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Kids today don't know that much about vinyl.
Oct 1, 2025
I'm not like a voracious hoarder who has 50,000 albums of vinyl stacked in a storage space in the San Fernando Valley. But I do have albums from the last 40 years of my life.
There is definitely a nostalgia, and I am very sentimental, so I don't begrudge people for having sentimental feelings towards vinyl.
When you'd buy vinyl, you'd have this lovely-sized object with a lovely picture, and you'd read the lyrics and usually there was something artistic that went with it.
I love looking back, and even putting new music on vinyl - if it's right!
My kids love vinyl, I had to teach them how to put the needle on the records. Now they're worried about scratching the records, but it's incredible!
I love Rebel Rebel in Manhattan's West Village for vinyl, but record stores are hard to come by these days. I almost don't even use iTunes. I mostly use music subscription services. But I'll go into Rebel Rebel once a month or so and buy everything I love on vinyl.
You can't roll a joint on an iPod, buy vinyl.
I like everything in this iPhone, iPod world where you can do everything all the time. Back in my time, you bought a vinyl record when you were a kid and took it home, and it took a bit of effort to actually get it out of the thing and not scratch it.
You can't really take a vinyl record player on a plane so you're not going to have the same experience, but if you walk yourself away and allow yourself to experience these different moments with music, you're so much richer in experience for that. That's what I believe.
Vinyl is so outdated nowadays. I can make a track in my hotel room today, and play it for the crowd tomorrow. That never happens with vinyl. I played a lot of acetates at the end of my vinyl period - I used to make tracks and get them pressed in four or five days - but the quality was always so bad and they would skip all the time. The vinyl days for me are over. I still buy vinyl, but only albums, and just to play. For DJing, vinyl is a nightmare.
Just say up on the hill is the meaning of life and someone knew it and they wanted everyone else to enjoy it. So they put a red vinyl sofa up there.
It sucks to think about, honestly, but when you really consider the resources that it takes to press vinyl records, or the amount of gas that it takes to tour, it's really quite scary.
I guess the revival of vinyl records is not helping the environmental problem. Although, in some ways, people don't throw records away - I mean, I still have records from when I was 5. So it doesn't seem quite so wasteful. But maybe I'm just lying to myself.
I often look around me and think about this specific place in time, and what things will endure and become objects of nostalgia for the future. Pokémon? Urban Vinyl figures? Superheroes? Vampires? iPhones? It will be the things that resonate with the collective consciousness of this current time.
Water doesn't hurt a vinyl record. Put it into a dishwasher and you're fine.
Vinyl is great, I made a lot of vinyl, but I don't want new vinyl that's from digital sources, because that's a rip off.
I think I'd like to see CDs disappear. Too much plastic crap lying around. If I want some music these days, I'm gonna either get as MP3s or on vinyl.
I'm an old person because I still buy DVDs. I have every one of my albums and 45s - I even have a couple of 33s and I do have a turntable. But I must admit, I don't listen to vinyl today. But I listen to all types of music.
I grew up working at a record store and listening to vinyl. Even if it's side A and B, there's always this continuity that really turned me on about music.
Mick Jagger also a music connoisseur and knows everything about that era. So, you knew the music side was going to be top-notch. It's HBO. On Men of Certain Age, if we wanted a song, it would break the bank. But, Vinyl can go all-out.
I'm a record collector. I'd spend all my pocket money on vinyl.
I'm a big collector of vinyl - I have a record room in my house - and I've always had a huge soundtrack album collection. So what I do, as I'm writing a movie, is go through all those songs, trying to find good songs for fights, or good pieces of music to layer into the film.
I'm not extra'd out. I got a cool little vinyl collection.
If God drives a car, He'd drive a 1973 Ford LTD Brougham sedan with a claret-colored vinyl roof, with oxblood leather upholstery and an opera window.
I do love the ceremony of putting on a record but I don't have space for a vinyl collection.
I like the fact that everyone is nostalgic for vinyl, and I'm being nostalgic for CDs, which are like the new outdated things that no one is going to mourn the loss of - everyone's already written them off.
