Home Videos Quotes

My films do very well on home video.

When I saw the first video iPod, I thought this could have the same impact VHS/home video had on the movie business.

My favorite show is America's Funniest Home Videos. People will get hit on the head and I feel bad cause I'm laughing my head off!

For a long time, the film business was a single-digit business on investment return. Now, because of home video, it's a low double-digit business, and the studios want to make sure it doesn't go back into the single-digit business.

A lot of filmmakers from my generation were lucky enough to have their work more or less perpetuated by people who saw them originally on TV and on HBO and certainly on home video.

The home videos aren't as good, but they are seeming to get better.

Can you stand? (Aimee) I’m not helpless. (Fang) Oh, look! Mr. Macho is back in all his glory. Hello, Mr. Macho, it’s so not good to see you again. But you know, Mr. Macho, that you’ve been bedridden to the point that your legs aren’t used to carrying your weight and you’re not really human. So if you want to get up and fall, gods forbid I do anything to stop it. After all, I live for America’s Funniest Home Videos. Should I fetch a camcorder now? (Aimee)

My guiltiest pleasure in life is 'America's Funniest Home Videos.' I watch them all - old, new - I don't care. Despite how bad the writing is on the show. The people getting hit and hurt, that's hilarious.

I swear, sometimes I am convinced my life is just a series of sketches for America's Funniest Home Videos, minus all that pants-dropping business. Except my life really isn't all that funny if you think about it.

No one was jumping up and saying, 'Yeah, let me give you money.' I had never held a camera in my hand - a home video camera, nothing. I had not directed.

It [TV] is the cancer of film. It's why people can't be educated to film. In the late '60s, we expected to see a movie or two every week and be stimulated, excited and inspired. And we did. Every week after week. Antonioni, Goddard, Truffaut - this endless list of people. And then comes television and home video. I know how to work exactly for the big screen, but it doesn't matter what I think about the art of movie-making versus TV.

I still havent got over the fact that I wont be the only person seeing the film. Im used to watching home videos of when I was little, singing Barbie Girl and stuff, and nobody sees them except the family. Now, there will be loads of people going to see The Golden Compass. At least, we hope they will.

Netflix, Amazon, iTunes - whatever platforms emerge - we are looking at as having the same potential that home video had for the movie business. Which means there are entirely new opportunities to monetize our capital investment in content and do so in ways that work for distributors, for consumers and for creators.

When I was just a kid, growing up in Brooklyn, I was constantly making home videos with my family – real silly high-concept productions like, 'Attack of the Killer Handkerchief.' I guess I knew even then that I wanted to be an actress.