Taking Pictures Quotes

Once I was walking from The Mercer in New York - because otherwise I don't walk anywhere - and this woman paparazzo who was following me fell over a fire hydrant and her whole tooth went through her lip. I leant over her, saying, 'Are you all right?' and she was still taking pictures.

I love taking pictures of food.

There is a lot of years in my 20s that acting was really on the back burner not even saying I was traveling and writing, taking pictures and just kind of living and figuring out what I wanted to do.

I love cameras but I find myself reluctantly taking pictures because what's past is past.

She's taking pictures! Maryse, put it on Twitter!

Yes, photography saved my life. Every time I go through something scary, traumatic, I survive by taking pictures.

We're constantly taking pictures of ourselves. It's a bit scary, because images are essentially dead, so we judge beauty on something that isn't alive.

I'm known for taking pictures very close, and the older I get, the closer I get.

I'm taking pictures in my mind so i can save them for a rainy day.

I've been taking pictures of wherever I go, or on planes, whatever.

I actually love talking about taking pictures, and I think that helps everyone.

There is not a big difference between life and taking pictures... You're in the middle of life, you're living, making love, eating, sleeping - and photography is part of it. And I don't say this because I'm being romantic. I say this because that's just the way it happens to be.

When you start thinking about taking pictures, sending an e-mail, receiving an e-mail, speaking into your phone and have it transcript voice into text and then sent as an e-mail, it's mind-boggling.

When you do bigger jobs there's more attention and when you film in New York you get loads of paparazzi everywhere. It affects your work because you're trying to think about the person you're acting with and you've got 20 other lenses taking pictures of you at the same time, and it throws you.

it's a weird thing with acting and it happens to a lot of actors, not just myself - it's like you're giving off an I really need to be loved today vibe. My worst moment recently is I fell asleep on the tube in London on the Victoria line 8:30 in the morning and I woke up and there were about five people with iPhones taking pictures.

Everyone has a point of view. Some people call it style, but what we're really talking about is the guts of a photograph. When you trust your point of view, that's when you start taking pictures.

I thought I was taking pictures of things that I hated. But there was something about these pictures. They were unexpectedly, disconcertingly glorious.

The adventure is over. Everything gets over, and nothing is ever enough. Except the part you carry with you. It's the same as going on a vacation. Some people spend all their time on a vacation taking pictures so that when they get home they can show their friends evidence that they had a good time. They don't pause to let the vacation enter inside of them and take that home.

I've been taking pictures since I was probably 16. I'm 54, and I can't believe how excited I am.

I think I’ve said this before many times—that photography allows you to learn to look and see. You begin to see things you had never paid any attention to. And as you photograph, one of the benefits is that the world becomes a much richer, juicier, visual place. Sometimes it is almost unbearable — it is too interesting. And it isn’t always just the photos you take that matters. It is looking at the world and seeing things that you never photograph that could be photographs if you had the energy to keep taking pictures every second of your life.

The response by agribusiness interests has been to back laws that ban animal advocates from taking pictures or videos at these facilities, and ban the media from publishing any that are taken. The laws also make it a crime for animal advocates to seek employment at animal enterprises without disclosing their intentions. Media coverage of the legislative fights is overwhelmingly negative for agriculture interests. The impression left among consumers is that the proponents had something to hide.

If people are taking pictures of me at Starbucks, it's not the end of the world. It's cool, it's fun, it's exciting.

George Clooney and Fabio apparently got into a scuffle at a restaurant in Los Angeles over the weekend. George thought the women with Fabio were taking pictures of him. How embarrassed is George Clooney to be in a fight with Fabio? Who is he going to call out next, Lorenzo Lamas?

This is what the Democrats are fighting for. They're fighting for you not to have a job and still have health care so you can pursue your entrepreneurial risk of writing, painting, taking pictures. It's just such a pain in the rear end to have to have a job. It's so damn mean of this country to require people to have a job. It stifles people. It stifles creativity and economic growth to require people to have a job, to have health care. What a country. Man, are we horribly rotten mean to people.

The having of the ideas is quite otherworldly. And then the making of the art itself is quite scientific. It's a combination. L Doing figurative work or taking pictures, and looking at how light actually reflects and refracts on bodies, or how your perception of something changes based on distance. But I think the getting of the ideas, and having that space to just have the ideas, is otherworldly, and requires a clear mind.

You should always be taking pictures, if not with a camera then with your mind. Memories you capture on purpose are always more vivid than the ones you pick up by accident.

When the novice photographer starts taking pictures, he carries his camera about and shoots everything that interests him. There comes a time when he must crystallize his ideas and set off in an particular direction. He must learn that shooting for the sake of shooting is dull and unprofitable.

My first priority when taking pictures is to achieve clarity. A good documentary photograph transmits the information of the situation with the utmost fidelity; achieving it means understanding the nuances of lighting and composition, and also remembering to keep the lenses clean and the cameras steady.

