Prosthetics Quotes

Those things [t hydraulic penises and prosthetic butts and all that] can be what's genuinely shocking about the movie [Swiss Army Man] because people wouldn't expect to be moved by any of it.

If you imagine whipping your skin every day, that's what it does and it's a full prosthetic piece.

Prosthetic head is better than no head in the morning.

Man has, as it were, become a kind of prosthetic God.

When you're 20 you can put a ton of old-age prosthetics on and be an old guy, but when you're 70 you can't play a 20-year-old.

I had to get used to wearing a mask and wearing a prosthetic and performing with those things while singing and expressing myself through stylized movement, while keeping it as human as possible so the audience could be closer to the horror of the Phantom.

I'm just not wearing any makeup. People thinking I'm wearing prosthetics of all sorts, I just don't have any makeup on.

When I go from a role with heavy prosthetic makeup, which I've done quite a bit of as well, and then do a role where I'm not wearing any, I have to be conscious of toning everything down. Because when you're wearing prosthetic makeup, of course, you have to really move your face a lot more to convey things through the makeup.

Man has, as it were, become a kind of prosthetic God. When he puts on all his auxiliary organs, he is truly magnificent; but those organs have not grown on him and they still give him much trouble at times.

You can always tell you're in trouble when the good option involves a prosthetic leg.

Out of the tens of thousands of prosthetic legs they've made, there's never been any 400-meter athletes run under 50 seconds. So, if this was such a technologically advanced prosthetic leg, then how come not everyone's qualifying, or coming close to the qualification time, then?

They're not prosthetics. They're my bones. They come out when I’m inspired. They've always been inside of me, but I have been waiting for the right time to reveal to the universe who I truly am.

I've become very, very liberal as far as war is concerned. It's just too terrible. I've been to wars and I've seen what happens. I know what it is to be hurt, and it's nothing compared to these guys. To be blind for the rest of your life. To have prosthetic limbs.

My whole family is in orthotics and prosthetics, so I grew up having to check for scoliosis every week. 'Come over. Let me feel your spine.

I've actually usually been wary of taking on science fiction as an actor because it's really tough to do. It's really difficult to execute. There's often lots of prosthetics, green screen and special effects, and it can get very technical.

The hardest part of playing the villain was the prosthetics, because I couldn't really move my face as much as I wanted to, and yet I had to move my face a lot. If I moved my face in certain ways the prosthetics would come apart, so I could do a lot of eyebrow acting, but I couldn't do a lot of nose lifting, or the corners of the nose would pop out.

When you get into any kind of period work, or any kind of prosthetic work, or anything that alters what your 8×10 looks like, it's the joy of escaping and becoming somebody else. And it is definitely freeing.

It's really good to talk about it [ hydraulic penises and prosthetic butts], and it's very gratifying when people ask us about the other aspects of the film [Swiss Army Man], but [those things] are part of the movie and they're important and hilarious, a very fun part of the movie, so there's no sense from us of not wanting to talk about that. I think it's exciting that those things exist in a film that is also very heartfelt and emotional and profound.

All that prosthetic makeup drains you. By the time it's lunch, you're done.

I had Halloween parties every year, as it was my birthday five days before. My parents would actually put prosthetic noses on, and my dad would wear a top-hat and tails, put on a fake curly moustache, and hold a pipe.

The cool thing about my character was that it's not that digital. I get to put hours of prosthetic makeup on and see a different creature altogether. I've seen how he looks and it's really cool.

Someday she might replace whatever of her had gone away by some prosthetic device, a dress of a certain color, a phrase in a letter, another lover.

After the make-up process, I was like, "I never want to do a sci-fi movie where I'm in make-up for seven months." It's interesting. It was my first time ever getting prosthetics. They put this goopy stuff all over your head and they tell you it's like a facial, but it's actually very claustrophobic. All they have are these places where your nostrils are and I kept thinking that they were closing up, but they were like, "No, we're looking at it." So, they made a mold of my face.

We don't know nearly enough about the complexities of Nature. If we think we can eliminate natural ecosystems and substitute prosthetic devices, i.e. clean air or water with fusion energy - we are kidding ourselves.

In a sense the car has become a prosthetic, and though prosthetics are usually for injured or missing limbs, the auto-prosthetic is for a conceptually impaired body or a body impaired by the creation of a world that is no longer human in scale.

The idea of prosthetics is a tool. Most people's cell phones are prosthetics. If you leave your cell phone at home, you feel impacted by not having it. It's an important part of your daily function and what you can do in a day.

When they took me to do the camera test for the vampire make up, after they put the prosthetic on, I went though the entire process, I went back to my trailer and I looked in the mirror and I smiled.

We did some camera tests blacking it out, we made a prosthetic with a gap in it, but that made me look like a donkey, so I vetoed that right away. And then I just finally called my dentist and said, 'You know, I've had this implant for 20 years. What's it involve in taking it out?' And he said, 'It's actually not that big a deal. We can do that.' So we took it out and I was toothless for three months, for the run of the movie [ The Hangover] .I take my job very seriously.

Prosthetics just felt very foreign to me: You wear them on your shoulders, strap them to your chest, and they're heavy and uncomfortable. If someone gave you a hug, you'd miss that touch. They were more like a cage for me.

