Santana Quotes

Tito Santana is like a cue-ball. The more you strike him, the more english you get out of him.

The story of Rod Stewart, the story of Carlos Santana is so inspiring to young musicians because it shows in this trendy business how long a career can last. It shows how you can soar back, regardless of age.

You never know what's going to happen sometimes, or what you think's going to happen never happens, or when you least expect it, the Santana record comes along and just blows up.

I'm not a very spiritual guy when it comes to music. I remember hearing Carlos Santana say that angels helped him write his songs. And I thought, 'Really, angels?

National coach John McKay has told me that it won't be easy but I want to make up for losing the 2003 Four Nations Tournament final here in the Kelvin Hall by beating this guy Santana.

In 1942 Cachao wrote a tune for Arcao, 'Rareza de Melitn,' with a memorable catchy tumbao. In 1957 Arcao recorded a reworking of it under the name 'Chanchullo'; and in 1962 Tito Puente reworked that into 'Oye como va,' still with that same groove. In this form, audibly the same, it powered Carlos Santana's multiplatinum 1970 cover version, close to three decades after Cachao first played it.

Hinduism... gave itself no name, because it set itself no sectarian limits; it claimed no universal adhesion, asserted no sole infallible dogma, set up no single narrow path or gate of salvation; it was less a creed or cult than a continuously enlarging tradition of the Godward endeavour of the human spirit. An immense many-sided many-staged provision for a spiritual self-building and self-finding, it had some right to speak of itself by the only name it knew, the eternal religion, Sanatana Dharma.

[Peter] Tchaikovsky's "1812 Overture" was my first go-to song in terms of getting into the zone and getting ready and then I quickly gravitated to rock and roll music in the mid-'60s with the Grateful Dead, Bob Dylan, Neil Young, The Beatles, Crosby, Stills & Nash, The Rolling Stones, Carlos Santana. So many of them are still around and still going strong. I go out to see them all the time.

Back in the days, the groups and the bands that we listened to were like Earth, Wind and Fire, Santana and Grateful Dead. We don't have a lot of those bands anymore.

When I get 13 or 14 years old, I get crazy with rock music, like, like, deeply crazy. And one of my favorite bands at that moment was, for example, like - bands like Metallica or Led Zeppelin, Black Sabbath, Pink Floyd and Santana, you know? And then I start to play metal, actually, when I was - at the age of 15.

I met the Santana band when I was 14. By the time I was 15, I was a member of the band.

I got to work with [Carlos] Santana, who's been my idol forever. When I was 18, I got up with him in Australia and jammed with him. That was an amazing moment because I got up in front of my hometown crowd.

I prefer for a woman's most private of areas to have as much hair as Carlos Santana's entire band, head to toe, circa 1972.

On this side of the Atlantic, the arrival of a new Woody Allen movie is always greeted with tremors of bliss by filmgoers past the age of 60, with mild curiosity by those in their 50s, with trepidation by those in their 40s, with fear and loathing by those in their 30s, and with complete indifference by anyone younger. An icon to baby boomers, who will never concede that when something is over, it is really over (Clapton, McCartney, Santana, the 1960s), Allen has not made a truly memorable film since Bullets On Broadway back in 1994.