Itunes Quotes

I am in a business that's built on record sales and reputation and how your single is doing and where your song is on iTunes. But the kind of music that I do comes from my beliefs.

I play music as much as I can. I have a band called The Abiders. We've put out a couple of albums you can find on iTunes. We tour and all that stuff, so music is very much a part of my life.

My problem with iTunes is that I don't have any say in how I'm represented on the site.

In certain cases I don't want to sell tracks individually; I want to only sell the whole album. With simple things like that I just don't get any response [from iTunes]. I don't want to kill iTunes - I just want to offer my own retail experience in my own tiny corner of the Internet.

You don't have to wait for a record company to tell you that you're good or to sign you. You can put your music out on itunes, youtube, soundcloud, so it's kind of a plus, I think.

To me, the greatest thing in the world is downloading TV shows on iTunes because there are no commercials, and yet if I were a working stiff, I could never afford to do this. But I don't even think about money.

I think the Web is, you know, things like YouTube and stuff are absolutely where a lot of younger people are watching their TV on iTunes in the Web and YouTube, whatever. So, I think it's an important place to have a presence.

As for my store, most artists' sites send you to a third-party storefront like iTunes, whereas we're disseminating it ourselves. I was always uncomfortable with the thought of sending somebody who came to my site to buy something to some other store. It just occurred to me, "Why can't we do this?"

Spotify is returning a huge amount of money. We'll overtake iTunes in terms of what we bring to the record industry in under two years.

I get sick when I think about someone going to iTunes and downloading two songs off our album. It's not meant to be listened to that way.

I've been able to find just as much interesting, exciting music through the Internet and iTunes... The personal interaction is not the same, and I'm not walking out of a store with a physical thing, so there's definitely an element that is lost, for sure.

Occasionally when I'm procrastinating writing, I'll while away the hours on iTunes. You can just keep going forever and find these bands you'd never normally hear of.

I grew up with the Beatles and they are still to this day my top band played in my iTunes.

I'm really compulsive with music. I listen too much, and I can't listen to one thing. I love iTunes Genius.

Do we have Steve Jobs to thank for the iPod and iPod shuffle? iTunes? I think so. He changed the way we hear and think about music.

I looked around the iTunes store and came across Dr. Moku's Hiragana Mnemonics. Thirty minutes later I had memorized all 46 hiragana. Now my 9-year-old is learning them, and having a lot of fun.

I love my iPad. I'll see television shows that I have missed and I'll download them through iTunes. If there is an older movie that I want to watch right away, I can download that movie and watch it.

I have a radio show on Sirius XM. I put it up as a free download on my Soundcloud and on iTunes. That's a portal for me once a month, to play songs I know aren't getting played on that station the rest of the week.

And to be fair, most documentaries are half an hour too long, anyway. Let's not kid ourselves. Most movies are an hour too long. I will say that the internet has changed everything in terms of distribution and because of iTunes and other outlets like that, length is no longer something you really think about, in my opinion. It's irrelevant.

People don't listen to one radio station. On iTunes you can mix different worlds and bring country and pop and folk and live music together with a mass audience. I could have sung 'Easy' in a country way but I just sang it how I sing. I think it's a really nice blend.

I think that iTunes is opened up a whole new world to me, and I never thought it would. If you've got a day off in a hotel room, you can buy three albums and then they're there. It's kind of strange to have a relationship with that.

I know you have 1000 great ideas for things that iTunes could do. And we have 1000 more. But innovation is not about saying "yes" to everything. It's about saying "no" to all but the most crucial features.

Steve Jobs gave a small private presentation about the iTunes Music Store to some independent record label people. My favorite line of the day was when people kept raising their hand saying, "Does it do [x]?", "Do you plan to add [y]?". Finally Jobs said, "Wait wait - put your hands down. Listen: I know you have a thousand ideas for all the cool features iTunes could have. So do we. But we don't want a thousand features. That would be ugly. Innovation is not about saying yes to everything. It's about saying NO to all but the most crucial features.

Now we live in this DVD, iTunes, Hulu age, and show creators and networks are realizing that and letting shows develop on those terms rather than 'We gotta just punch it week to week, man.' Now they're like, 'What will happen if someone watches the entire show?'

Concerning iTunes, the deals have mainly been done with the record companies. But the artists, with some exceptions, haven't been very well-represented. This is partly because the record companies have largely been copyright owners.

We had the hardware expertise, the industrial design expertise and the software expertise, including iTunes. One of the biggest insights we have was that we decided not to try to manage your music library on the iPod, but to manage it in iTunes. Other companies tried to do everything on the device itself and made it so complicated that it was useless.

