitude, from that expression - from being open to try things but relying on yourself, taking what you have into the battle and making of it what you will, hoping you can figure it out as you go. Make some sense of it.
I'm really terrible at math, so I won't even attempt to do ratios and percentages, but all I know is that there's a lot of new songs that no-one has heard yet, and that there's a lot of old songs that some very, very super hardcore fans have heard for sure - there are people that have been coming and seeing me play in bars in like 2002, and there are songs that those people heard.
As a band, it's just me trying to please my own basement-hardcore sensibilities that I grew up with. It's not actually the future of anything, it's totally nostalgia.
High school and college were my punk, formative years. I was playing hardcore, learning to be a musician. In bands, you tour, but you're paid nothing; you're playing to 50 people in a basement, sleeping in a van, and you love it.
Just remember, somewhere, a little Chinese girl is warming up with your max.
I think the attraction to country music is the fans, the lure of the hardcore fan base.
Millennials, in particular, consider themselves to be spiritual, but they're not necessarily going to anybody's church. It's not like the world is becoming hardcore, Richard Dawkins-atheist, but people are looking to sort of synthesize science - people love science, especially the millennials.
I was a jock, hardcore sports all the way down the line, but I heard that if you auditioned for this arts school, you got time off school, and that sounded good to me.
I've had the luxury of owning my own studio, 24 analogue, 48 digital, endless effects, endless hardcore gear, that I don't have to rent, I don't get stuck with the bills, it's all mine.
Of course, there are the old hardcore teacher types like me who sit around and tell jokes, realizing, what's the difference anyway - it's all timeless.
As I got older, it turned into hardcore punk. I started getting into more aggressive music.
Never hide things from hardcore thinkers. They get more aggravated, more provoked by confusion than the most painful truths.
I've been in rehabs with hardcore heroin addicts who say, 'I've kicked the heroin, but I can't let go of the tobacco.' I haven't smoked a cigarette in a long time. I like being clean now.
It's not like activist work is a nice add-on to what's really important, the spiritual work. The two are inseparable and it goes both ways. Many people are hardcore activists for decades, and they encounter burnout, futility, or a feeling of imbalance. Sometimes they need to go so far as to drop their activism and go on a spiritual journey. They're realizing that all the stuff they're trying to change in the world isn't just out there in the world. It's in them, too. And as long as they're blind to what's in them, they're going to continually re-create it in all that they do.
For me life is continuously being hungry. The meaning of life is not simply to exist, to survive, but to move ahead, to go up, to achieve, to conquer.
I was a guitar player on the streets of Asbury Park and already a member in good standing amongst those who lie in service of the truth - artists with a small A. But I held four clean aces. I had youth, almost a decade of hardcore bar band experience, a good group of homegrown musicians who were attuned to my performance style, and a story to tell.