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Tell them stories. They need the truth you must tell them true stories, and everything will be well, just tell them stories.
Oct 1, 2025
People love a true story and especially a true story where two people from opposite worlds come together.
What I love about the Bible is that it's a group of stories but it's all telling one main story. It's about Jesus Christ. The story is not about me. That takes a lot of the pressure off me, but it also puts the responsibility on me to point people to who the true story is about.
Many people think of the Bible as a book of moral teachings with stories sprinkled through to illustrate the teachings. But it's a lot BETTER THAN THAT...the Bible is a single true story with teachings sprinkled through to illustrate the story.
The vampire was real. It was only that his true story had never been told.
If I seem to wander, if I seem to stray, remember that true stories seldom take the straightest way
They weren't true stories; they were better than that.
You, my lord, are the ending of all true stories.
But this too is true: stories can save us.
The true story of every person in this world is not the story you see, the external story. The true story of each person is the journey of his or her heart.
If you tell a true story, you can't be wrong.
It's hard when you're doing a film based on a true story to really figure out what all those relationships were.
All true stories end in death.
Strange as it may seem, my life is based on a true story
When you play a character that's someone real, when you're playing a true story, it's really great, 'cause you're not pretending to make up some silly thing.
As if there could be true stories: things happen in one way, and we retell them in the opposite way.
I have made up thousands of stories; I have filled innumerable notebooks with phrases to be used when I have found the true story, the one story to which all these phrases refer. But I have never yet found the story. And I begin to ask, Are there stories?
I like to think that one of things I've done with non-fiction since the very beginning is to find new ways of telling true stories.
All stories, if continued far enough, end in death, and he is no true-story teller who would keep that from you. Especially do all stories of monogamy end in death, and your man who is monogamous while he often lives most happily, dies in the most lonely fashion.
I tend to wait for true stories to mature into fiction. Most of my fiction grew out of a long-germinating real-life situation.
Literature is invention. Fiction is fiction. To call a story a true story is an insult to both art and truth.
The desire for story is very, very deep in human beings. We are the only creature in the world that does this; we are the only creature that tells stories, and sometimes those are true stories and sometimes those are made up stories. Then there are the larger stories, the grand narratives that we live in, which are things like nation and family and clan and so on. Those stories are considered to be treated reverentially. They need to be part of the way in which we conduct the discourse of our lives and to prevent people from doing something very damaging to human nature.
My responsibility is to try to tell true stories. To me a true story is always hopeful, but never simply, uncomplicatedly happy.
I think all true stories are hopeful stories. I don't think there's any room for nihilism.
True stories seldom have endings. I don't want a happy ending, I want more story.
The good thing about writing a true story is that you don't have to worry about giving an impression of realism.
I've noticed that most authors who are pastors or speakers write books whose message is derived from a sermon series they did at their church. I guess my process is similar except that instead of a sermon, the genesis of the idea is found in the form of a three-minute song. And many of my songs have been inspired by the true stories and testimonies of people who've written to me from all over the world.
I like to tell untold true stories, or the lesser-known aspects of larger, familiar stories. I think people or topics that are slightly on the edge or outside the mainstream often reveal more than better-known stories.
The story itself, the true story, is the one that the audience members create in their minds, guided and shaped by my text, but then transformed, elucidated, expanded, edited, and clarified by their own experience, their own desires, their own hopes and fears.
I went to an auction in the late '70s and bought a small Renoir. People said, "Why did you buy a Renoir that size?" I said, "I can put it in the safe with my diamonds." And that was a true story. I bought it to put it in the safe.
Mine is a story about a teenage single mother who struggled to keep her young family afloat. It's a story about a young woman who was given a precious opportunity to work her way up in the world. It's a story about resiliency, and sacrifice, and perseverance. And you're damn right it's a true story.
A true storyteller is really good at writing himself into a corner and then finding a way out of that corner
If somebody tells you an obviously untrue story, on the Continent you would remark, "You are a liar, Sir, and a rather dirty one at that." In England you just say "Oh, is that so?" Or "That's rather an unusual story, isn't it?
