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I'm more interested in writing about the personal stories of people. Sometimes I don't agree with them.
Sep 30, 2025
If you put your personal stories out there people always connect.
One of the things that's great is that Batman is a character that lends himself to very personal stories.
Lead with a personal story. Give your audience a way to connect and show you're a real person.
I like it to stay very organic, and to remember a personal story behind all my subjects.
I think we do have our true, original stories that work. I can tell you that 'The King's Speech,' which we did, became a worldwide smash because people loved the personal story.
There's a personal story of my own that I will write at some point, and it's a film that I will happily make. It could very well be the next thing I do, unless someone shows me something great.
My book centers in on the New Testament, the goal being to help a person who wants to understand the Bible to see how what God did as revealed in the New Testament will reveal to them their own personal story.
I always wanted to create a project that would allow me to think about cross cultural relationships and hybridization but did not want to use my personal story or standard tropes of multiculturalism.
When I pray the Lord's Prayer, I begin with the first word, "Our. . ." (see Matthew 6:9) and I stop and ask myself, "Who do I include in this Our?" I remind myself that the story of God is bigger than my personal story, bigger than the story of my religion, bigger than the story of all humanity, and bigger than the story of all creation. In the kingdom of God, these four stories are all really my stories - all at the same time - woven together, giving meaning and life to each other.
A personal story of the horrors that Poles lived through during World War II. When God Looked the Other Way, above all else, explains why there is still a Poland. . . . One of the most remarkable World War II sagas I have ever read. It is history with a human face.
I am interested in personal stories because that's when people become expressive, spontaneous and heartfelt.
The media can be challenging, but at the same time, without the media, I would not have been able to share my personal story. Often the media can bring beauty and encouragement to people's lives...
I want us to organize, to tell the personal stories that create empathy, which is the most revolutionary emotion. The truth of the mater is that hierarchy and violence can't be remedied by more hierarchy and violence. The end doesn't justify the means, the means we choose decide the end we get. The means are the end.
I want us to organize, to tell the personal stories that create empathy, which is the most revolutionary emotion.
Personal stories are the emotional glue that connects your audience to your message.
It was a very emotional dinner... Everyone shared personal stories about her and gave her words of encouragement and inspiration. Everyone tried to remain positive.
Im all about entertaining and keeping a reader on the edge of their seat, so to me, the social issues have to be meaningful and give the book whats really at stake, but ultimately its not about them - its always a personal story of everyday people thrust into life-threatening situations and having to perform heroic acts.
In the "Personal Story" segment tonight, the state of Oregon is extremely liberal in its state government and judicial system.That state has lenient drug laws, including wide access to medical marijuana.
We all have love stories that go terribly wrong; we all have horribly broken hearts. And somehow we endure. We're not destroyed by it. We endure and go on to do interesting things and have worthy lives, even though we carry our heartbreaks with us. That's a kind of personal story of mine that I don't think I would tell in memoir but I do think I can tell in fiction.
I think this is pretty clear, but maybe not to everybody: Despite the fact that the work is personal or taken from life, it's not about me telling my personal story.
With ferocity and extraordinary craft, Lizzie Harris has made a book of poems that resonates far beyond the personal stories it tells. Stop Wanting reveals, in every lyric, its author's profound metaphorical gifts. In its ironies and intensities, it brings to mind a writer like the young Sylvia Plath, though what is startling about Harris' s work is the way it combines those gifts with a muted, deft self-awareness. Most of all, these are wonderfully shaped, powerful, and surprising poems-a startling debut.
Reading Gypsy Boy, I felt invited into a secret society. I've always found Gypsies mysterious and even slightly dangerous, and Mikey Walsh does an excellent job describing the cloistered lifestyle and fascinating traditions of the Romani people. Moreover, Mikey's personal story of being a misfit among misfits is both compelling and universal. I cheered for him every step of the way.
I tell personal stories associated with aspects of the theory, and I hope they are interesting and compelling. I don't feel you're going to change a grownup's mind in one reading. People have to be exposed to scientific ideas over and over again for years. It's also not a textbook.
If people are eating mostly pickles after many generations, where did that come from? It's reflective of history, often a painful history. It's central to a culture, to a history, to a personal story. It's communication at its most fundamental.
I chose to tell a personal story. When you tell a movie like this that's as emotionally charged as this is, it's a risk. As one of my great cinematic heroes, Francis Coppola, would say, "If you aren't taking the highest, greatest risk, then why are you a filmmaker?"
We know that Europe loves President Obama. He had adoring crowds. The press loves Obama. The question is how will this date end? Okay? The question is, to what end? Why do they love President Obama? They love his personal story, they love his wife. North Korea, China and Russia don't really care about Michelle's arms and, you know, whether they gave an iPod to the Queen, okay?