I went on iTunes and looked at versions of Christmas songs. Everyone has done them!

I've got quite a varied iTunes, and I like to raid people's CD collections and take on their music.

Traditionally, when we lived here [in Portland], we have a record player in the living room, and there's lots of stuff playing, all different kinds of music. I don't listen to any of those Internet radio things. I have iTunes on my thing, but I've never bought a single thing on it. Except for "Call Me Maybe," for the kids or whatever. Carly Rae Jepsen.

I like buying iTunes. It's instant.

Asked about the fact that Apple's iTunes software for Windows computers was extremely popular, Jobs joked, 'It's like giving a glass of ice water to somebody in hell.

Technological change is discontinuous. The monks in their scriptoria did not invent the printing press, horse breeders did not invent the motorcar, and the music industry did not invent the iPod or launch iTunes.

I had a period after touring the first record where I didn't agree with the way things worked in the music industry as far as how you release music, demand, the pace of everything. You don't know who's talking to you. Who's Spotify? Who's iTunes? Who are all those bloggers? Who says I have to do this? Why do you have to do all this press? Why do I have to do so many shows? Why do I have to do a regular album right now? I don't understand it.

The addition of Beats will make our music lineup even better, from free streaming with iTunes Radio to a world-class subscription service in Beats, and of course buying music from the iTunes Store as customers have loved to do for years.

To go see a band in a big venue is a difficult experience. I don't really like that too much. I'm not a guy who puts on iTunes and goes, "Oh, what's hot!" I don't need to.

I have done a bit of recording and the songs are available on iTunes, and I've got some nice comments. It's something I enjoy doing, but I'm not looking for a singing career any time soon. As long as one person gets enjoyment out of it, I'm happy to make it available.

My books are offered through Podiobooks.com and the iTunes Music Store as free audio downloads. I don't sell them.

My record producer [David Kahne] said the major record labels these days are like dinosaurs sitting around discussing the asteroid. They know it's going to hit. They don't know when, they don't know where it's coming from. But it's sort of hit already. With iTunes, and all of that.

I think my iTunes is a kind of strange and embarrassing mix of show tunes and artists that I have no perception of whether or not they're huge or not, you know? I'm the kind of person who doesn't realize that The Arcade Fire is a big deal, but then I expect everybody to know Cocoon, and people tend to not know Cocoon.

I think the water cooler is more important than ever. "Oh, did you hear that 'Inside Amy Schumer' is fabulous?" Where do you find it? It's on Netflix, it's on iTunes, it's on places nobody ever heard of five years ago.

I can't go to sleep unless I've watched at least two episodes of American Dad on Hulu or iTunes. It just feels familiar. It's like a lullaby.

Obviously there's Netflix, iTunes, and Amazon and all these other outlets. Fake It So Real is now on Fandor, and I think people have actually seen it there, which is fine.

Netflix, Amazon, iTunes - whatever platforms emerge - we are looking at as having the same potential that home video had for the movie business. Which means there are entirely new opportunities to monetize our capital investment in content and do so in ways that work for distributors, for consumers and for creators.

Just six days after its release on iTunes, a record-breaking 33 million people have already listened to the album.

I buy digital music off of iTunes all the time. I Shazam something in an airport or in a club or something; I Shazam it, I buy it. I am fully digital.

What's that? My six song album entitled Bo Fo Sho is currently available on iTunes? With three songs that have never been heard on the internet? Uh, and if I try to pirate it for free I'll get AIDS? I would have guessed scurvy. Well, see you later ghost of Dr.Martin Luther King Jr.

A lot of people see a Nissan ad and they see a finished product in a record store or on iTunes and that's the face of the band.

If you take a look at the way the premium content is monetized, there's a lot of different models out there. Sometimes you pay for an individual episode, for example on iTunes. Other times you pay for a subscription. And other times it's free ad-supported.

I'm just so happy and proud of everybody and what everybody's doing. From Curren$y doing decent numbers with the independent, digital release; from Asher selling 1.1 million-plus on iTunes with the single and almost at 200,000 [albums sold] now; Cudi got almost 4,000 BDS's a week; Mickey Factz doing the Rock The Bells tour; Blu signed a deal shortly after; Ace Hood had two very successful singles, another album getting ready to drop. Everybody's doing their thing, man.

I have a little office in my house and it is an absolute pigsty but I know exactly where everything is and there are little things stuck all over the walls, and papers in in-trays and files I have saved on my computer and playlists I have made on my iTunes - things that take me to a place that I think is appropriate.