I learned that I never really know the true story of my guests' lives, that I have to content myself with knowing that when I'm interviewing somebody, I'm getting a combination of fact and truth and self-mythology and self-delusion and selective memory and faulty memory.
To see the madness and yet walk a perfect silver line. ... That's what the true story-teller should be: a great guide, a clear mind, who can walk a silver line in hell or madness.
I was working on a satirical novel about a charismatic preacher who takes over a small Indiana town. Then I remembered Jim Jones was from Indiana and Googled him. I learned that the FBI had recently released all the documents that agents collected from Jonestown after the massacre - over 50,000 pieces of paper and almost 1,000 audio tapes. I started reading the files and couldn't tear myself away; I find "true" stories inherently more powerful than fiction.
We affirm that the true story of capitalism is now beginning, because capitalism is not a system of oppression only, but is also a selection of values, a coordination of hierarchies, a more amply developed sense of individual responsibility.
I did a film called 'Fort McCoy,' based on a true story of one of the few internment camps during WWII that was actually in the United States.
If you lose count of how many cookies you ate, the calorie intake ceases to exist. True story.
I was in Las Vegas when the Nogueira brothers first touched down in America. There was a bus, this is a true story. There was a bus that pulled up to a red light, and Little Nog tried to feed it a carrot, while Big Nog was petting it. He thought it was a horse. This really happened. He tried to feed a bus a carrot, and now you're telling me this country has computers? I didn't know that.
Infrareds on little people standing with some big heads, I was Captain Kirk, walkin' with a black t-shirt. LAPD, the nurse asked did my knee hurt? I was in pain, little Martians tryin' ta take my brain, Hospitals came, detectives wrote down my name. I was to blame, my life never been the same. A true story; I tell ya, it'll never bore me. My classmate died, my other friend named Cory Drinkin' 40s, he jumped out the project window, Stabbed himself with a yellow number 2 pencil.
The true story...is the realization that no time in your life is ever perfect, that even the best memories have cracks you might not see.
Ali Bell doesn't play hide-and-seek," Lucas said. "She plays hide-and-pray-I-don't-find-you." Mackenzie smiled. "When Ali Bell gives you the finger, she's telling you how many seconds you have to live." Cole chuckled, saying, "Fear of spiders is arachnophobia, and fear of tight spaces is claustrophobia, but fear of Ali Bell is just called logic." "Oh, oh." Kat clapped excitedly. "There used to be a street named after Ali Bell, but it was changed because nobody crosses Ali Bell and lives. True story.
Mostly it's lies, writing novels. You set out to tell an untrue story and you try to make it believable, even to yourself. Which calls for details; any good lie does.
There is a place where the human enters dream and myth, and becomes a part of it, or maybe it is the other way around when the story grows from the body and spirit of humankind. In any case, we are a story, each of us, a bundle of stories, some as false as phantom islands but believed in nevertheless. Some might be true.
I've done a number of things based on real people or true stories or based on books, and I'm a great believer that you have to be true to the script.
I love horror movies and I love being scared, but I don't like them, if they're not based on a true story. It's like knowing how the sausage is made.
I produced a play in New York that got nominated for an Outer Critics Circle Award for Best American Play.The play is called Stalking The Bogeyman. It was a story on This American Life, and my former roommate is the artistic director of the New York Repertory Theater. He heard the NPR show, contacted them, and essentially - shortest synopsis ever, like I'm the Cablevision guide button - it's the true story of a man stalking and plotting to kill the man who raped him when he was seven. It's by a brilliant reporter named David Holthouse.
True stories are the ones that lie open at the border, allowing a crossing, a further frontier. The final frontier is just science fiction--don't believe it. Like the universe, there is no end.
"Based on a true story" is a come-on, the aesthetic equivalent of "no loan request refused." For, at best, the creator has fashioned a film based on his understanding of, interpretation of, and reduction of the report of an actual occurrence.