Keyboards Quotes

Whoever came up with "hold the shift key for eight seconds to turn on 'your keyboard is buggered' mode" should be shot.

One of the saddest sights to me has always been a human at a keyboard doing something by hand that could be automated. It's sad but hilarious.

Whenever I try to map things out they inevitably change. Which doesn't mean I don't map them out — I just try to embrace the better ideas that come along as my fingers are flying around the keyboard mid-draft!

I can play just about any keyboard but I can't read or write a note.

The telkine growled and muttered as he tapped on his keyboard. Maybe he was messaging his friends on uglyface.com

I feel like a novice, just as I felt before I knew anything of the keyboard. It is far too original, and I shall end up not being able to learn it myself.

I can play songs that I hear from a movie and just play it a few times on the keyboard. I will hit all the notes on the keyboard until I find the right key, and then I will play the rest of the song.

My people, we stay indoors. We have keyboards. We have darkness. It's quiet.

Have I a secret about playing the piano? It's a very simple one. I sit down on the piano stool and make myself comfortable - and I always make sure that the lid over the keyboard is open before I start to play.

What I do remember is visualization of the sound of music, seeing bodies in movement in relation to how music sounded, because my mother practiced at the keyboard a lot and I also went to her lessons. As a two year old, three year old I remember seeing things in movement.

I wrote, recorded and produced everything myself. I played the guitars and keyboards while the drums were programmed. As a producer, I think music technology has reached a point, where the results that can be achieved in this way, allows me to create the music and sounds I envision.

I definitely feel that my brain works differently, and words come out differently, if I have a pencil in my hand, rather than if I have a keyboard.

I don't like sitting at a keyboard.

I am not a keyboard person. The mouse is better.

I either write songs on guitar, or... I don't ever have a keyboard with me, but like, my keyboard on the laptop.

Just moving one keyboard or synth is a pain in the ass.

It can't be any new note. When you look at the keyboard, all the notes are there already. But if you mean a note enough, it will sound different. You got to pick the notes you really mean!

I drink tea pretty much continuously at a rate of around 1 imperial pint/hour, which sort of enforces screen/keyboard breaks.

I tend not to write on guitar very often. I tend to start off with keyboards.

The truth is, the family is much more creatively nourishing because you're playing on a full keyboard. Whereas when you're single, you're just playing the upbeat jazzy tunes.

I started playing instruments. Writing didn't come until later. I didn't know how to play a keyboard but I'd listen to hits off the radio, learn them, then my hands would be ready to play.

I'm not a natural story-teller. Put a keyboard in front of me and I'm fine, but stand me up in front of an audience and I'm actually quite shy and reserved.

I'm a workmanlike writer. I show up every day and treat it like a job. The old rule that writing is like any other job, the first rule is that you must show up. I'm at the keyboard from 9 to 4 every day.

I played djembe, percussion, keyboards and I sang.

When I'm online, I'm alone in a room, tapping on a keyboard, staring at a cathode-ray tube.

Sometimes I just hit the keyboard in a way I'd like the rhythm of the tracks to sound.

Since my tour (in Japan) just finished, I started writing songs. I was inspired a lot while on the road and I have a lot to say and feel. I want to process those and write it down on paper and put my hands on the keyboard before they become the past.

It has always been my ambition to die in harness with my head face down on a keyboard and my nose caught between two of the keys.

When I'm writing a lyric, I totally forget about the music. I'm just looking at the lyric and thinking about it almost as a separate entity. And then I'll go to my keyboard with all the lyrics printed out and try to think of how to make this a complete musical thing. I've got a very basic keyboard with some presets.

Using a mouse, keyboard or gamepad make my arm tired, so I can't use them in a continual manner. The only device I can use for an extended period of time is a joystick. It's posing problems when I'm test-playing something in progress.

I don't want to permanently damage myself! On the other hand, a couple of days off the keyboard tends to make things somewhat better.

For the millions of us who live glued to computer keyboards at work and TV monitors at home, food may be more than entertainment. It may be the only sensual experience left.

As a kid, I was always into art at the same time as computers, and eventually I realised I was making more interesting stuff with my keyboard than with my hands. I really enjoyed modifying computer games more than playing them, so that got me into programming.

