Urban Quotes

As soon as we get out of our urban shell, we're still at the mercy of nature as individuals.

So the physicality of that and the just the sheer lack of urban noise and machinery - just the wind, the water and your breath, you know that kind of thing - it was pure poetry and you know I treasure that.

I am passionate about a few things, of course acting, films/TV and improving the lives of youth in urban communities.

The suburb is a place where someone cuts down all the trees to build houses, and then names the streets after the trees.

You have to get out in the world and meet folks on their own turf, something which a lot of urban radical intellectuals seldom do.

The explosions, like the urban legends, are a great way of bringing people in to watch, because it's really fun, and you know we're always going to give you a satisfying ending.

Not many sounds in life, and I include all urban and all rural sounds, exceed in interest a knock at the door.

Human beings everywhere in the world are affected by the global media now. Still, what I have noticed in the east Asia, in the indigenous world, Alaska in particular, and in back country farm and ranch country, is a higher sense of etiquette, and more respectful manners. Urban middle class cosmopolitan world peoples of all races have become speedy and rude. This is a pretty big generalization though.

[Rural voters] have a different view of the world than people do in these urban centers.

To implement a true urban renaissance, you first need a Grand Design elaborated by strong leadership .

An urban novelist never minds a little decay.

Although they are some of the hardest working folks I know, rural Americans earn, on average, $11,000 less than their urban counterparts each year. And they are more likely to live in poverty.

The city of Cork - the urban center, where all the shops and bars and everything are - is actually an island, a river island.

A lot of people feel like urban fantasy is a shortcut that gets you around world-building, because it's set "in the real world." But it doesn't really work that way, as I found out. You have to come up with just as consistent an internal cosmology and magic system as you would if you were writing high fantasy.

I've been making 16mm urban landscape films about San Francisco for many years. I choose different nonfiction themes to investigate and am generally interested in surfacing lesser-known histories. I like to investigate and illuminate these histories, combining them with my own unconventional storytelling style, which is generally a stream-of-consciousness voiceover involving a steady stream of personal reflections on pining over unavailable women.

I love business. I love helping urban communities grow. I love putting people to work of color. I love making sure - like right now the whole mortgage crisis, I want to help people get back into their homes.

I recognize that it is through the engagement with my craft - by recognizing an idea and drawing it out, building physical models, collaborating with experts, constructing the sculptures at urban scale, and maintaining them through years of weather and interaction with the public - that a new art for cities has become real.

Country things are the necessary root of our life - and that remains true even of a rootless and tragically urban civilization. To live permanently away from the country is a form of slow death.

URBANITY, n. The kind of civility that urban observers ascribe to dwellers in all cities but New York. Its commonest expression is heard in the words, "I beg your pardon," and it is not consistent with disregard of the rights of others.

Each of us-adult or child-must earn nature's gift by knowing nature directly, however difficult it may be to glean that knowledge in an urban environment.

In my opinion, if most urban meat-eaters were to visit an industrial broiler house, to se how the birds are raised, and could see the birds being "harvested" and then being "processed" in a poultry processing plant, they would not be impressed and some, perhaps many of them would swear off eating chicken and perhaps all meat.

With Urban Secrets, I just really liked the idea of wandering around chatting to people.

I don't think of myself as a rebellious artist, a lot of people have said that about me because I came from Cornwall and choose to paint people in what they considered to be an urban style instead of Cornish landscapes. I've never agreed with them. It's bullshit.

90 percent, 85 to 90 percent of Israeli citizens in Judea-Samaria, in the West Bank, live in clusters, in urban blocks. Everybody understands that if we were to have a solution then those blocks would stay in Israel. And that's where you saw these cranes; that's where Israelis live. In the Jewish neighborhoods of Jerusalem, everybody understands, they will stay.

Only rarely do we see beyond the needs of humanity, and he linked this blindness to our Christian and humanist infrastructure. It arose 2,000 years ago and was then benign, and we were no significant threat to Gaia. Now that we are over six billion hungry and greedy individuals, all aspiring to a first-world lifestyle, our urban way of life encroaches upon the domain of the living Earth.

For me and Michelle, this visit has therefore held special meaning. Throughout my life, including my work as a young man on behalf of the urban poor, I have always found inspiration in the life of Gandhiji and in his simple and profound lesson to be the change we seek in the world. And just as he summoned Indians to seek their destiny, he influenced champions of equality in my own country, including a young Martin Luther King

Wickedly Dangerous translates a terrifying figure from folklore , the Baba Yaga, into the smart, resourceful, motorcycle-riding Barbara Yager, who travels with her dragon-disguised-as-a-dog best friend, righting wrongs and helping those in need. But when she stumbles into a town whose children are vanishing, and meets the haunted young sheriff trying to save them, what was a job becomes very personal. This is urban fantasy at its best, with all the magic and mayhem tied together with very human emotions, even when the characters aren't quite human.

