Rock Concerts Quotes

The more technology we introduce into society, the more people will aggregate, will want to be with other people: movies, rock concerts, shopping.

Rock concerts are the churches of today.

The rock concert experience for people was really pretty stupid, you know, at the time. People would go to concerts not with the idea of listening at all.

Groundhog Day is a lot like a rock concert but the people are better behaved and there's a groundhog involved.

You know, kids come to see me in the same way that their parents would go to see a rock concert.

The nice thing about growing up in that kind of environment is you were exposed to so much -- music, plays, art exhibits, rock concerts.

I never went to rock concerts when I was a kid. I didn't see any rock & roll bands.

We are communal beings who love to get together in groups and share emotions - like sporting events, rock concerts and political rallies. We crave tribal membership.

I'm not a fan in a rock concert, you see. I am a political leader in a great nation of the world. What interests me are France's interests.

We've been doing something every year. We had a rock concert a few years ago to benefit the Garden of Dreams. And then we had the mask event.

A live concert to me is exciting because of all the electricity that is generated in the crowd and on stage. It's my favorite part of the business - live concerts.

I have very eclectic taste in music, but when it comes to going to concerts, I like going to rock concerts.

People like to let loose at rock concerts and it gives them an excuse to do it in a way that is not destructive to others and not really destructive to the band.

When I was younger I always thought, 'If I were ever a comedian I'd make it like a rock concert.' I wanted to generate that type of enthusiasm and excitement.

I don't know, when I was a kid, when I would see shows that changed my life, I would go to see shows where there was my mother taking us to see classic rock concerts, like Zeppelin, or when I saw Pink Floyd or when I saw, you know, when I was a little older, and I saw Nine Inch Nails, and I saw The Cure.

Compared to what they were, rock concerts now are like business meetings.

I love going to rock concerts, I love to lose myself in that vast wave of rhythm and body heat and get on the same vibe.

[I've gone to big stadium rock concerts at some artist's invitation], and eventually you find yourself in the room with the Radiant Being around whom all this is revolving. It's very bizarre, and it's quasi-religious, or possibly genuinely religious. Spooky. It's a spooky and interesting thing.

I worked on it [ Too Much Tuna] for a little bit downtown and it was a great experience. I couldn't believe how enthusiastic the audience was for it. It was just extraordinary. It felt like you were at a rock concert, which was just unusual for shows at Cherry Lane, which are usually intimate plays about big ideas, you know.

CS: I always say there's a tribal element in a rock concert. There's a real back-and-forth thing that goes on between the audience and the performers.

I've gone to big stadium rock concerts at some artist's invitation, and there's this invariable, fascinating and rather sad situation of concentric circles of availability. There are Green Rooms within Green Rooms literally within Green Rooms. There are seven or eight degrees of exclusivity, and within each circle of exclusivity, everyone is so happy to be there, and they don't know that the next level exists.

My uncle Max was a mountain, a shooting star, a big bear of a man, a piggyback ride waiting to happen, his pockets full of candy and, later money, or whatever the particular currency of our ages happened to be. He was rock concerts, baseball games, he was yes when my parents were no, he was a consolation for every disappointment.

It doesn't necessarily matter if I'm onstage or not. I just find the communal experience of a rock concert, or any type of music performance, achieves a kind of transcendence that I associate with spirituality. It's the closest thing to what I think people expect church to be like. Or maybe just what I've always thought church should be. You lose yourself, and at the same time come to the realization or understanding that you're part of something bigger than yourself.

When I started my own business, my main reason for designing clothes was that I wanted to dress rock stars and the people who went to rock concerts. It didn't go beyond that aspiration at that point.

I actually don't go to shows anymore. Rock concerts have lost their appeal for me.

Our audience is young and vibrant; we retain our previous following; we are three generations into it. Unlike other bands that are very demographically specific, who they appeal to and who their fans are, we're the antithesis of that. If you see your younger brother or a parent of yours or a neighbor at most rock concerts, that's not cool but with us and kids, it's a tribal gathering. Whether it's kids or neighbors - they're all part of a secret society.

I see the crowd singing 'Rock 'N Roll' or 'Back Road' at my concerts... they are anthems and they lift up your life.

Columbia Heights was a poor, messed up area, and the church was in the middle of it. What happened inside was a reflection of the community. I actually saw my first rock concert on the altar of that church [St. Stephen's].

Students of the psychedelic realm know that one's expectations are a powerful determinant of the direction, content, and outcome of the experience. So, we should say at the outset that the experiences recounted here were preceded by careful preparation, where the trip was presented as a learning experience and a process of self-discovery. They all took place in safe, supportive environments. They generally did not fit the stereotypical model of teenagers dropping acid at a rock concert, looking for awesome visuals and good vibes.

Every good story needs a complication. We learn this fiction-writing fundamental in courses and workshops, by reading a lot or, most painfully, through our own abandoned story drafts. After writing twenty pages about a harmonious family picnic, say, or a well-received rock concert, we discover that a story without a complication flounders, no matter how lovely the prose. A story needs a point of departure, a place from which the character can discover something, transform himself, realize a truth, reject a truth, right a wrong, make a mistake, come to terms.