I met designers that are in the business for ten years in the movies, and their biggest complaint is things don't look anything like they were designed. Look at my drawing! But nobody ever sees the drawing, that's the thing. So I knew right from the beginning that I would design everything in 3D on my computer, and those models literally went to the machines. So every little radius on most of the vehicles you see there, I built with my mouse and keyboard.

It was an unforgettable picture to see Chopin sitting at the piano like a clairvoyant, lost in his dreams; to see how his vision communicated itself through his playing, and how, at the end of each piece, he had the sad habit of running one finger over the length of the plaintive keyboard, as though to tear himself forcibly away from his dream.

He started to touch the mechanism under the keyboard, then pulled his hand back with a snap. "Ah," he said. "Must deactivate the security....Turn around, please." "What?" "Turn around, Claire. It's a secure password!" "You have GOT to be kidding." "Why ever would I joke about that? Please turn.

I actually prefer it if I don't know what I'm supposed to do. If you've got an equal temperament piano keyboard, then you know what you're going to get if you play certain chords. But I actually like it if you don't know where the notes are, because then you do it intuitively. You're working out a new language, basically. New rules.

When I first starting making beats, I didn't know samples were being used in any beats. I had no idea where producers were getting the real string sounds or the voices on their tracks. I knew nothing about loops or sampling off of records. So, by me knowing nothing about this it made me concentrate on my chords on the keyboard.

The Internet, I'm trying to point out, is a kooks' paradise. Anybody with a keyboard and a modem can spread fear, loathing, and just plain asinine ideas among hundreds of thousands of people with the click of a button. Discouraging, but true.

IM is interesting because you look at your buddy list and, at a glance, see what your friends are listening to, what they're working on, what they're doing. The problem was that you were bound to the computer keyboard.

There would be little reason to lie down at night without the possibility of seeing things bigger and more amazing than the average day might bright about. Why pick up a pen or type on a keyboard if there's no imagination or wonder left to behold? I would hate to be in the position of hoping for nothing simply because my brain can no longer dream.

Every big company has some little guy who is an enthusiast off in the corner working on technology. In Japan, it is integrated into their high-level strategy. They see it as a communication medium, because for them, just the words  -  and this is the problem that they have with Americans  -  just the words they say to you is not the complete message. Their facial expressions, their body language, there is a lot of context. Also, their written language doesn't translate to keyboards well.

I'm not musically trained and I'm not all these other things. I'm creative with a keyboard and a drum machine, but I can't really make these perfect minimal musical executions - all the things that would be nice with all these refined poems.

While it is becoming increasingly obvious that the fundamental architecture of a system has a profound Influence on the quality of its human factors, the vast majority of human factors studies concern the surface of hardware (keyboards, screens) or the very surface of the software (command names, menu formats).

The first reason why I started to use the [electric] keyboard is because I really like the bending sound of the guitar and bass player. I can't bend the piano sound. I really like the feel behind it. I feel it adds flavour and character to my music.

The only bad days as a writer are the ones when you are too cowardly or too lazy to sit down at the keyboard and give it everything you have.

Color is the keyboard, the eyes are the harmonies, the soul is the piano with many strings. The artist is the hand that plays, touching one key or another, to cause vibrations in the soul.

For instance, I assume those "carrots" we have on our keyboards were there originally to express "greater than" and "less than." Then they were adopted by coders, and now they show up all the time in the way email addresses are constructed. At least I think that's what happened.

The magic of myth and legend has come true in our time. One types the correct incantation on a keyboard, and a display screen comes to life, showing things that never were nor could be.... The computer resembles the magic of legend in this respect, too. If one character, one pause, of the incantation is not strictly in proper form, the magic doesn't work. Human beings are not accustomed to being perfect, and few areas of human activity demand it. Adjusting to the requirement for perfection is, I think, the most difficult part of learning to program.

Delacroix, Wagner, Baudelaire - all great theorists, bent on dominating other minds by sensuous means. Their one dream was to create the irresistible effect - to intoxicate, or overwhelm. They looked to analysis to provide them with the keyboard on which to play, with certainty, on man's emotions, and they sought in abstract meditation they key to sure and certain action upon their subject - man's nervous and psychic being.