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Max Allan Collins blends fact and fiction like no other writer.
Sep 29, 2025
Collins masterfully blends fact and fiction...transcends the historical thriller.
I'm writing books. They're still a mix of fact and fiction and will continue to be. I think it's an interesting place to work.
Some people, when they're called before the police, like nothing better than to spill everything, fact and fiction alike, hoping to create a good impression.
Fact is only what you believe and fact and fiction work as a team.
Fact and fiction are different truths.
Truth is stranger than fiction, but it is because Fiction is obliged to stick to possibilities; Truth isn't.
It's what we live for, to be able to make great illusions. The thing about 'Entourage' is everything we do is realistic. We go to the real places, we shoot on location. We get the real people. It's a perfect marriage between fact and fiction.
There aren't really rules for painting, but there’s certain facts and fictions about painting. Part of what I do is document another surface and sort of translate it. They’re like translations, and then part of it is fiction, which is invention.
The ideal subject of totalitarian rule is not the convinced Nazi or the dedicated communist, but people for whom the distinction between fact and fiction, true and false, no longer exists.
I've never been much for self-revelation. In two decades of public life, I always approached the limelight with extreme caution. Not that I kept my personal life off-limits; rather, the personal life I put on display was a blend of fact and fiction.
In Quiet Dell, Phillips mesmerizingly spins together fact and fiction, vividly imagining the circumstances leading to their deaths, and sets a young female reporter on the case to solve it.
The blurring of fact and fiction has great commercial potential, which is bound to be corrupting in historical terms.
Kids are growing up and they don't know the difference between fact and fiction. The line is getting blurry. I can handle it, you know; I'm a big boy. And the entertainment industry has always been crazy. But the problem is, it spills over into some very serious issues, in politics and real newsworthy stuff.
I like to blur the line between fact and fiction, but not to condescend to the reader by enmeshing her/him into some sort of a postmodern coop.
In writing biography, fact and fiction shouldn't be mixed. And if they are, the fictional points should be printed in red ink, the facts printed in black ink.
This general tendency to eliminate, by means of unverifiable speculations, the limits of the categories nature presents to us is the inheritance of biology from The Origin of Species. To establish the continuity required by theory, historical arguments are invoked, even though historical evidence is lacking. Thus are engendered those fragile towers of hypothesis based on hypothesis, where fact and fiction intermingle in an inextricable confusion.
In a brilliant fusion of fact and fiction, Jayne Anne Phillips has written the novel of the year. It's the story of a serial killer's crimes and capture, yes, but it's also a compulsively readable story of how one brave woman faces up to acts of terrible violence in order to create something good and strong in the aftermath. Quiet Dell will be compared to In Cold Blood, but Phillips offers something Capote could not: a heroine who lights up the dark places and gives us hope in our humanity.
Fact and fiction carry the same intrinsic weight in the marketplace of ideas. Fortunately, reality has no advertising budget.
I adore [photography's] uneasy mix of fact and fiction - its dubious claim to truth - its status as history.
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