Ordinary World Quotes

I think that's the big difference between this one [Ordinary World] and a lot of the other rock 'n' roll movies. They're playing to tape, but Fred Armisen and I were actually in a rock 'n' roll bad together. I also really related to the character, especially when it came to the parenting part. I'm a pretty klutzy parent.

I have no time for things that have no soul.

The main thing about the character [in the Ordinary World] is that he loves music, and he shares it with his daughter. He's having a mid-life moment, and it's a small moment, really. I think that the character actually really loves where he's at, in his life. He's just trying to have it make a little bit more sense while he figures out what he actually wants to do with it.

It seems to me that [my films] are talking about very simple and, I hope, universal feelings. And at the same time, even though they are set in a very weird world with elements that are irrational, at the same time, it's very close to an ordinary world. And I like to have this third feeling of mystery.

There were a couple of times, leading up to shooting [Ordinary World], where I was like, "Oh, my god, what did I get myself into? Hopefully, I don't ruin this guy's precious script." And then, after a couple of days of shooting, I started getting in the groove of it and it was really fun. I love being a rookie at stuff. It makes it feel vital. I love doing things I've never done before, and I love making stuff.

What would be frightening about me jumping out of the bush wearing a pig mask is not the sudden surprise, not me, and not the pig mask, but that the ordinary world had split open for a moment to reveal some possibility never previously considered.

The fact that I was taking naps in churches, in between takes of the [Ordinary World], and there was that guerilla style of filmmaking, I felt more at home with that.

This is the way of meditation: encountering the present in all its tremendous beauty, just being in the present. Inside, the mind stops. Outside, the world changes totally. It is no more the ordinary world you have known before. In fact, you have not known it at all. Your mind was distorting everything, your mind was creating fantasies. Your eyes were full of fantasies and you were looking though those fantasies. They never allowed you to see that which is. If the mind is gone, even for a moment, suddenly the whole existence explodes upon you.

If there's any kind of morality, for me, it's about reality; what is reality? I have a hard time distinguishing what is valuable when it comes to the real world and the fantasy world. Like, should I invest my time in the ordinary world or the imaginary world?

Everybody likes an extraordinary person or likes to think that they would be great with a superpower in an ordinary world.

Exceptional people are often called crazy by the ordinary world.

Artful without being pretentious, well-made without being staid, Trey Moody's investigations of our weird and ordinary world are a little off, by which I mean that they're onto something. Read 'em and be crept into.

I will not adjust myself to the world. I am adjusted to myself.

I disregard the proportions, the measures, the tempo of the ordinary world. I refuse to live in the ordinary world as ordinary women. To enter ordinary relationships. I want ecstasy. I am a neurotic — in the sense that I live in my world. I will not adjust myself to the world. I am adjusted to myself.

Understand me. I’m not like an ordinary world. I have my madness, I live in another dimension and I do not have time for things that have no soul.

The poem is the device through which the ordinary world is seen in a new way - engaging, compelling, even beautiful.

I think fantasy is best described as a kind of fiction that evokes wonder, mystery or magic, a sense of possibility beyond the ordinary world in which we live, and yet which reflects and comments upon that known world.

But there's a world beyond what we can see and touch, and that world lives by its own laws. What may be impossible in this very ordinary world is very possible there, and sometimes the boundaries between the two worlds disappear, and then who can say what is possible and impossible?

My benefactor said that when a man embarks on the paths of sorcery he becomes aware, in a gradual manner, that ordinary life has been forever left behind; that knowledge is indeed a frightening affair; that the means of the ordinary world are no longer a buffer for him; and that he must adopt a new way of life if he is going to survive. The first thing he ought to do, at that point, is to want to become a warrior.

I definitely related a lot to Perry [from That's Ordinary World movie]. I liked how he put family first. I identified with the exhaustion and klutziness that comes with being a parent, and how he's just a rock-and-roller at heart. For me, it was fun to kind of imagine whether or not this could've been the path I went on, or not.

I felt permanently exiled from 'normality.' Whether imposed by self or society, this outsider status - and not the disability itself - constitutes the most daunting barrier for most people with physical impairments, because it, even more than flights of steps or elevators without braille, prevents them from participating fully in the ordinary world, where most of life's satisfactions dwell.

Medicine people are truly citizens of two worlds, and those who continue to walk the path of medicine power learn to keep their balance in both the ordinary and the non-ordinary worlds.

In one of the scenes [in the Ordinary World], you can see a little cameo of my son, who's in the party. You've just gotta bring it all back home.

I threw a big-ass party. It turned out a bit different from Perry's [in That's Ordinary World], but it was pretty nuts. It wasn't me that threw it though, my wife threw me a surprise party. So [unlike Selma Blair's character] she didn't forget.

The record [American Idiot ] felt special to us, when we recorded it, with all of the artwork and the concept behind it and it being a rock opera, but we didn't really know where it was going to go. It's like I always say, you just follow the music. Not only was American Idiot a special moment for us, but it also led to Ordinary World, too.

Go back to The October Palace, which came out in 1994, and there are poems with windows, doors, the rooms of the gorgeous and vanishing palace that is this ordinary world and ordinary life. Jungian archetype would say the house is a figure for the experienced, experiencing self.

When my parents were liberated, four years before I was born, they found that the ordinary world outside the camp had been eradicated. There was no more simple meal, no thing was less than extraordinary: a fork, a mattress, a clean shirt, a book. Not to mention such things that can make one weep: an orange, meat and vegetables, hot water. There was no ordinariness to return to, no refuge from the blinding potency of things, an apple screaming its sweet juice.

You have to have something vicious in you to be a creative writersomething old-adamish, incompatible to the "ordinary world.

When I was done with the movie [Ordinary World], I felt really compelled to start working on another album. Little did I know, they were going to come out back to back.

When we were making the record, I just decided, at the last second. I thought, "This song ["Ordinary World"] makes a lot of sense, being on the album [Revolution Radio]."

As agent asked if I wanted to be represented, and I said, "Yeah, sure, I'll give it a shot!" It was never something I had really put that much thought into. But then, Lee Kirk reached out and asked if I was interested, and I read the script of the [Ordinary World] and said, "Absolutely!"

The Olympic Games are not just ordinary world championships but a quadrennial festival of universal youth. . . celebrated by each succeeding generation as it arrives on the threshold of adulthood.

Every writer must acknowledge and be able to handle the unalterable fact that he has, in effect, given himself a life sentence in solitary confinement. The ordinary world of work is closed to him - and that if he's lucky!

[William Eggleston] sets forth what makes up our ordinary world. What is there, however strange, can be accepted without question; familiarity will be what overwhelms us.