Darla [from Buffy The Vampire Slayer] wasn't Darla in the beginning, by the way. Darla was just Vampire Girl #1. But I just started adding a little bit of glee and joy into everything she did and just relied on the fact that the prosthetic does the work. And then I didn't have to be scary. The prosthetic was scary enough. I just had to smile and show off Darla's really great dental work.

I had the prosthetics on, and I went to my trailer, I looked in the mirror, and I smiled. And I was, like, "This is the character - everything she does is with a smile and a bit of glee and joy." And that's how I created Darla [from Buffy The Vampire Slayer]. Prior to that, I was, like, "I have no idea how to play this 400-year-old vampire from hell!".

I would do prosthetics again, but not on a schedule like that [in Gigi Does It]. It was grueling and brutal and it almost killed me. That show almost killed me.

My parents didn't give me any scope to feel sorry for myself. They were just like 'go play with your brother, go climb a tree, go fall off your motorbike, do whatever you want. Don't come crying to us when you get scratched. You've got prosthetic legs - that's very nice.

It can be difficult to be subtle and not cartoony in prosthetics. But when you see characters like Bubbles and Desiree from 'Little Britain' on screen, it makes all the hard work worth it. It's such fun watching those transformations.

The challenge for me was not just the prosthetic work and how to move like an older man would move, but more so how to have 50 years of experience in the workplace and talk to a young Robert F. Kennedy as if he was some political upstart that didn't know what the hell he was talking about. That was the big challenge [in the J. Edgar Hoover mоvie].

If my leg falls off, I'll get a prosthetic. There'd be no deep sadness about. I'd just get on with it! It's called life, and I love life. You have to be positive, and you have to crack on no matter what.

A prosthetic leg with a Willie Nelson bumper sticker washed ashore on the beach, which meant it was Florida. Then it got weird.

Modern mass culture, aimed at the "consumer", the civilisation of prosthetics, is crippling people's souls, setting up barriers between man and the crucial questions of his existence, his consciousness of himself as a spiritual being.

Other than his ex-wife and despite appearances with a series of cultivated blondes, Edward de Bono has never publicly aligned himself with a woman. 'I’m looking for a fat, cross-eyed hunchback,' he explains, stifling a giggle. 'A prosthetic hump would do.' His delight evaporates when asked about his three grandchildren. 'Am I a doting grandfather?' He pauses. 'I’m a … something grandfather, yes.' The fact that De Bono remains unperturbed by this lack betrays an emotionally austere childhood, and his passions for play, toys, and bad jokes tell of the same deprivation.

The doctors say it dates back to a film where I had these huge prosthetic breasts because my character was breast-feeding. The weight of them, and of the baby, did my back in.

I have a very close friend who is a brilliant clown, and I always wanted to do a show with him. So I did one year at La MaMa Theatre. I had not done stilts before that show, and I had about two weeks to learn how to do that, and they were just made with off-off Broadway money. The ones that I had in Rogue One were made by [Industrial Light & Magic]. So they were really easy. They were made with actual prosthetic feet on the bottom. They were athletic, in a way. I could run in them. There was a bounce to them that I could use.

In Technologized Desire, the cultural pathologies that mark the panic ecstasy and terminal doom of the posthuman condition are powerfully rehearsed in the language of science fiction. Here, images of prosthetic subjects, zombies, cut-ups and armies of the medieval dead actually slip off the pages of literature to become the terminal hauntology of these technologized times. Technologized Desire is nothing less than a brilliant data screen of future memories. Read it well: it's a survival guide for bodies flatlined by the speed of accelerating technology.

If you’re fifteen or so, today, I suspect that you inhabit a sort of endless digital Now, a state of atemporality enabled by our increasingly efficient communal prosthetic memory. I also suspect that you don’t know it, because, as anthropologists tell us, one cannot know one’s own culture.

I had never done anything with blue screen before, or prosthetics, or anything like that. Lord of the Rings was like stepping into a videogame for me. It was another world completely. But, to be honest, I basically did it so that I could have the ears. I thought they would really work with my bare head.Working with Martin Scorsese was an absolute minute-by-minute education without him ever being grandiose about it.

If the legs did provide such an advantage that some of the people are claiming they did, then there would be a lot more amputees using the exact same prosthetic legs I have, running the exact same times I have - and that's not the case.

I've never worked with prosthetics before in that sort of capacity. I did a bit of prosthetic work when I had to give birth in Jude, which is quite a different set of prosthetics. But I had so much admiration for the hair and make-up department and the prosthetics team, who are actually based at Shepperton, and who put together that look for Hanna. I

The injured runner is like a recent amputee victim, continually forgetting that the limb isn't there, crestfallen at each realization. What we need more than anything is a suitable prosthetic and an attitude adjustment.

Of course when you spend four hours in prosthetic makeup and you really are looking at yourself and you see how revolting you've become in a way, it obviously adds another strand and helps you... a little bit more.

It was so hard [to do Gigi Does It show]. On paper, that formula is almost impossible to create a winning show with, but then you add four and a half hours of prosthetic makeup every morning, three-inch nails, acrylics, the whole thing, and it nearly killed me.

Working with Martin Scorsese was an absolute minute-by-minute education without him ever being grandiose about it.