Real Human Quotes

Write about this man who, drop by drop, squeezes the slave's blood out of himself until he wakes one day to find the blood of a real human being--not a slave's--coursing through his veins.

People should realize women aren't just whores or virgins, I want to see women who are real human beings.

Marriage is such hard work. And it's full of rage and real human drama.

You don't want the white men to be written in a three-dimensional way but the black men, not. I mean, it's just about [how] scripts should always reflect real human beings. So that's what I look for.

The phrase 'Sense of the Earth' should be understood to mean the passionate concern for our common destiny which draws the thinking part of life ever further onward. The only truly natural and real human unity is the spirit of the Earth. . . .The sense of Earth is the irresistable pressure which will come at the right moment to unite them (humankind) in a common passion.The Age of Nations is past. The task before us now, if we would not perish, is to build the Earth.

Basically, from the viewpoint of real human value we are all the same.

I enjoy playing real human beings after playing a lot of larger than life characters. I love playing true to life characters and that is what I intend to do for the majority of my career.

Satire exists for the purpose of killing the social being [for the sake of] the true individual, the real human being.

Beelzebub is the isolated part of the human being. This part or this real human being has been obscured by religious structures.

In acting, I always try to go back to what would actually be the real situation, the real human behavior in life.

A love that left people alone in their guilt would not have real people as its object. So, in vicarious responsibility for people, and in His love for real human beings, Jesus becomes the one burdened by guilt.

One never finishes learning about art. There are always new things to discover. Great works of art seem to look different every time one stands before them. They seem to be as inexhaustible and unpredictable as real human beings.

God loves human beings. God loves the world. Not an ideal human, but human beings as they are; not an ideal world, but the real world. What we find repulsive in their opposition to God, what we shrink back from with pain and hostility, namely, real human beings, the real world, this is for God the ground of unfathomable love.

I'm not afraid of werewolves or vampires or haunted hotels, I'm afraid of what real human beings to do other real human beings.

If you want to be a real human being - a real woman, a real man - you cannot tolerate things which put you to indignation, to outrage. You must stand up. I always say to people, 'Look around; look at what makes you unhappy, what makes you furious, and then engage yourself in some action.'

Many couples, many people, are not living with real human beings, but with their ghosts. Who has not followed for years the spell of a particular tone of voice, from voice to voice, as the fetishist follows a beautiful foot, scarcely seeing the woman herself? A voice, a mouth, an eye, all stemming from the original fountain of our first desire, directing it, enslaving us, until we choose to unravel the fatal web and free ourselves.

Most people put their childhood away as if it was an old hat. They forget it as if it was a phone number that does not apply anymore. They think about their life as if it was a salami which they are eating slice by slice and then they become grown-ups, but what are they now? Only those who grow up and still remain children are real human beings.

My job is to portray real human beings and real human experiences, and if I haven't had a real human experience myself outside of the film industry, how am I going to be able to do that?

Since Hollywood seems to be more interested in people wearing tights and using powers, there seems to be a fertile ground for movies about real human beings.

Do I want to be a hero to my son? No. I would like to be a very real human being. That's hard enough.

"To be is to do," says the existentialist. "One only becomes real (human) at the point of action."

While we exert ourselves to grow beyond our humanity, to leave the human behind us, God becomes human; and we must recognize that God wills that we be human, real human beings. While we distinguish between pious and godless, good and evil, noble and base, God loves real people without distinction.

Disrespect also can take the form of idealizing you and putting you on a pedestal as a perfect woman or goddess, perhaps treating you like a piece of fine china. The man who worships you in this way is not seeing you; he is seeing his fantasy, and when you fail to live up to that image he may turn nasty. So there may not be much difference between the man who talks down to you and the one who elevates you; both are displaying a failure to respect you as a real human being and bode ill.

Using the device of an imaginary world allows me in some strange way to go to the central issues - it's one of many ways to express feelings about real people, about real human relationships.

There's a place for all types of country music as long as there is honesty and realness and a real human experience for the fans.

The most difficult problems are naturally not involved in the search for forms for contemporary life. It is a question of working our way to forms behind which real human values lie.

Looking at virtual reality through computer screens, video game screens, and above all television screens is a denial of personality development. It's a denial of socialization, of expansion of vocabulary, of interaction with real human beings.

For me, every human is a little bit an exaggerated version of a real human - in most cases, they are versions of myself. I am someone deeply motivated by extremes - the poles not only become home for me, but they also become, strangely, my comfort zones.

Hillary Clinton has been portrayed as robotic, someone who is trying to approximate real human emotion.

