Portrayal Quotes

A persons portrayal on TV isnt always how someone is.

It has been my experience that work on the screen clarifies stage portrayals and vice versa. You learn to make your face express more in making movies, and in working for the theater you have a sense of greater freedom.

We only hear success stories. You don't hear about the hundreds and hundreds - the overwhelming majority that don't go anywhere. This is a more realistic portrayal of what happens in startups.

In 1969, at the age of 19, I was lucky enough to work with George C. Scott in the definitive portrayal of his career over a period of many months and several countries on the definitive film version of Patton's WWII career.

If you look at yourself as a star, you've already lost something in the portrayal of any human being.

That, what we're really seeing in Iraq is not a terrible war, but in fact, just the media's portrayal of it.

Again, like I said, we're not trying to censor anyone. If you think drugs are cool, fine. Make that movie. We are not going to stop you, or try to stop you, but we would encourage other people to be a bit more responsible about their portrayal of drug usage.

The biggest fatal flaw in most fictional portrayals of nanotech - what sends those books arcing across the room - is ignoring that the nanobots need energy to do... anything.

I do think people need to recognize that a lot of journalists want to write a story a certain way because the story will be better or the portrayal will be better, or at least recognize that whenever you're looking at something, you're seeing it through somebody's eyes who may actually not be the person who is the most insightful.

Exhilarating. Radical Grace moved me to tears with its portrayal of good people putting their beliefs into action in ways that transcend all ideological boundaries.

Exaggerated portrayals apparently destroy desire more effectively than any repression.

In order to bring a nation to support the burdens incident to maintaining great military establishments, it is necessary to create an emotional state akin to war psychology. There must be the portrayal of an external menace or of internal conditions rendered intolerable by the unjust restraints of foreign nations. This involves the development to a high degree of the nation-hero nation-villain ideology and the arousing of the population to a sense of the duty of sacrifice.

I remember in school - in elementary school - I used to recite poems. We'd have to recite poems. And I would always just, like, roll on the floor, like, just make it such a huge, melodramatic portrayal of whatever it was.

Martin Bashir persuaded me to trust him, that his would be an honest and fair portrayal of my life and told me that he was the man that turned Dianas life around.

A riveting and realistic portrayal of space travel gone wrong, and of a crew who must fight for their survival. Bones Burnt Black is exciting, and expertly told. A must-listen.

One thing I definitely experienced up here (New York), that maybe I have to sort of cop to feeling defensive about, is since the election, people in my cohort, who are sensitive to portrayals of people in the movie as classist, have had no problem coming up with those sorts of [middle-American] stereotypes about a phantom real person they can blame for re-electing George Bush.

My concern has always been that people who I portray, or the professions that I portray, are not embarrassed by my portrayal of them.

Richard Gavin is one of the bright new stars in contemporary weird fiction. His richly textured style, deft character portrayal, and powerful horrific conceptions make every one of his tales a pleasure to read.

I think it will be, as always, interesting to compare different portrayals of Hitchcock. I'm very honored that I'm playing the same part as Anthony Hopkins.

Key feature of sexual revolution is the large-scale publication and commercialization of details that were once secret. Sexuality has been trivialized. The interesting thing about this is that exaggerated portrayals apparently destroy desire more effectively than any repression.

My portrayal of Fagin was all to do with my experience in comedy and revue.

I hope that doing truthful portrayals of people in a variety of circumstances gives people a kind of subterranean link to those characters.

One of the things we learn in movies directed by men is what the 'fantasy woman' is. What we learn in movies directed by women is what real women are about. I don't think that men see things wrong and women right, just that we do see things differently.

Alan Rocke's Image and Reality does so many things vividly and convincingly: it shows how visual images led chemistry step by step to the reality of the microscopic world; how simple portrayals of the logic of substitution and combination were reified; brings to our attention the imaginative, neglected work of Williamson and Kopp; and takes a critical look at Kekule's daydream. And it beautifully delineates the essential place the imagination has in science. A rewarding, lively picture of chemistry in formation.

...to characterize the import of pure geometry, we might use the standard form of a movie-disclaimer: No portrayal of the characteristics of geometrical figures or of the spatial properties of relationships of actual bodies is intended, and any similarities between the primitive concepts and their customary geometrical connotations are purely coincidental.

I’m loving doing Outlander. We’ve got a great cast and we’re up in the Scottish Highlands. […] It’s big budget, they’re spending a lot of money on it. They’re going for a very gritty and realistic portrayal of the Highlands and I play Dougal MacKenzie, the War Chieftain of Clan MacKenzie. As that implies, he’s quite the serious character. There’s lots of political intrigue, there’s romance, there’s adventure and action and there’s time-travel.

Unlike any other business in the United States, sports must preserve an illusion of perfect innocence. The mounting of this illusion defines the purpose and accounts for the immense wealth of American sports. It is the ceremony of innocence that the fans pay to see - not the game or the match or the bout, but the ritual portrayal of a world in which time stops and all hope remains plausible, in which everybody present can recover the blameless expectations of a child, where the forces of light always triumph over the powers of darkness.