I love every type of listening format, from MP3s to CDs to vinyl. There's something special about each one. It's a sign of the times. I love looking back, and even putting new music on vinyl - if it's right!
I think it's important for people who love music to retain physical CDs or even vinyl, because it sounds so great and so much warmer than music over the internet.
I still do mostly listen to CDs. I think that every format really is a different way of listening. If you take a different sort of psychological stance to it - like, I think the transition from vinyl to CD definitely marked a difference in the way people treated music. The vinyl commands a certain kind of reverence because it's a big object and quite fragile so you handle it rather carefully, and it's expensive so you pay attention to how it's looked after.
I feel like I got my first real taste of Caribbean and Cuban culture while I was there. I have quite a sizeable Cuban vinyl collection from Miami thrift stores.
I kind of stopped buying vinyl because I'm always on the road and you can never listen to it.
Now everything is available at the push of a button, and that thrill of the search is gone. With vinyl albums and special edition releases, I feel like that's coming back.
In the '70s, anybody who was a connoisseur of collecting vinyl had the velvet brush. Remember the velvet brush? It would clean the record, and you would only grab the record from the sides and you would carefully slide it into the jacket. I never had a velvet brush.
My older brother had a lot of Elvis on vinyl, and really, that was my first introduction to music during the Fifties.
I'm not really into vinyl. There's something about that raw, birth of rock and roll feel that makes me crazy.
I'm a big vinyl listener, I'm a big audiophile. I have a really nice stereo set up at home with a hi-fi and really nice turntable and it's a big deal to me to listen to music in it's purest form like that.
I'm not as religious as some people about "the album." To be honest, that was a product of a format. You had vinyl, and you could fit five songs on each side, and that's 45 minutes. You had A-side songs and B-side songs; I always loved the first song on side B. And there's nothing wrong with that. Prog albums of the 70s adapted to that format very much. But not all musicians want to create 45 minutes of music that has to be listened to in chronological order.
You have to make rough decisions with sequencing and work within the limitations of having good audio for 15 minutes on a vinyl side.
Coming from the era of vinyl you could argue that everything went wrong in the music business the moment we went digital. The day the first CD came out, it all went downhill in the music industry. Digital destroyed everything.
Vinyl's just a fun endgame step. I work with analogue signal chains too, but the mp3 is the way I listen to music.
Oftentimes, when people cut a record from analog tape to vinyl, they digitize the music first; I did a little investigating and discovered that most vinyl records that I've ever heard were digitized before they were put onto vinyl.
A lot of musicians like to do the bass and the drums with analog and get that tape distortion that's really beautiful. As far as the digital world goes - it's all going to end up there anyway, but when you hear vinyl it does a different thing to you. Nowadays, people do CDs and then vinyl so it's everything goes; it's a such a beautiful world.
I buy records - vinyl. I have a record player at home.
It's also ironic that in the old days of tape and tape hiss and vinyl records and surface noise, we were always trying to get records louder and louder to overcome that.
Van Morrison is probably, at this point in time, my biggest influence as a vocalist. When we were making our last album I had a vinyl copy of 'Veedon Fleece' in the vocal booth in front of me, in the dorky sense. I think there were candles around, which is really tacky, but hey, I needed to channel Van the Man!
Vinyl is the real deal. I've always felt like, until you buy the vinyl record, you don't really own the album. And it's not just me or a little pet thing or some kind of retro romantic thing from the past. It is still alive.
I'm a big collector of vinyl - I have a record room in my house - and I've always had a huge soundtrack album collection.
People don't appreciate music any more. They don't adore it. They don't buy vinyl and just love it. They love their laptops like their best friend, but they don't love a record for its sound quality and its artwork.
Consider the trivial but revealing hallmarks of urban hipsterdom: faux vintage photography, the handlebar mustache, and vinyl record players all hark back to an earlier time when people were still optimistic about the future. If everything worth doing has already been done, you may as well feign an allergy to achievement and become a barista.