Pacing Quotes

I see everything visually. It's very visual for me. And so I think, from a plotting standpoint or what have you, there's obviously a certain amount of internal thinking that goes on in a novel (that) you can't do...in a screenplay. But I think, pacing wise, my novels move quickly because (they aren't overly) descriptive.

I'm not that conscious of my writing, so pacing the lyrics doesn't really enter the picture.

Humor is important for is pacing. If your whole book is just drama drama drama, it's going to wear down the reader.

So it's one of those things where we have to - our problem is pacing ourselves and still reaching a large enough number of our audience. Because we don't want to burn the audience. And we don't want to be excluding anybody.

But it's mostly about pacing yourself when you do these movies.

I find it enormously valuable to be sure that that the pacing is what I think it is and that the scenes have the shape I think they have musically and dramatically.

Baseball shaded my entire outlook on life, because that's how I first saw the world. I looked at everything, even today, through what I learned about the game. Like pacing yourself, focusing yourself, preparing yourself for what you want to do, keeping yourself healthy for the game. I do all that through the eyes of a ballplayer.

Pacing is really important in an organization.

I picture my books as movies when I get stuck, and when I'm working on a new idea, the first thing I do is hit theaters to work out pacing and mood.

Songs are so all-encompassing; they're the joys and sorrows and pacing of life.

Without even knowing it, we are assaulted by a high note of urgency all the time. We end up pacing ourselves to the city rhythm whether or not it's our own. In time we even grow hard of hearing to the rest of the world. Like a violinist stuck next to the timpani, we may lose the ability to hear our own instrument.

No Time For Goodbye is a deliciously smart thriller, full of surprises and perfect pacing. I'm jealous I didn't write it.

There's no real rules about what you do [while directing]; it's just you just use your instincts as to the pacing of a film and what is repetitive and what is the minimum amount you can get away with to tell the story, that scene didn't make it in.

I'm on my feet, pacing around the room, punching a fist into my palm, which I stop doing when I realise how drama queen it feels.

Maberry is a master at writing scenes that surge and hum with tension. The pacing is relentless. He presses the accelerator to the floor and never lets up, taking you on a ride that leaves your heart pounding. It's almost impossible to put this book down. Dead of Night is an excellent read.

And what exactly is nature walking? It's any and every kind of walking you can do in the natural world. The activity encompasses strolling, striding, sauntering, stepping, treading, tramping, traipsing, traversing, rambling, roving, roaming, racewalking, hiking, meandering, wandering, wending, pacing, peregrinating, perambulating ... in natural surroundings.

An Englishmen thinks seated; a Frenchmen standing; an American pacing, an Irishman, afterwards.

She wished she could understand her reaction to him. Why, her heart was pacing a wild beat again. Madelyne dared a quick look up and found Duncan was watching her intently. He looked so handsome. She wanted him to be ugly.

Dr. Keller begins pacing. "I don't think we've been hearing Faith just right. Her guard...the words..they sound alike." What do you mean?" Your daughter," Dr. Keller says flatly. "I think she's seeing God.

Comedy is so hard; it's so much harder than drama. The pacing of it, the energy of it.

Yeah, but if I don't start my nervous pacing now, I'll never have it all done in time.

He who trades pacing for gimmicky open-world freedom deserves neither.

It's no good pacing up and down. It won't make the plane arrive any faster. Just sit down and accept that we're delayed. You're just making a fool of yourself.

With the rise of industrialism, words like 'normal' and 'defective,' words that had once only been used to refer to things, began to be used to refer to people. ... In the industrial age, a new degree of uniformity was expected of people. The rhythms and pacing of life could no longer be organic. People became expected to function like things.

If you're trying to convey a crucial emotional truth, you have to be in total control of the emotional pacing of the story, and if you can only strike one note in terms of tone then you're going to be quite limited as a writer.

It's my passion, that's what I wanna do, it's the end goal, that's what I crave every second of the day is to be working on a production but also to be the person leading the production and guiding the pacing of the storytelling.

As for developing a writing style'I would say that I tried to copy the pacing of the old movies I loved as a kid.

Certainly my films are cinematically unusual, and quite contemplative in their pacing compared to conventional films, but I think overall they are quite engaging, accessible, and even funny.

Instinct taught me 20 years ago to pace a song or a concert performance. That translates into pacing a story, pleasing a reading audience.

As far as pacing the shoot is concerned, I know when I've got it. I don't think there's any reason to take ten takes unless you need them.

One of the qualities of writing that is not much stressed is its problem-solving aspect, having to do with the presentation of material: how to structure it, what sort of sentences (direct, elliptical, simple or compound, syntactically elaborate), what tone (in art, "tone" is everything), pacing. Paragraphing is a way of dramatization, as the look of a poem on a page is dramatic; where to break lines, where to end sentences.

The corncob was the central object of my life. My father was a horse handler, first trotting and pacing horses, then coach horses, then work horses, finally saddle horses. I grew up around, on, and under horses, fed them, shoveled their manure, emptied the mangers of corncobs.

Usually when I put my focus on the pacing, the plot, the specific characterizations, - it's ironic - but then I actually increase my chances of writing something that moves people because I haven't become too self-conscious of the goal.