There's no quit in our family. Our dad was the chief proponent of that. [On the set] we were constantly telling each other, Stay true to the story, we know that we love each other, keep communication open. We knew how unique this was-you're doing a movie that really could be put out there all over the world, and you're telling this personal story about your family.
My personal story has always been about perseverance and always getting up when I fall. Maybe I'm not Olympic champion, but I can teach the world about that.
Each of us has something to do in this lifetime. We all have negative emotions to be purified and positive emotions to be cultivated. All of us need to reconnect to our source and drop our personal stories, don't we? Men, women, old, young, from here, from there - it is the same. All you can do is your practice. There is nothing else. Don't get caught up. Don't stop. We have to learn how to get out or our own way. Because ultimately, the only thing standing in our way is ourselves.
You see the images that the public is demanding. Why more reality-based TV? You'd think that after the first Survivor it would have gone away, but it hasn't. The public demands it because they get all caught up in the personal stories, and want to see more and more.
The thing that's interesting about storytelling is people will say, "How do I write a movie I can get sold in this category?" For God's sake, the first movie that you can get made will be your personal story, because nobody's heard it before.
Directors go their whole career without being able to tell personal stories and to work with a cast as talented as they are.
Being politicians, they all got to sharing their personal stories. Obama talked about his mother's battle with cancer. Harry Reid talked about a kid with a cleft palate. And John McCain told how he once carried a brain dead woman through an entire campaign.
Whenever I go to Germany I find that my readers have T-shirts with my book covers printed on them. They come to all the events, they have gifts and they come with their families. They are always very open to sharing their personal stories.
I told personal stories the way [Bill] Cosby would spin a yarn for ten minutes. I think in hindsight it works better as a long story than as a condensed monologue.
I am sometimes sad when I hear the personal stories of Tibetan refugees who have been tortured or beaten. Some irritation, some anger comes. But it never lasts long. I always try to think at a deeper level, to find ways to console.
Everybody wants life to speak to them with special kindness. Every personal story begs to be steered toward reverie, toward some relief from unpleasant truths: That you are a self, that beyond anything else you want the best for that self. That, if it is to be you or someone else, you need it to be you, no matter what.
The war is definitely in the background, only referred to in radio news blips and conversation. I think, ultimately, this film is about the choices these guys are faced with. In that way, I think this is a more personal story about their friendship, about the reaction that they have when they're essentially faced with death, to a certain degree.
Jay-Z is more naturally gifted. He didn't depend as much as 50 did on his personal story. Jay-Z has a great story, he came from a pretty rough background. But 50's early success was so much fueled on the story and where he came from. With Jay-Z, I feel he has a more natural gift for language and for music itself. 50 really had to study and work at it much harder.
The universe is made of stories, not of atoms.
Look at Chancellor [Angela] Merkel, her personal story helps to tell a story of incredible achievement that the German people have embarked on and I think is something that you should be very proud of.
Anecdotes, personal stories, reminiscences, like biblical parables, are the medium through which faith is restored. Stories are a form of poetry, and give us a saving image to personally relate to.
The theme of the diary is always the personal, but it does not mean only a personal story: it means a personal relationship to all things and people. The personal, if it is deep enough, becomes universal, mythical, symbolic; I never generalize, intellectualise. I see, I hear, I feel. These are my primitive elements of discovery. Music, dance, poetry and painting are the channels for emotion. It is through them that experience penetrates our bloodstream.
I think that all stories - if you make movies about zombies and aliens - it has always to do with your personal story. If not directly, it is about your fears, your obsessions, things like that.
Each of us is born with a series of built-in confusions that are probably somehow Darwinian. These are: (1) we're central to the universe (that is, our personal story is the main and most interesting story, the only story, really); (2) we're separate from the universe (there's US and then, out there, all that other junk - dogs and swing-sets, and the State of Nebraska and low-hanging clouds and, you know, other people), and (3) we're permanent (death is real, o.k., sure - for you, but not for me).
I could easily go through all my books and mark the ones that were original, mark the ones that were adapted or pre-published that I've found. I'm guessing though that probably 75% of them are personal events. I just love a personal story.
What really grabs me is when a reader writes to express her personal story and how a book helped her situation, or her acceptance of a situation she can't change. I read some sad cases in my snail and electronic mail. I respond to all I can, affirming that they are the true heroes of life because they are fighting through adversity and surviving.
There was a reason my first substantial role after rehab was to play a maniac whose personal story ended badly. I knew what it was like to go those dark places. I played a guy who died as a result of his abuse.
One of the things I love about acting is that it reveals a certain something about yourself, but it doesn't reveal your own personal story.