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With a DVD, you want something you can own, you can watch, you can come to grips with and you can explore. It's something larger than the film, when it's going out to a fan base.
Sep 29, 2025
Filmmakers get into trouble when they're watching too many DVDs and quoting all the time.
Every video you see in the movie we have an entire video of it that will be on the DVD, so the whole video for African Child, the whole video for Super Tight, you know the Jackie Q songs.
There's something about seeing a movie that you like, and being able to see the scenes that didn't make it, just as a window into the process of how choices are made and how a movie is made. To me, the idea of getting to have the scenes on the DVD is very exciting.
I'm that person who owns all of the seasons on DVDs, including the Lifetime intimate portraits showcasing The Golden Girls. I am a massive fan. I think I'm Dorothy. She's my favorite.
But you have to understand what that really did is that it opened these DVDs to be sources of oral history instead of puff pieces for the studio, because people involved with them being in fear of being sued by somebody, so it became another form of movie history. I mean I didn't plan it, but I'm proud that it happened. Which is probably why they didn't interview me for this DVD.
When I went in for the [ Embraced] DVD interviews, I thought, "Good lord, it's 17 years later!" I thought that maybe I should do my make-up differently and put extra effort in, or I'd look like a different human being. It's very strange.
I don't have a set routine, but I try to squeeze in a workout every day, whether it's taking a hike, taking a Pilates class, or just putting in a workout DVD. Whatever it takes!
I've just directed a film called The Great Debaters, which is inspired by a true story about a young college debating team in the thirties and two of those people are still alive and we put them on tape on the film and I'm sure that will be added to the DVD, and to get the opportunity to do that is very cool.
I mean, I must confess I don't own Harry Potter DVDs. My parents do. They have them all. And they like watching them.
One of the things that's driving films in a particular direction is that the after market value of them is dropping really fast and in many segments of it, not just DVDs. Pay television is dropping.
A lot of things went incredibly well for 'Scrubs': from a ridiculous number of downloads on the iPods, to whenever they issue a new season on DVD it kinda sells out, and we got nominated for an Emmy. To be picked up for six years is all gravy, man.
But I'll never see any of those fish," said Maxie."Or those whales. Or any lions or tigers. I'm never going to set foot in a rain forest now, am I? I won't even be able to watch old DVD's about them without electricity. What does the future hold? It's like going back to the middle ages. Nobody knowing what was going on beyond their front doorstep. All I'll ever know is this. This little bit of London.
I would be delighted to show my film in the Viennale. I do not offer press kits. I do not offer stills. I do not offer screeners. I do not offer DVD's. I do not offer posters. I require a first-class flight to bring the print however I do not offer any photo ops or press exchange in any way. My fee for showing my film is $35,000 dollars US.
I think that's pretty crucial for it to succeed and be something more than just something you put your kid in front of and turn on the DVD. We wouldn't have got involved if it were just for little kids. We wanted to write something that works on both levels.
I'm an old person because I still buy DVDs. I have every one of my albums and 45s - I even have a couple of 33s and I do have a turntable. But I must admit, I don't listen to vinyl today. But I listen to all types of music.
I've never been drawn to concert DVDs because they take away the part of the equation that's most important to seeing a live show: getting jostled around and feeling the energy in the room. I definitely didn't want to make one of those.
In industries where a lot of competitors are selling the same product - mangoes, gasoline, DVD players - price is the easiest way to distinguish yourself. The hope is that if you cut prices enough you can increase your market share, and even your profits. But this works only if your competitors won't, or can't, follow suit.
I'd made pretty clear to the people at Paramount and Dreamworks that, if they wanted Lemony Snicket to comment, he would be completely horrified by the entire film. And as long as they understood that, it was okay. I'm not much of a fan of DVD commentaries myself, so this was my way of getting revenge, in a sense, for all the puffed-up directors and stars who talk endlessly about the self-aggrandizing minutiae of making a movie.
Friends think your life is so glamorous, and it is. But there are times when, instead of going to a glamorous party, I would rather just come home from work, pop in a DVD and eat some microwave popcorn with a cutie on the sofa.
The thousands of clips on internet are better to us than any DVD that could have been released.
Don't knock finding nemo," Xavier teased, taking the DVD from my grasp. "It's a modern classic." "Is it seriously about fish?" "Yeah, but really cool fish.
The living room is a monument to my impulsive spending habits. I've got more than two hundred DVDs, including cinematic greats such as Monkey Bone, Corkey Romano, and A Night at the Roxbury, leading me to believe not only do I have awful taste in films, but I also have a Chris Kattan fixation. What I don't have is $4000 earing intrest in a money market account.
My theory is, I don't know how long it's going to be five or ten years, there will be only two ways to see a movie and that will either be on your computer through your TV screen or in the cinema, end of story. There will be no DVD, that's it, simple.
I haven't fully moved over to the iPad. At any given time, I have about four DVDs in my pocket. I'm constantly screening 'Top Chef,' 'Housewives,' and all the other shows we have in development, racing to meet a deadline. So I pretty much bring my laptop everywhere.