Of course, there are hundreds of novels and authors that have influenced me. But to choose three, they are: Stephen King/The Stand (and really most of his books); Anne Rice/The Witching Hour; and Pat Conroy/The Prince of Tides. These authors write my favorite kind of book - epic feel, gorgeous prose, unique characters, and a pace that keeps you turning the pages. From them, I learned a lot about characterization, pacing, prose, voice, and originality.

The craft of writing is all the stuff that you can learn through school; go to workshops and read books. Learn characterization, plot and dialogue and pacing and word choice and point of view. Then there's also the art of it which is sort of the unknown, the inspiration, the stuff that is noncerebral.

The rewriting is always crucial to what I do; whenever I do a scene, I always tell myself that this isn't final and that I can do it again, better. The pacing is probably from experience. I've always liked gradual disclosure. I keep thinking of my rubber-band theory. You have a rubber band that you keep pulling and pulling and pulling, and just at the moment of snapping you release it and start another chapter and start pulling again.

With impeccable timing and a fine instinct for the telling detail, Francesca Abbate evokes the plenitudes and the deprivations of human habitation, the nurturing richness of landscape, and the soul-wound wrought by casual defacement. Abbate has a superb capacity for distillation and a mastery of poetic line, and her diction is remarkably flexible, accommodating both the demotic and the lyrical. Her poems are as consistent in quality as they are varied in pacing, surface, and tone. A fine first book.

Obviously, where art has it over life is in the matter of editing. Life can be seen to suffer from a drastic lack of editing. It stops too quick, or else it goes on too long. Worse, its pacing is erratic. Some chapters are little more than a few sentences in length, while others stretch into volumes. Life, for all its raw talent, has little sense of structure. It creates amazing textures, but it can't be counted on for snappy beginnings or good endings either. Indeed, in many cases no ending is provided at all.

The body's habituation to walking as normal stems from the good olddays. It was the bourgeois form of locomotion: physicaldemythologization, free of the spell of hieratic pacing, rooflesswandering, breathless flight. Human dignity insisted on the right towalk, a rhythm not extorted from the body by command or terror. Thewalk, the stroll, were private ways of passing time, the heritage ofthe feudal promenade in the nineteenth century.

I waste at least an hour every day lying in bed. Then I waste time pacing. I waste time thinking. I waste time being quiet and not saying anything because I'm afraid I'll stutter.

There's a rhythm to script [ in "I Don't Feel at Home in This World Anymore"], as well, especially the pacing of it. But there definitely were times when I would say something and [ Macon Blair] would say, "I didn't think to deliver it like that" or, "I didn't think it had that meaning." And he'd say, "I like it. I think it's good." So he's open. He's not battering it into you.

Barack Obama knows that to create an economy built to last, we need to focus on middle-class families. Families who stay up on Sunday nights pacing the floor, like my dad did, while their children, tucked in bed, dream big dreams. Families who aren't sure what Monday morning will bring, but who believe our nation's best days are still ahead.

The fiction writer has a lot of balls to juggle. Setting, pacing, dialogue, and so on. And let's not forget: plot. That was always a hard one for me. And I always had this spastic tendency to wrap up a story before I'd seen it the whole way through, a sort of writer's pre-ejaculatory tendency: "The End!"

Ever argue with a female and, in the middle of the argument, you no longer feel safe because of her actions? She may start pacing back and forth real fast, breathing out her nose. You know what my girl do? When she get mad, she start talking in the third person. That's scary as hell because that's her way of telling me that from this point on, she is not responsible for none of her actions.

In the clubs, the entertainment and the restaurant business are at war with each other. You get crowds that are not the greatest, and it becomes like a babysitting job, rather than doing what you want to do. I have a more deliberate pacing in my act, and having a half interested audience is death. They have to hear what I'm saying for it to pay off.

Once we get out on the road, my tour manager who is also my guitar player does a great job of taking weight off of my shoulders where I can just focus on playing the shows.About two hours before every show, the pacing starts and the anticipation builds. I prepare for it just like I would when I used ride bulls, slap yourself in the face, wake yourself up and get your heart going.

The term "godawful" should be used sparingly in connection with motion pictures. With Angels & Demons, however, it seems oddly appropriate. Not only does this prequel-turned-sequel to The Da Vinci Code make its predecessor seem like a masterwork of pacing and plotting, but it may represent a nadir for director Ron Howard and is probably the worst instance of acting from star Tom Hanks since back in the days when he was struggling out from under the shadow of Bosom Buddies.

If you ever saw All That Jazz [1979], Bob Fosse was kind of raised dancing in strip joints and the whole era of burlesque, and that form ran his visual aesthetic, the pacing and rhythm of what he did.

They say I'm young, but my purpose is the inspiration of a nation, innovation 'till I change the talk into a conversation. I'm like a doctor and my patients are anxiously waiting; healing all the hatin' that fakin' in the paper chasing. It's hard to live up to these expectations that I'm facing, and gain the admiration of an older generation. That's why I'm pacing back and forth, contemplatin' mediatatin', how to use what I've been taught is a positive force.

A book is maybe about 350 pages, and the prose allows for readers to get a glimpse into the internal lives of the characters. A screenplay is 120 pages, and it's all dialogue and action. The pacing of films is different, the structure is often different, and the internal lives of the characters must come across through the acting. Movies are just a different experience than reading - so it just depends on what an individual prefers.