I just hate one-dimensional portrayals of religion; it's too cheap and easy to do, and ignores the nuances that go into having a belief system.

Dramatic use of color, harmonious design, the interplay of light and shadow across a variety of textures, the portrayal of the figure and other subject matter that reflects the sophistication and beauty I find in nature - all presented from a unique point of view - can only be successfully achieved with a sound command of the painter's craft... history will determine how successful I have been.

We attempt to remember our collective American childhood, the way it was, but what we often remember is a combination of real past, pieces reshaped by bitterness and love, and, of course, the video past--the portrayals of family life on such television programs as "Leave it to Beaver" and "Father Knows Best" and all the rest.

In the early days of my carer as an actor, I shared what was then the prevailing attitude of Negro performers :;that the content and form of a play or a film scenario was of little importance to us. What mattered was was the opportunity, which came so seldom to our folks ... Later I came to understand that the Negro artist could not view the matter simply in terms of of his individual interests, and that he had a responsibility to his people who rightfully resented the traditional stereotyped portrayals of Negros on stage and screen.

Every type of purely direct concrete description bears the mark of artistic portrayal.

All these portrayals we see of knights fighting must be absolute rubbish because knights in armour could literally have only had two or three blows and then they'd have had to sit down to have a cup of tea.

We need to give out portrayal of ourselves. Every non-Indian writer writes about 1860 to 1890 pretty much, and there is no non-Indian writer that can write movies about contemporary Indians. Only Indians can. Indians are usually romanticized. Non-Indians are totally irrepsonsible with the appropriation of Indians, because any time tou have an Indian in a movie, it's political. They're not used as people, they're used as points.

All animals are to be found in men and each of theme exists in some man, sometimes several at the time.

Animals are nothing but the portrayal of our virtues and vices made manifest to our eyes, the visible reflections of our souls.

People learn a lot about what they think they know about other people from what they see in the media. If they see certain types of images reproduced over and over again for other groups that limit them to narrow types of roles and portrayals, they start to take those prejudices into their interactions with those people in real society, and that creates all kinds of discriminatory problems.

In my head, thought, I would love to do an interview where it's just sort of de-constructed - the talking points of Iraq - sort of the idea of, is this really the conversation we're having about this war? That if we don't defeat Al Qaeda in Iraq, they'll follow us home? That to support the troops means not to question that the surge could work. That, what we're really seeing in Iraq is not a terrible war, but in fact, just the media's portrayal of it.

More conservative advocacy work often encourages portrayals of trans people as people who deserve rights. Deservingness, of course, corresponds to national racial, gender and ability norms.

I try not to blame the public, because the public - men, especially - have seen not great portrayals of women in supporting roles, because they're not given the lead roles a lot of the time. Especially in comedy, they're relegated to the adversary, which is like "the mean girlfriend."

What people adore about superhero movies is the signal quality of the Christopher Nolan films - their complete lack of irony when it comes to the portrayal of heroism and the need for heroes to confront evil.

Actually, the curious thing is that the more you become a subject of admiration or loathing, the more you're examined under a microscope, the distance seems to open up between who you really are and the portrayals that people impose on you.

America does not go abroad in search of monsters to destroy. She is the well-wisher to freedom and independence of all. She is the champion and vindicator only of her own. Sir Anthony Hopkins portrayal of me was adequate. I do believe that my sideburns were of substantially higher quality, however.

I did indulge myself in a lot of history reading, to inform myself as to who the real woman was. As far as other actresses’ portrayals, though, I tried to stay clear. It muddles your process, I find.

Look, I like gritty. I write gritty. There is a time and a place for gritty. I'll take my Batman gritty, thank you, and I will acknowledge that such a portrayal means that my 11-year-old has to wait before he sees The Dark Knight. But if Hollywood turns out a Superman movie that I can't take him to? They've done something wrong.

The zero-sum world [the movie The Social Network] portrayed has nothing in common with the Silicon Valley I know, but I suspect it's a pretty accurate portrayal of the dysfunctional relationships that dominate Hollywood.

What is to be sought in designs for the display of information is the clear portrayal of complexity. Not the complication of the simple; rather the task of the designer is to give visual access to the subtle and the difficult - that is, revelation of the complex.

The stated mission at the time was simply to use the influence of the entertainment industry to do an accurate portrayal of drug and alcohol abuse. We all admit that we're not trying to censor anybody.

I feel as though I am trying to describe a three-dimensional experience while living in a two-dimension world. The appropriate words, descriptions, and concepts don't even exist in our current language. I have subsequently read the accounts of other people's near-death experiences and their portrayals of heaven and I am able to see the same limitations in their descriptions and vocabulary that I see in my own.

It was, just as Kinski had predicted, suicide. He should never have done it. It is widely held by those who knew him, and Kinski himself, that he never recovered from Woyzeck. But what was the ultimate result? If you are the viewer of this film, Kinski's portrayal shocks your feelings out of the vault of intellectualizing or passive observing. He forces you to feel with him, to align yourself with your buried emotions. He outs your sensitivity. Is this not something Christ-like? It is, for my money. Kinski is the pure cure for the 21st-century disease - the numbness unto droning.