Emotional Response Quotes

The relaxation response is a physical state of deep rest that changes the physical and emotional responses to stress... and the opposite of the fight or flight response.

What's really amazing about games is how they change our emotional response to challenges

It is very important when you judge to recognize that you have to stay impartial. That's what the nature of my job is. I have to unhook myself from my emotional responses and try to stay within my unemotional, objective persona.

I'm growing very talented at watching blood and guts on screen because I have zero emotional response.

When you tell people, your world changes, your identity changes and people treat you differently. And then, not only do you have to deal with your own emotional response to what's going on, but you take on everybody else's emotional response.

As you get older you realize how important your emotional response is to any kind of music.

It takes 90 seconds from the time we have a thought that is going to stimulate an emotional response. When we have an emotional response it results in a physiological dumpage into our bloodstream. It flushes through and out of our body in less than 90 seconds.

I'm too much left brain. I very much have an emotional response to things; I love literature and films and storytelling. I need to nourish my right side, it doesn't get a lot of exercise.

When I read scripts and when I read books, it's more of an emotional response and I was really drawn to these characters.

Having an authentic emotional response is always a positive thing.

Certain things leave you in your life and certain things stay with you. And that's why we're all interested in movies- those ones that make you feel, you still think about. Because it gave you such an emotional response, it's actually part of your emotional make-up, in a way.

Since I am not actually a real human being, my emotional responses are generally limited to what I have learned to fake.

It's really amazing to be a part of something that people have an emotional response to, even though it's a network sitcom. When you get a chance to meet fans or interact with them, you realize that there are a lot of people who the show speaks to, and that they really get something out of it, beyond just laughing. That's really fulfilling.

A film with an untidy plot cannot grip the audience and define their emotional response.

Paradigms power perception and perceptions power emotions. Most emotions are responses to perception - what you think is true about a given situation. If your perception is false, then your emotional response to it will be false too. So check your perceptions, and beyond that check the truthfulness of your paradigms - what you believe. Just because you believe something firmly doesn't make it true. Be willing to reexamine what you believe.

We are stimulated to emotional response, not by works that confirm our sense of the world, but by works that challenge it.

Whether we like it or not, men and women are not the same in nature, temperament, emotions and emotional responses.

We have a media that goes along with the government by parroting phrases intended to provoke a certain emotional response - for example, "national security." Everyone says "national security" to the point that we now must use the term "national security." But it is not national security that they're concerned with; it is state security. And that's a key distinction.

Design must seduce, shape, and perhaps more importantly, evoke an emotional response.

Film is such a very good tool for communicating emotions, and all designers and creative people look to inspire an emotional response.

I know I have different priorities when I am close to dreaming and coming out of dreaming. I notice I am connected to people in a different way, and connected to the earth. For me, I have exactly the same emotional responses when I go through into shamanic trance.

Ice cream is the perfect buffer, because you can do things in a somewhat lighthearted way. Plus, people have an emotional response to ice cream; it's more than just food. So I think when you combine caring, and eating wonderful food, it's a very powerful combination.

There were really funny characteristics about this guy [Richard Nixon], chief of which would be that he seemed to devote about 85 percent of his waking energy to suppressing any sign of his emotional response to anything that was going on around him, and the other 15 percent blurting out those authentic responses in the silliest and most inopportune ways. And he had these smiles that would come at the most inappropriate times - just flashes that there was an inner life screaming to get out.

I feel I should try to reveal. When you hit it right, you produce an emotional response in the listener that can be cathartic. When you're wrong, you're soppy, sentimental.

To diminish the suffering of pain, we need to make a crucial distinction between the pain of pain, and the pain we create by our thoughts about the pain. Fear, anger, guilt, loneliness and helplessness are all mental and emotional responses that can intensify pain.

You [as an actor] have a responsibility to Jonathan's book and you have a responsibility to talk about a subject that is going to be, whether it's contentious or not, it's going t bring up a huge, emotional response from people. A lot of people will say they are ready or they're not ready.

True compassion is not just an emotional response but a firm commitment founded on reason.

But I did not always know just what it was I wanted to photograph. I believe it is important for a photographer to discover this, for unless he finds what it is that excites him, what it is that calls forth at once an emotional response, he is unlikely to achieve his best work.

I suggest that what artists do in all media can be summarized as deliberately performing the operations that occur instinctively during a ritualized behaviour: they simplify or formalize, repeat (sometimes with variation), exaggerate, and elaborate in both space and time for the purpose of attracting attention and provoking and manipulating emotional response.

