Postmodern Quotes

I don't love the postmodern statement: "You shouldn't be spiritual if you are the artist."

In much postmodern theatre ... the line between theatre and non-theatre is deliberately erased.

Postmodernism cost literature its audience.

Necessity used to be the mother of invention, but then we ran out of things that were necessary. The postmodern mother of invention is desire; we don’t really “need” anything new, so we only create what we want.

Mystery Science Theater is really a postmodern show, it's really derived of many influences.

We live in the postmodern world, where everything is possible and almost nothing is certain.

I try to teach a modernist and postmodernist position. On one hand, if you're a painter, you need to know the history of painting. But I'm also interested in the moment we live in. I love television, and movies, and books, and music. So I also think of art as this cultural production along with all this other stuff that's happening. So that's a kind of postmodern, not media-specific, but the times, what is your art relevant to this moment we live in versus media specificity? That's my teaching philosophy, both of those things are important.

The biggest problem facing our world today is a lack of hope and a lack of meaning. [It's] basically just a postmodern world in which there is no right or wrong, no better or worse.

I like the idea of being a postmodern moral philosopher - or perhaps a perverse moral philosopher.

Post-modernism is modernism with the optimism taken out.

You are born modern, you do not become so.

It is often said that in today's modern and postmodern world that the forces of darkness are upon us.  But I think not; in the Dark and the Deep there are truths that can always heal.  It is not the forces of darkness but of shallowness that everywhere threaten the true, and the good, and the beautiful, and that ironically announce themselves as deep and profound.  It is an exuberant and fearess shallowness that everywhere is the modern danger, the modern threat, and that everywhere nonetheless calls to us as savior.

The missional church is not a new trend or the latest new technique for reaching postmodern people.

It's easy to play fun forms, surfaces, and languages against each other. Teenagers do this every day, producing winning memes from random patterns. I need the joke to hurt more; I want it to sink deeper than the postmodern grin.

The postmodern worldview denies that there is such a thing as truth: historical, moral, or otherwise. It denies that truth exists independently of our perspectives and interests.

I grew up in the heat of '70s postmodern fiction and post-Godard films, and there was this idea that what mattered was the theory or meta in art.

If modern design moved the stage picture away from the specific, tangible, illusionistic world of Romanticism and Realism into a generalized, theatrical, and poetic realm in which the pictorial image functioned as an extension of the playwright's themes and structures (a metanarrative), then postmodern design is a dissonant reminder that no single point of view can predominate, even within a single image.

It's impossible in our postmodern era for anyone to be original - for anybody to do what Jackson Pollock did.

I'm trying to paint an underwater ocean scene. It's just not working. My queen angelfish is supposed to have these bright yellow eyes and electric-blue stripes along the edge of her fin. Instead, it looks like I'm trying to paint a fried egg with some blue bacon. Maybe I can pass it off as postmodern.

"Integrative" simply means that this approach attempts to include as many important truths from as many disciplines as possible-from East as well as the West, from premodern and modern and postmodern, from the hard sciences of physics to the tender sciences of spirituality.

The subject of feminism cannot be purely a fiction, as some postmodern writers suggest, produced by the discourses of power.

Whereas modern cynicism brought despair about the ability of the human species to realize laudable ideals, postmodern cynicism doesn't — not because it's optimistic, but because it can't take ideals seriously in the first place. The prevailing attitude is Absurdism. A postmodern magazine may be irreverent, but not bitterly irreverent, for it's not purposefully irreverent; its aim is indiscriminate, because everyone is equally ridiculous. And anyway, there's no moral basis for passing judgment. Just sit back and enjoy the show.

Postmodern irony and cynicism's become an end in itself, a measure of hip sophistication and literary savvy. Few artists dare to try to talk about ways of working toward redeeming what's wrong, because they'll look sentimental and naive to all the weary ironists. Irony's gone from liberating to enslaving. ... The postmodern founders' patricidal work was great, but patricide produces orphans, and no amount of revelry can make up for the fact that writers my age have been literary orphans throughout our formative years.

A work can become modern only if it is first postmodern. Postmodernism thus understood is not modernism at its end but in the nascent state, and this state is constant.

To the extent that we live in a postmodern world and it shapes the concrete circumstances of our daily lives, I would say postmodernism affects my work or influences my work.

I understand that postmodern literature probably means people like DeLillo, The Fiction Collective, but I don't get it that those writers are really influenced by postmodern theorists.

The cyborg is a kind of disassembled and reassembled, postmodern collective and personal self. This is the self feminists must code.

The church must provide postmoderns with an alternity of rituals by which they can turn and tune to one another and feel connected to the cosmos.

Modern children were considerably less innocent than parents and the larger society supposed, and postmodern children are less competent than their parents and the society as a whole would like to believe. . . . The perception of childhood competence has shifted much of the responsibility for child protection and security from parents and society to children themselves.

The Chavez-Obama pictures will join a postmodern photo array that includes Donald Rumsfeld gifting Saddam Hussein with spurs from President Reagan.

Don't call me a Postmodern!

I've purposely stayed away from reading much about postmodern theory, and most everything I have read just bored me to tears. I don't think anybody's written about it, or very few have, with any verve.