Newshounds are people with mini-video cameras, people who are continually taking pictures in the street and sending the tapes in to CNN. These Newshounds are a sort of pack of wolves, continually looking for quarry, but quarry in the form of images.

I have this awareness that the more dynamic the situation is, the more on guard I need to be that the dynamic isn't controlling the situation. I found that myself in the Galapagos. For the first time in my life I was around very exotic animals, colorful, beautiful, and immediately present, all around. Birds, turtles, iguanas, seals. I was being seduced by their exoticism, I was taking pictures.The pictures weren't well lit, there was no moment in play, there was no depth to the pictures. I was just gawking with my camera at something I'd never seen before.

The great thing about being a print journalist is that you are permitted to duck. Cameramen get killed while the writers are flat on the floor. A war correspondent for the BBC dedicated his memoir to 50 fallen colleagues, and I guarantee you they were all taking pictures. I am only alive because I am such a chicken.

Using iPads as cameras, for example, is like taking pictures with a cafeteria tray.

I like hiding somewhere, like, say on a bus street in a doorway, and taking pictures without people knowing - which sounds really creepy....You get some of the most interesting pictures because people are walking past not realising you're there.

When I'm on stage, I feel like a performer for sure. I know people are looking at me and taking pictures. That part's wonderful. But, I live the most boring life away from what you see me on camera doing. The other 300 days out of the year I'm just the most normal person in the universe. I'm a wife. I'm a mother to my doggies. I'm a maid - I clean the house.

Everybody's got to do something... I'd been on my own since an early age and I thought I better find something to do to buy biscuits and stuff. From high school onwards I was earning my way with photography, one way or another, working in darkrooms and taking pictures of weddings, neighbors' children and so on.

For me N.M.E. was a very big thing. When I first came to the United Kingdom I started taking pictures for them and I became their main photographer for five years, and that's really been the basis of everything I've been doing since.

There are certain mystical belief systems that believe that taking pictures takes an aspect of the soul, but beyond that it's just the idea that once you're captured in a photograph, then a million presumptions are made of you, and you are forever frozen in that one moment, and you are perceived to be the embodiment of that moment, and that, of course, is an illusion.

People were like, 'Oh, there are going to be people running up to you taking pictures' and I thought it was going to be a bunch of little kids. But it's grown-ups! And that's, like, creepy.

My eyes has been my camera taking pictures of the world and my songs has been my messages that I tried to scatter across the back sides and along the steps of the fire escapes and on the window sills and through the dark halls.

I get really restless when I haven't worked for a day and a half. I have a recurring dream that people are lined up next to my bed, waiting for autographs and taking pictures of me!

I think that people in the phase between being someone's kid and being someone's parent have always been uniquely narcissistic, but that social media and Twitter and LiveJournal make it really easy to navel-gaze in a way that you've never been able to before. People taking pictures of what they eat and showing them on their Facebook. People assume that people have a level of interest in what they're doing that's maybe far greater than it is, although there is an audience for all that stuff.

Like most people - unless they're very practised at it or have no warm blood at all in their veins - I feel a little apprehensive about the red carpet. It's always a bit bewildering when people are taking pictures and asking questions before the ceremony.

[Elsa Dorfman]was well known. Certainly in the Boston area, she's well known as a portrait photographer. My wife always wanted to meet her and then there was some benefit where she was taking pictures.

Working alone on stories, I began to feel the anonymity of motels on interstate highways reached by jet planes and rental cars. It was hard to have a good time, and the only way I could make the loneliness excusable was by taking pictures I thought were very good, even valuable.

I learned to be a hot-air balloon pilot to take tourists over the Masai Mara Reserve in order to earn some money and finance the work I was doing with my wife, Anne. We were studying the life of a family of lions for more than two years. Taking pictures was a way to capture information we could not put in words.

Undercover investigations threw back the curtain on the systemic exploitation of animals on factory farms. The response by agribusiness interests has been to back laws that ban animal advocates from taking pictures or videos at these facilities, and ban the media from publishing any that are taken. The laws also make it a crime for animal advocates to seek employment at animal enterprises without disclosing their intentions.

During the Cold War, we gathered information by listening to the Soviets, taking pictures of the Soviets, and we allowed our human intelligence to decline.

The advice I would give to any photographer - young, old or in-between - is to explore anything visual because this is, after all, how you express your artistry. Look at paintings, movies, drawings, sculptures - look at anything visual and try to integrate that into your visual sense. After that, go out and take pictures and keep on taking pictures!

It would be so easy to lose the plot now. It's not about achieving something for its own sake, and taking pictures for their own sake. But to make conscious decisions and choices, and it includes this constant questioning - Why am I taking pictures? Because really, the world is... it has pictures enough. I mean, there are enough pictures out there.

My mother said that when I was young I was constantly saying, Look at this - Look at that. I think that taking pictures must be my way of asking people to Look at this - Look at that. If my photographs make the viewer feel what I did when I first took them - Isn't this funny... terrible... moving... beautiful? - then I've accomplished my purpose.