Maestro Quotes

You can't teach the old maestro a new tune.

Keep in mind that life produces no maestros, only students of varying shades of ineptitude.

Do you truly believe that life is fair, Senor de la Vega? -No, maestro, but I plan to do everything in my power to make it so.

I see myself as a student. I would never call myself a master or a maestro. If you take the path of the student, that means you have to try a little bit of everything in hopes that you're going to learn something or strike some kind of new note, expression in the process. I'm not going for grades; I'm going for an education. I'm going to continue experimenting and trying new things to try to evolve and learn.

Sirio Maccioni is the perfect Maestro. He does it all: great food, great entertainment, and always with a room full of the best people. He's the only person I could ever imagine going into the restaurant business with!

I was on a Japanese designers' pedestal - considered a maestro. My design was getting closer to a couturier's work, and I felt like I was missing something.

I'm fine." It's a lie. I am not fine. My head is a symphony of pain, a sadistic master maestro conducting an opus of excruciating, devastating perfecting.

I said to Mr. Pavarotti once ... a marvelous man and a great artist ... I said to him ... "Maestro, I'm having trouble closing out a note so that it's almost as thin as a butter knife ... finish it out quietly like that." I said, "I have trouble doing that. What do you think I should do?" He said, "Justa close up your mouth." That's all he said, and I fell on the floor. I thought he was gonna give me a dissertation.

The Maestro says it's Mozart but it sounds like bubble gum when you're waiting for the miracle to come.

Who else but the maestro of mathematical creativity, Clifford Pickover, to curate a museum of Strange Brains and write biographies of the scientific geniuses who formerly owned them? I'll never look at a pigeon, a pearl, or a Wheatstone bridge the same way again.

Where we are from... [s]tories are factual. If a farmer is declared a music virtuoso by the state, everyone had better start calling him maestro. And secretly, he'd be wise to start practicing the piano. For us, the story is more important than the person. If a man and his story are in conflict, it is the man who must change.

I listen to the summer symphony outside my window. Truthfully, it's not a symphony at all. There's no tune, no melody, only the same notes over and over. Chirps and tweets and trills and burples. It's as if the insect orchestra is forever tuning its instruments, forever waiting for the maestro to tap his baton and bring them to order. I, for one, hope the maestro never comes. I love the music mess of it.

Today's parents have little authority over those others with whom they share the task of raising their children. On the contrary,most parents deal with those others from a position of inferiority or helplessness. Teacher, doctors, social workers, or television producers possess more status than most parents.... As a result, the parent today isa maestro trying to conduct an orchestra of players who have never met and who play from a multitude of different scores, each in a notation the conductor cannot read.

Seeing Taylor Swift live in 2013 is seeing a maestro at the top of her or anyone's game. No other pop auteur can touch her right now for emotional excess or musical reach - her punk is so punk, her disco is so disco. The red sequins on her guitar match the ones on her microphone, her shoes and 80 percent of the crowd.

What you need to know to direct a movie is [of] such great variety. I've worked with people who were maestros, who know everything. I've worked with people who were empty and lost, who had no clue what they were doing. You wouldn't hire them to paint your apartment. And then there's everything in-between. There's no list of skills you have to have to sit in that chair.

And the maestro surely wielded the chairman's baton with extraordinary skill. His stellar record suggests that the only right answer to the age-old question of whether it is better to be lucky or good may be: both.

The great piano virtuoso Paderewski was once playing before an audience of the rich and the royal. After a brilliant performance, an elegant lady waxed ecstatic over the great artist. She said, "Ah Maestro, you are a genius!" Paderewski tartly replied, "Ah yes, madam, but before I was a genius I was a clod!" What he was saying was that his present acclaim was not handed to him on a silver platter. He, too, was once a little boy laboriously practicing his scales. And even at his peak, behind every brilliant performance there were countless hours of practice and preparation.