I won't deny the polemical elements in my work, but they are less in the service of attempting to reform human behavior than the delighted exercise of my rather malicious sense of humor - especially vis-a-vis the horrifying everyday environment we have produced for ourselves. These mall-scapes, burb-scapes, urban wildernesses, starchitect stunts, and other toxic contexts for our daily lives express about every human vice, stupidity, and blunder that it is possible for a society to make. It all leads, really, to a psychological place where only comedy or despair make sense.

The urban, on the other hand, is often seen as more real and mundane, even though it is obviously far more recent in terms of planetary development. I think this might be because nature corresponds to the unconscious and the artificial world of the city and human culture to the conscious mind.

The car has become an article of dress without which we feel uncertain, unclad, and incomplete in the urban compound.

So Socrates was a kind of gadfly. He was a sort of philosophical urban gorilla hanging around in the middle of Athens, asking these peculiar questions of everybody - important people, young men, slaves - questions that had to do with ultimately what's the life that's worth living. And Plato was one of the young men who hung around him, a very aristocratic young man, came from a very old, important family.

She missed the built environment of New York City. It was only in an urban landscape, amid straight lines and architecture, that she could situate herself in human time and history. She missed people. She missed human intrigue, drama and power struggles. She needed her own species, not to talk to, necessarily, but just to be among, as a bystander in a crowd or an anonymous witness.

The new architecture and urban design of segregation could be called Calvinist: they reflect a desire to live in a world of predestination rather than chance, to strip the world of its wide-open possibilities and replace them with freedom of choice in the marketplace.

I love clothes! Ill wear anything from Urban Outfitters or American Apparel.

I love going to Topshop, Urban Outfitters and American Apparel, I'm in love with their jackets.

There is extreme poverty in Appalachia, where I was, and increasingly poverty is not just an urban thing.

Because they [Americans] want to be thought of as a rich nation, they are very ashamed of this place [Appalachia] that has come to represent poverty, even though poverty exists all over the country, and exists as much in urban areas as it does in rural, if not more.

I envision a day when every city and town has front and back yards, community gardens and growing spaces, nurtured into life by neighbors who are no longer strangers, but friends who delight in the edible rewards offered from a garden they discovered together. Imagine small strips of land between apartment buildings that have been turned into vegetable gardens, and urban orchards planted at schools and churches to grow food for our communities. The seeds of the urban farming movement already are growing within our reality.

The real problems are cultural. The problems of the people who take drugs as a cultural trap - I think there's a real problem there, the crack stuff, the hopelessness of the junkie. The urban angst.

The People's democratic dictatorship is based on the alliance of the working class, the peasantry and the urban petty bourgeoisie, and mainly on the alliance of the workers and the peasants, because these two classes comprise 80 to go per cent of China's population. These two classes are the main force in overthrowing imperialism and the Kuomintang reactionaries. The transition from New Democracy to socialism also depends mainly upon their alliance.

I think one thing you could probably say for all my albums is that they're all pretty eclectic pop. There's always a little bit of urban influence, some dance, a little bit of country, singer-songwriter, pop-rock. I like everything! On every album you can find that.

I'm completely taken and impressed by the planning authority of Singapore and its Urban Redevelopment Authority (URA). It's the most cutting-edge agency in the world. They have very effective guidelines for development, and they review design as it evolves.

While my chosen form of story-writing is obviously a special and perhaps a narrow one, it is none the less a persistent and permanent type of expression, as old as literature itself. There will always be a certain small percentage of persons who feel a burning curiosity about unknown outer space, and a burning desire to escape from the prison-house of the known and the real into those enchanted lands of incredible adventure and infinite possibilities which dreams open up to us, and which things like deep woods, fantastic urban towers, and flaming sunsets momentarily suggest.

For my part, I make this pledge to all of you: The politics of division, of pitting east against west, urban versus rural, region against region, and people against people will have no place in my Administration.

Urban public space is a stage for viewing the field of graphic design in its diversity. A mix of voices, from advertising to activism, compete for visibility.

My guitar playing is a synthesis of traditional American acoustic style and Urban Pop and RB.

Urban people, of course, are terribly scared nowadays. They may yearn for society, but it is risky to go around talking to strangers, for a lot of reasons, one being that people are so accustomed not to have many human contacts that they are afraid they may find out they really prefer life that way.

Members of the Academy are mostly urban people. We are an urban nation. We are not a rural nation. It's not easy even to get a rural story made.

The economic distress of America's inner cities may be the most pressing issue facing the nation. The lack of businesses and jobs in disadvantaged urban areas fuels not only a crushing cycle of poverty but also crippling social problems such as drug abuse and crime… A sustainable economic base can be created in the inner city, but only as it has been created elsewhere: through private, for-profit initiatives and investment based on economic self-interest and genuine competitive advantage.

I heart abortion. Where's the shirt for that, urban outfitters?! And it won't be a normal heart. It'll be a dead infant heart. Y'know what the back will say? Problem Solved.