There were time when I was into method acting that I did have moments of residual character emotions, because the method bases your emotional responses as a character on emotional experiences from your real life.

For me, the creation of a photograph is experienced as a heightened emotional response, most akin to poetry and music, each image the culmination of a compelling impulse I cannot deny. Whether working with a human figure or a still life, I am deeply aware of my spiritual connection with it. In my life, as in my work, I am motivated by a great yearning for balance and harmony beyond the realm of human experience, reaching for the essence of oneness with the Universe.

I'm committed to the idea that one of the few things human beings have to offer is the richness of unconscious and conscious emotional responses to being alive. ... The kind of esteem that's given to brightness/smartness obliterates average people or slow learners from participating fully in human life, particularly technical and intellectual life. But you cannot exclude any human being from emotional participation.

If the show encourages an audience to ask the question, "Is this character's emotional response to this situation valid?," then that's a really good question to ask.

Most people use their energy attempting to rearrange circumstances that trigger painful emotions. Changing external circumstances will not change your rigid patterns of emotional response. That requires looking at the patterns themselves.

The essential mark of the agitator is the high value he places on the emotional response of the public. Whether he attacks or defends social institutions is a secondary matter.

There's something about a roller coaster that triggers strong feelings, maybe because most of us associate them with childhood. They're inherently cinematic; the very shape of a coaster, all hills and valleys and sickening helices, evokes a human emotional response.

Dealing with architecture brings me very close to the state of mind required to make pictures. One also needs an old seeing eye, appropriate reflexes which embrace sensitive observations coupled with appropriate emotional responses.

Applause should be an emotional response to the music, rather than a regulated social duty.

By all means give vent to your anger, let it out in nondestructive ways--if you are still deciding to have it. But begin to think of yourself as someone who can learn to think new thoughts when you are frustrated, so that the immobilizing anger can be replaced by more fulfilling emotions. Annoyance, irritation, and disappointment are feelings that you will very likely continue to experience, since the world will never be the way you want it. But anger, that hurtful emotional response to obstacles, can be eliminated.

True compassion is not just an emotional response, but a firm commitment founded on reason. Therefore, a truly compassionate attitude toward others does not change, even if they behave negatively. Through universal altruism, you develop a feeling of responsibility for others: the wish to help them actively overcome their problems.

If we are at all sensitive to the life around us, to one another's pains and joys, to the beauty and fragility of the Earth, it is all about being broken open, allowing ourselves to step out from out hardened veneers and expose our core, allowing ourselves to be vulnerable in our emotional response to the world. And how can we not respond? This is what I mean by being 'broken open.' To engage. To love. Any one of these actions of the heart will lead to a personal transformation that bears collective gifts.

An exceptionally positive emotional response indicates that you're summoning the divine energy of intention and allowing that energy to flow to you in nonresistant manner.

Your political reputation affects how likely allies are to trust you, and what kind of deals they'll offer at the negotiating table. There's also some emotional response in there, so factions do bear grudges. Just like the real thing.

My algebra was relatively poor. I found it very difficult to use equations that substituted numbers - to which I had a synesthetic and emotional response - for letters, to which I had none. It was because of this that I decided not to continue math at Advanced level, but chose to study history, French and German instead.

Playing a robot is possibly the most difficult role you can have as an actor, because you have to take all your innate emotional responses and completely suppress them. Even the way you walk is affected.

If you could see a photograph of what it took to make an advertising photograph - things you don't think about, like the photo assistant carefully arranging the meatballs - the degree of unnaturalness would be astonishing. Yet it produces an image that looks natural, and is orchestrated to provoke basic emotional responses.

Love, friendship, respect, admiration are the emotional response of one man to the virtues of another, the spiritual payment given in exchange for the personal, selfish pleasure which one man derives from the virtues of another man’s character.

The human capacity for grief. It just isn't capable of providing an adequate emotional response once the dead exceed a few dozen in number. And it doesn't just level off - it just gives up, resets itself to zero.

We all know to feel sympathy for those who've suffered from drug addiction, child abuse, and terminal illness, so the set up elicits an emotional response that the story itself very well may not earn. Energy generated by the fiction itself is likely to produce more light.

Symphonies can generate a tremendous amount of sounds, beauty, and emotion. That is part of their human feel and sweetness. Keyboards, on the other hand, give us access to millions of sounds. When I put the two together, the result is unique, and it’s not only pleasing to the ear, but produces emotional responses that neither of the two can achieve on their own.