I consider Otto Rank to be one of the great spiritual giants of the twentieth century, a genius as a psychologist and a saint as a human being. Though vilified by his original community of Freudians, he never became bitter. He died a feminist and deeply committed to social justice, in 1939....His deep understanding of creativity makes him a mentor for all of us living in a postmodern world....I believe that Art and Artist, especially chapters 12 to 14, may well emerge as the most valuable psychoanalysis of the spiritual life in our time.

Jacqueline Carey has created a postmodern fable of enormous scope and force. Santa Olivia is at once a cautionary tale of people caught in a web of lies and creeping terror, and a love song to the beauty and power of being different. At the novel's heart is the kind of grace Carey is known for: an illumination of the strength that lies hidden inside all of us.

It seems that the Internet is setting the standard for almost everything. I can't imagine having something like punk rock happen where an entire culture is doing one thing. It's not like all the kids in England are discovering the Stooges and the Ramones at the same time. All the kids in England are discovering every band that has ever existed. I can't imagine there being one huge cultural moment like there was in the past. Everything ends up being kind of postmodern.

The postmodern reply to the modern consists of recognizing that the past, since it cannot really be destroyed, because its destruction leads to silence, must be revisited: but with irony, not innocently. I think of the postmodern attitude as that of a man who loves a very cultivated woman and knows he cannot say to her, I love you madly, because he knows that she knows (and that she knows that he knows) that these words have already been written by Barbara Cartland. Still, there is a solution. He can say, As Barbara Cartland would put it, I love you madly.

In theatre, presence is the matrix of power; the postmodern theatre of resistance must therefore both expose the collusion of presence with authority and resist such collusion by refusing to establish itself as the charismatic Other.

Concerning [postmodern] ideas, let us not mince words. The ideas are profoundly dangerous. They subvert our civilization by denying that truth is found by conscientious attempts accurately to portray a reality that exists independently of our perception or attitudes or other attributes such as race, ethnicity, sex or class.

One of the stated goals of the postmodern movement in architecture was a greater sensitivity to the people who live in or use newly designed buildings.

Architects thrive after massive urban disasters. The abject collapse of East Berlin gave us the only city in Europe with a mighty host of Postmodern skyscrapers.

The most important thing, in order to forge one's own creative personality, is to travel, to see different environments, different cultures. I wanted to try to imagine a new kind of structure in architecture. In general, architects follow fashions. They're neoclassical, postmodern.

It is possible to see slavery and serfdom merely as extreme early forms of autocratic management, in which employees had no voice whatsoever in the work process and were viewed not as human beings but as alienated forms of individual wealth. Slavery, in this sense, did not die; it continues in modern dress in contemporary organizations wherever managers exercise autocratic power, unequal status, or arbitrary privileges, no matter how scientific the terminology or postmodern the image

The larger the price tag, the more you have to adopt what I call the postmodern management approach. What I mean by that is that you have to use everything when you make a decision.

The faith engaged with Platonism in the ancient world, with Aristotle in the medieval world, with nominalism in the Reformation era, and with rationalism in the modern world. Now the church must engage with the emergence of a postmodern, post- Christian, neo-pagan world.

Remember that the past fifty years has been the age of the Big Bang cosmology. We have learnt to see all reality as a slow-motion explosion, as pouring itself out and passing away, as dissemination. We live in a postmodern epoch in which there is nothing absolute, nothing permanent and nothing substantial.

Postmodernism represents a moment of suspension before the batteries are recharged for the new millennium, an acknowledgment that preceding the future is a strange and hybrid interregnum that might be called the last gasp of the past.

What we were trying to do was take the notion of Greek tragedy, of fated and doomed people, and instead of these Olympian gods, indifferent, venal, selfish, hurling lightning bolts and hitting people in the ass for no reason — instead of those guys whipping it on Oedipus or Achilles, it’s the postmodern institutions . . . those are the indifferent gods.

There are also two Christianities in the world today. There is (1) the Christianity of the New Testament, and there is (2) the Christianity of accommodation to modernism, egalitarianism, niceness, naturalism, pop psychology, secular humanism, relativism, subjectivism, individualism, "Enlightenment" rationalism or postmodern irrationalism. New converts to the first Christianity are constantly amazed and scandalized by finding many of their clergy to be in love with the second and in fear of the first.

Michel Houllebecq is surely the novelist who best describes contemporary phobias and fears. He also succeeds perhaps like no other in portraying the postmodern character of our society. He addresses the possibilities of genetics at times, or Islamism, and infuses all of it with a certain amount of absurdity. I get a very strong sense of that in "Submission." The way he toys with the absurd makes him an author sui generis, one who stands out from the others.

Without a thorough and deeply rooted understanding of the biblical view of truth as revealed, objective, absolute, universal, eternally engaging, antithetical and exclusive, unified and systematic, and as an end in itself, the Christian response to postmodernism will be muted by the surrounding culture or will make illicit compromises with the truth-impoverished spirit of the age. The good news is that truth is still truth, that it provides a backbone for witness and ministry in postmodern times, and that God's truth will never fail.