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Imagination is the power that enables us to empathize with humans whose experiences we have never shared.
Oct 1, 2025
Nature uses human imagination to lift her work of creation to even higher levels.
The great gift of the human imagination is that it has no limits or ending.
I am neither Jew nor Gentile, Mohammedan nor Theist; I am but a member of the human family, and would accept of truth by whomsoever offered -- that truth which we can all find, if we will but seek in things, not in words; in nature, not in human imagination; in our own hearts, not in temples made with hands.
I don't know what it means to manage the human imagination, but I do know that imagination is the main source of value in the new economy. And I know we'd better figure out the answer to my question-quick.
The Master and Margarita is my favorite. To me it’s the greatest exploration of the human imagination.
Literature as a whole is not an aggregate of exhibits with red and blue ribbons attached to them, like a cat-show, but the range of articulate human imagination as it extends from the height of imaginative heaven to the depth of imaginative hell.
Equilibrium is a figment of the human imagination.
My imagination makes me human and makes me a fool; it gives me all the world, and exiles me from it.
What an enormous magnifier is tradition! How a thing grows in the human memory and in the human imagination, when love, worship, and all that lies in the human heart, is there to encourage it
The simple truth is that interstellar distances will not fit into the human imagination.
Everything will come true in cyberspace. That's the whole idea. What cyberspace is, on one level, it's simply the human imagination vivified, hardwired.
It's about human imagination and curiosity. What's out there? What's in the great beyond? What exists at levels we can't see with our five senses?
Love is ...not a fact in nature of which we become aware, but rather a creation of the human imagination.
What if imagination and art are not frosting at all, but the fountainhead of human experience?
Education tends to be diagrammatic and categorical, opening up no sluices in the human imagination on the wonder of the beauty of our unique estate in the cosmos. Little wonder that it becomes so easy for our young to regard human hurt casually or to be uninspired by the magic of sensitivity.
Religions are not imaginative, not poetic, not soulful. On the contrary, they are parochial, small-minded, niggardly with the human imagination, precisely where science is generous.
One reaches through to the continents and oceans of the imagination, worlds able to sustain anyone who will but play, and then lets the play deepen and deepen until it is a reality that few would even dare to entertain...The human imagination is the holographic organ of the human body, and we don't 'imagine' anything. We simply see things so far away that there is no possibility of validating or invalidating their existence.
The human imagination, in conjunction with technology, has become a force so potent that it really can no longer be unleashed on the surface of the planet with safety.
If psychedelics are exopheromones that dissolve the dominant ego, then they are also enzymes that synergize the human imagination and empower language. They cause us to connect and reconnect the contents of the collective mind in ever more implausible, beautiful, and self-fulfilling ways.
We are all afraid for our confidence, for the future, for the world. That is the nature of the human imagination. Yet every man, every civilization, has gone forward because of its engagement with what it has set itself to do.
Imagination is not only the uniquely human capacity to envision that which is not, and therefore the fount of all invention and innovation. In its arguably most transformative and revelatory capacity, it is the power to that enables us to empathize with humans whose experiences we have never shared.
Imagination is the living power and prime agent of all human perception.
The human imagination may be the most elastic thing in the universe, stretching to encompass the millions of dreams that in centuries of relectless struggle built modern civilization, to entertain the endless doubts that hamper every human enterprise, and to conceive the vast menagerie of boogeymen that trouble every human heart.
The creative act is a letting down of the net of human imagination into the ocean of chaos on which we are suspended, and the attempt to bring out of it ideas.
Are there any mythical beasts which aren't simple pastiches of nature? Centaurs, minotaurs, unicorns, griffons, chimeras, sphinxes, manticores, and the like don't speak well for the human imagination. None is as novel as a kangaroo or starfish.
Without leaps of imagination, or dreaming, we lose the excitement of possibilities. Dreaming, after all, is a form of planning.
One of the wonderful aspects of the human imagination is its power to break through the barriers of time and space. It can see things not as they are but as the can be.
Dreaming, after all, is a form of planning.
The human race is governed by its imagination.
Every human has four endowments - self awareness, conscience, independent will and creative imagination. These give us the ultimate human freedom... The power to choose, to respond, to change.