Villains are not fun for me to play, as such. But caricature-ish, intense behaviors that are based on real human traits are interesting. That makes an interesting story.

I just want to play real human beings. You know, I don't care if they're male or female.

Human social life, I suggest, is the magma that erupts and builds up, so to speak, at the fault lines where natural human capacities meet and grind against and over natural human limitations…. This meeting of powers and limitations produces a creative, dynamic tension and energy that generates and fuels the making of human social life and social structures…. It is real human persons living through the tensions of natural existential contradictions who construct patterned social meanings, interactions, institutions, and structures.

I run my own film school, the Rogue Film School, and I do it over three and a half days, eight hours non-stop everyday; alone, single-handedly. But the difference is in the Rogue Film School I do have real human beings in front of me from all over the world, and of course there's this course as well, they can ask, talk about their problems and obstacles, finances, anything, you just name it. Whereas in the Masterclass, you are speaking to cameras.

Human beings have a bunch of different dimensions, so even if you're playing someone who you think maybe the audience might not like, might not be going for, you still have to give them the dimensions to make them a real human, otherwise there's no point.

When I write, I speak with ghosts for years, and I see images that are a little bit out of focus. I see faces, but the faces change. At the moment that it's a real human being that's flesh and bone, it changes a character. It's much more precise and complex.

Who talks about the real human rights violations, those committed by the West? Europeans and North Americans have already butchered hundreds of millions of people, or close to one billion, to be precise. They have been looting, torturing and raping. Even now, they are killing millions directly and tens of millions indirectly.

Human beings by nature want happiness and do not want suffering. With that feeling everyone tries to achieve happiness and tries to get rid of suffering, and everyone has the basic right to do this. In this way, all here are the same, whether rich or poor, educated or uneducated, Easterner or Westerner, believer or non-believer, and within believers whether Buddhist, Christian, Jewish, Muslim, and so on. Basically, from the viewpoint of real human value we are all the same.

Of woman as a real human being, with sexual needs and sexual responsibilities, morality has often known nothing.

Compassion is not a relationship between the healer and the wounded. It's a relationship between equals. Only when we know our own darkness well can we be present with the darkness of others. Compassion becomes real when we recognize our shared humanity.

All of us are beautiful people, but we walk around just being people. I wanted real human beings.

I can fill my cup up with real human interactions that allow me to be an actor. If I had no basis for relationships, as Kristen Bell, the human, I couldn't be an actress.

Those subject to capital punishment are real human beings, with their own backgrounds and narratives. By contrast, those whose lives are or might be saved by virtue of capital punishment are mere 'statistical people.' They are both nameless and faceless, and their deaths are far less likely to be considered in moral deliberations.

It's interesting to have the awkward moments play out, and the real human interactions. The more you cut that down, you lose the joke, which is that this is painful and hard.

I believe in art that is connected to real human feeling, that extends itself beyond the limits of the art world to embrace all people who are striving for alternatives in an increasingly dehumanized world. I am trying to make art that relates to the deepest and most mythic concerns of human kind and I believe that, at this moment of history, feminism is humanism.

Most of us live our lives desperately trying to conceal the anguishing gap between our polished, aspirational, representational selves and our real, human, deeply flawed selves. Dunham lives hers in that gap, welcomes the rest of the world into it with boundless openheartedness, and writes about it with the kind of profound self-awareness and self-compassion that invite us to inhabit our own gaps and maybe even embrace them a little bit more, anguish over them a little bit less.

As I worked on projects which fulfilled a real human need forces were working through me which amazed me. I would often go to sleep with an apparently insoluble problem. When I woke the answer was there. Why, then, should we who believe in Christ be so surprised at what God can do with a willing man in a laboratory? Some things must be baffling to the critic who has never been born again.

The major adventure is to claim your authentic, true being, which is not culturally given to you. The culture will not explain to you how to be a real human being. It will tell you how to be banker, politician, Indian chief, masseuses, actress, whatever, but it will not give you true being.

I realize I have a lot of amazing opportunities, but I don't know how you can play a human being going through real human experiences without being able to walk down the street. If you can't live a real life, how do you play a real person? It always confuses me when actors work back-to-back-to-back with no break. If you live your life on a film set, how the hell can you relate to real people? You don't know what its like to not have people fussing over you all day, and that's not life - that's silly movies. I will always want to take breaks and I wouldn't be OK with losing that.

I don't like theatrical actors and actresses. I like people that talk like real human beings.

Ethics is not just an abstract intellectual discipline. It is about the conflicts that arise in trying to meet real human needs and values.