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Live theater to me is much more free than the movies or television.
Sep 29, 2025
Performing in a live theater is absolutely unbeatable. It is something I have done my entire life and have a gift, it seems, for sharing thoughts live.
That's why I love doing live theater more than anything: You get an immediate reaction, whether it's good or bad.
I love life. I love the live theater.
The energy of live theater is indescribable. You are just in the moment for an hour and a half.
Live theater is just an incredibly powerful medium, and I think anyone who goes, whether they know about it or not, if they see something that sort of fits with them, it's kind of hard to deny that they had a good time.
Playing in front of an audience was just such a turn-on for me, and you have 200 people in the audience and it's like doing live theater. And filming something that goes to millions of people several weeks later, it's an interesting dynamic.
I love flexing theater Muscles. Television has merits as well, but there's no substitute for live theater.
If I had to pick one form of acting, it would be live theater. That's where I started; that's where I became a man, I think I'm still finishing up that job.
This sounds so bogus, but I would love to, at some point when my kids are in college, is just go do a whole season at the Oregon Shakespeare Festival, and do a year of plays. Most actors miss the days of live theater.
My preference is live performance, because you get the feedback. There's an energy. It's live theater. That's why I think actors like that.
You want people to think. You want people to be emotionally moved. And there's a theory behind that in terms of storytelling. It has been around for thousands of years. And that's where something like live theater or a live performance is something that is very valuable because you get instant feedback from your audience and you kind of know the things that work and the things that don't work.
So I've done my fair share of theater. I have also been very fortunate in that I've been able to come to New York two or three times a year just to see as many shows as possible. I think the live theater culture here is incredible.
Live television drama was like live theater, because you moved without thinking about the camera. It followed you around. In film you have to be more aware of what the camera is doing.
Pen-and-paper role-playing is live theater and computer games are television. People want the convenience and instant gratification of turning on the TV rather than getting dressed up and going out to see a live play. In the same way, the computer is a more immediately accessible way to play games.
Learn as much as you can about performing. Live theater, improv classes, music, stand up comedy, dance, anything to make yourself confident and comfortable in front of an audience. It'll all come in handy when auditioning for producers and performing with other actors. The best voice actors all have a live performance background. And are competent, fearless, incredibly creative actors.
I love live theater; I like the relationship between the show and the audience. That's my comfort zone, but more than anything, it's what makes me happy.
My preference is live performance. Because you get the feedback. There's an energy. It's live theater. That's why I think actors like that. You know, musicians need it, comedians definitely need it. It doesn't matter what size and what club, whether it's 30 people in the club or 2,000 in a hall or a theater. It's live, it's symbiotic, you need it.
I really wanted to go back to the theater, the live theater. That was the thing I had never had a chance to do, even though I had trained to be a stage actress.
The discipline of live theater - doing the same perfect thing night after night, eight times a week - never ceases to amaze me
I'd done table reads for my own screenplays, and I always thought they were so much fun. Why couldn't we do these for other classic screenplays and bring them to life? You can experience live theater, where you get to see plays produced by different directors and different casts, but there's really nothing like that for movie scripts.
Theater in Chicago will always be my first love. It started careers for me and about 50 of my friends. We all love coming back. As soon as the TV show is over, I'll be back in Chicago, doing live theater.
There's just something about getting up, putting it out there, and getting this exchange of energy. Whether your audience is a camera lens, or live theater, or whatever it is, just putting that out there and getting it back is just an honor.
There's nothing like the buzz of live theater. You put it out there and receive an instant reaction: laughing, crying, yelling, applauding.
We're trying to get as many people to become interested in seeing it, but if you like the theater and you're interested in seeing what live theater looks like in New York, you probably already set your DVR. It's gonna be a hard ask to get a bunch of college-basketball fans to tune in for three hours to watch the Tonys.
I want to be back on Broadway one day. That's a dream of mine. There's nothing like live theater, and I think it's so important for me to be able to be on stage with an audience that responds.
Live theater is my favorite of all the mediums that I have worked in, so I have every intention on coming back to Broadway.
I want to do # stage again, because there just aren't words for how great it is. People say that all the time, "There's nothing like live theater, blah blah," but it's really true. I see a show and I know how they feel, and it feels great.
Good live theater disturbs molecules. You create an energy source around yourself and it alternates between you and the audience. Anybody who sees live theater should come out a little rearranged.
In the theatre the audience want to be surprised - but by things that they expect.
I went to a theater arts school, so I'm interested in many different projects, whether it be film, television or even live theater. I'm a performer. That's what I do. That's what I want to do.
As a student studying acting, I was always broke, so going to see any live theater was almost impossible.
The cast, staff, and crew of a live theater work together toward a common goal: a good performance. Thus, theater is necessarily a group effort. However, it is never a group effort of vague fellow committee members, but of associated autocrats-a playwright, a producer, a director, a stage manager, designers, and, above all, actors. Each accommodates the others, and may overlap others in function when necessary. But each autocrat assumes distinct responsibilities and accepts them completely.
I like roles that are on the extreme ends of the spectrum, and there's special appeal in exploring these slightly forgotten plays that people might think of as subjects for academic term papers instead of live theater.
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