I felt no shame in these activities, because I understood what almost no one else seemed to grasp: that there was only an infinitesimal difference, a difference so small that it barely existed except as a figment of the human imagination, between working in a tall green glass building on Park Avenue and collecting litter in a park. In fact, there may have been no difference at all.
Grant that the idea of God is the most splendid single act of the creative human imagination, and that all his multiple faces and attributes correspond to some need and satisfy some deep desire in mankind; still, for the Inquirers, it is impossible not to conclude that this mystical concept has been harnessed rudely to machinery of the most mundane sort, and has been made to serve the ends of an organization which, ruling under divine guidance, has ruled very little better, and in some respects, worse, than certain rather mediocre but frankly manmade systems of government.
Microsoft's only factory asset is the human imagination.
... Art is a soaring exercise of the human imagination.
Architecture is the triumph of human imagination over materials, methods, and men, to put man into possession of his own Earth. It is at least the geometric pattern of things, of life, of the human and social world. It is at best that magic framework of reality that we sometimes touch upon when we use the word order.
Architecture is the triumph of human imagination over materials, methods, and men, to put man into possession of his own earth
There are things that are more important than the news and what’s happening today. There are these archetypes which are part of the human imagination since humans were presumably imaginative. And I think that’s what [people] find touching, these eternal ideas. It’s one of the things that makes fantasy something that tends to stand the test of time because we’re reading, 50 years later, The Lord of the Rings.
On the human imagination, events produce the effects of time. Thus, he who has travelled far and seen much, is apt to fancy that he has lived long; and the history that most abounds in important incidents, soonest assumes the aspect of antiquity.
Everything that I see must become personal; otherwise, it is dead and mechanical. Our only chance to escape the blight of mechanization, of acting and thinking alike, of the huge machine which society is becoming, is to restore life to all things through the saving and beneficent power of the human imagination.
I am beginning to think of the human imagination as a fruit machine on which victories are rare and separated by much vain expense, and represent a rare alignment of mental and spiritual qualities that normally are quite at odds.
You only have one life. And you only have one life of worship. You have one brief opportunity in time to declare your allegiance, to unleash your affection, to exhault something or someone above all else. So don't waste your worship on some little god, squandering your birthright on idols made only with human imagination. Guard your worship. And carefully evaluate all potential takers.
The personality of the artist, at first a cry or a cadence or a mood and then a fluid, and lambent narrative, finally refines itself out of existence, impersonalises itself, so to speak. The aesthetic image in the dramatic form is life purified in and reprojected from the human imagination. The mystery of aesthetic like that of material creation is accomplished. The artist, like the God of the creation, remains within or behind or beyond or above his handiwork, invisible, refined out of existence, indifferent, paring his fingernails.
The last adventure left on this planet is creativity because we've been everywhere. There's not much left to explore. But there's a lot of exploration left in the human imagination.
To invent, you need a good imagination and a pile of junk.
After all, we did not invent symbolism; it is a universal age-old activity of the human imagination.
Our minds can go no further. The human imagination is capable of no further expression of beauty than the carved owl of Athene, the archaic, marble serpent, the arrogant selfish head of the Acropolis Apollo.
Men are rapists, batterers, plunderers, killers; these same men are religious prophets, poets, heroes, figures of romance, adventure, accomplishment, figures ennobled by tragedy and defeat. Men have claimed the earth, called it 'Her'. Men ruin Her. Men have airplanes, guns, bombs, poisonous gases, weapons so perverse and deadly that they defy any authentically human imagination.
It seems to me that this whole alone is worthy of the deeper sort of love; and that there is peace, freedom, I might say a kind of salvation, in turning one's affections outward toward this one God, rather than inwards on one's self, or on humanity, or on human imaginations and abstractions - the world of the spirits.
Let me define a garden as the meeting of raw nature and the human imagination in which both seek the fulfillment of their beauty. Every sign indicates that nature wants us and wishes for collaboration with us, just as we long for nature to be fulfilled in us. If our original state was to live in a garden, as Adam and Eve did, then a garden signals our absolute origins as well as our condition of eternity, while life outside the garden is time and temporality.