Alec flushed. "I think it's more important for you to go than me. You're Valentine's son, I'm sure you're the one the Queen really wants to see. Besides, you're charming." Jace glared at him. "Maybe not at the moment," Alec amended. "But you're usually charming. And faeries are very susceptible to charm." "Plus, if you stay here, I've got the whole first season of Gilligan's Island on DVD," Magnus said. "No one could turn that down," said Jace. He still wouldn't look at Clary.
A comic will always be more 'personal' than a DVD or CD, both of which require electronic 'players' to decode their content. With comics, the reader is the player so the engagement with the material is always more fundamental and dynamic. Reading comics is a much less passive activity than consuming CDs and DVDs.
I buy DVDs. I don't really buy CDs unless they're for other people.
If you're asking me have I purchased a CD, a DVD or downloaded a current artist? The answer is no.
I still buy CDs and DVDs, but generally for more obscure material.
As soon as I get my car I think I'll be going to the cinema more. Since I don't go very often, there are no films that are a must see at the moment. I usually wait till they come out on DVD.
So actually what that was able to do was twofold. For me, it helps illustrate what DTS is capable of doing right from the beginning. And secondly, technically, it actually gave us a little bit more time so we could just finesse some effects and things like that, because when you release theatrical, you actually get a bigger window than if you're DVD when you have to have it done sooner so they can press the DVDs and all that kind of stuff.
I remember when cable happened and everyone said broadcast was dead, and then satellite happened and everyone said cable was dead, and then DVDs happened and everyone said everything was over. Nothing was over. I'm very optimistic about the future.
What serialized cable dramas have given us is the opportunity to not simply tell the same story with slightly different words and different costumes, every week. people are really mining the ability of storytellers to tell a long form story that goes from A to Z, and to trust that an audience will follow that. If they miss it, over the course of the week, they can watch it online or buy the DVD. There are so many different ways of interacting with it. Storytelling in television is getting more complex and more nuanced.
During the offseason, I go to the movies almost every day. You hear about women buying shoes? I buy DVDs. I definitely have a problem.
Now DVD can represent more income than the box office - and typically does.
An overweight guy went to the doctor who advised him to try a keep fit DVD. But the guy said he couldn't be bothered. “Well” suggested the doctor, “try something that leaves you a little short of breath.” So the buy took up smoking.
When I first moved to L.A., I didn't have a lot of money to join a gym or take classes, so I improvised. My sister and I went to the library and looked over their DVD collection and discovered Neena and Veena, these Egyptian twins who have a whole series of belly dancing routines. We did them all.
You know, I think the film business is its own worst enemy, because it sells movies on 'behind the scenes' footage. It's seeing the secrets of how the movies are made, and now it's a real struggle trying to keep storylines and plots a secret.
We always need to have someone help with videos, I think all of our DVDs could've been better but our music video, I love all the music videos, but the actual behind-the-scenes and stuff of our music video DVD, it was rushed and didn't turn out great.
When I talk to film students, I always say, "Buy the DVDs and listen to the commentaries, look at the making of, look at the behind-the-scenes," because that's such a great learning tool.
Studios felt like Blu-ray was going to be the next panacea, and so they dumped the prices (of traditional DVDs) and devalued the product. That's a misreading of consumer behavior as well as a misreading of the economic environment.
I just made a movie. There's a kind of a banter that some people might recognize as being screwball. There are no cell phones, no DVD playersit's set in a timeless Brooklyn. Hopefully, it's a good, old-fashioned movie.
Kids know me from their Grease DVD, so they instantly respond. You can hear a pin drop when I do my old songs.
Graphic novels might really speak to one child who's struggling with the other kinds of reading and might help them discover that storytelling is joyful and personal and illuminating. They might find your way in auditorily by listening to audio books in the car instead of playing Game Boys or watching DVDs.
I just recently crossed over into Europe. They're showing my special Hot and Fluffy in Europe and selling the DVD there too. And they're doing the same thing in Australia and Canada. And I think the biggest part was I did the special in a predominantly Latino area, but I kept the show mainstream and across the board.
Movie theaters still exist in spite of all of the alternatives that are available, video and video-on-demand and DVD and streaming video and all of these things.
Do you like manga?" she asked after a minute. "Anime?" "Anime's cool. I'm not really into it, but 1 like Japanese movies, animated or not." "Well, I'm into it. I watch the shows, read the books, chat on the boards, and all that. But this girl I know, she's completely into it. She spends most of her allowance on the books and DVDs. She can recite dialogue from them." She caught my gaze. "So would you say she belongs here?" "No. Most kids are that way about something, right? With me, it's movies. Like knowing who directed a sci-fi movie made before I was born.
Hours is an understatement. I honestly don't know how the director and editor decide each week what actually makes it on the air. There's of course director and cast commentary on each episode on the DVD. We had a blast recording that.
In the wake of her indispensable textbook, Janet Burroway now offers a splendid and concise guide to the thorny task of revision. Writers, young and old, will feel encouraged and enlightened by this excellent DVD which offers a wonderful range of specific advice and suggestive comments from a group of experienced and thoughtful writers.