Realism Quotes

I don't think that I would ever, while writing, think to myself, "I need a little more psychological realism."

As a director, I have to feel realism from actors, and they can't be plastic.

Science seems to be at war with itself.... Naive realism leads to physics, and physics, if true, shows naive realism to be false. Therefore naive realism, if true, is false; therefore it is false.

In even the happiest love story, the World wins at last.

Realism's anxieties are not my anxieties, but I think I've had its tools close at hand all along. It may be that I'm reaching for them more often than I used to. On the other hand, I'm making no promises for the future. The material itself always gets the last word.

There's a level of realism you can only achieve through the imaginary.

You cannot seek for the ideal outside the realm of reality.

The core of the film [Hunt for the Wilderpeople] is that relationship. Whether they're getting on or whether they're not. If that relationship works, then everything else works as well. And you kind of almost, sort of, gives into a realm of something like New Zealand magic realism... There is no world in which social work is actually pursues some kid into the woods in this manner.

Obviously all religions get corrupted by man. The initial ideas are interesting but once they get organized they seem to become about politics and other things and they get misinterpreted. . . . Have faith but do the work. Live your life right. Dont expect things to happen. Thats why Im put off by magical realism.

The good thing about writing a true story is that you don't have to worry about giving an impression of realism.

We have to give up the idea of realism to a far greater extent than most physicists believe today.

Two attempts have been made in the world to found social life: the one was upon religion, and the other was upon social necessity. The one was founded upon spirituality, the other upon materialism; the one upon transcendentalism, the other upon realism.

Let us look at our own faults, and not other people's. We ought not to insist on everyone following in our footsteps, nor to take upon ourselves to give instructions in spirituality when, perhaps, we do not even know what it is.

No sane man can be happy, for to him life is real, and he sees what a fearful thing it is.

This business about graceful exit just simply has no realism to it at all.

When young people are too rigidly sequestered from [the world], their lively and romantic imaginations paint it to them as a paradise of which they have been beguiled; but when they are shown it properly, and in due time, they see it such as it really is, equally shared by pain and pleasure, hope and disappointment.

Imagination helps the realism of every detail, and only sees the beauties of the work.

Realism: the wealth of detail guarantees the truth of the tale.

The principle of realism means denial of the ideal.

The geniuses who conduct the motion-picture business killed glamour when they decided that what the public wanted was not dream stuff, from which movies used to be made, but realism.

We need realism to deal with reality.

Critical to any practice of sacred psychology is training in multiple imageries to facilitate the inner realism of journeys of the soul.

Just to prove that even the silliest idea can be pursued to its illogical conclusion, Legal Realism spawned Critical Legal Studies.

There is one thing the photograph must contain, the humanity of the moment. This kind of photography is realism. But realism is not enough - there has to be vision, and the two together can make a good photograph.

I was doing something that the officials or art commission probably didn't consider important... I was experimenting with different kinds of realistic art, impressionism and the more decorative compositions of different forms of painting, which took away from the earlier photographic realism that I was doing.

What she needs, at least one thing she needs, is companionship. After all why should she eat? Who needs her to be alive? What we call psychosis is sometimes simply realism. But human beings can't live on realism alone.

Every time we start thinking we're the center of the universe, the universe turns around and says with a slightly distracted air, "I'm sorry. What'd you say your name was again?"

Realism in foreign policy means careful consideration of all aspects pertinent to the issue, before taking a decision. This is the only way you can move from where you are to someplace else.

Delicious... Everything I'd hoped for in a new Wild Cards book. The character interactions and plot twists have exactly the complexity, surprise, and unsentimental realism I'd expect out of a George R. R. Martin project.

It is in the capacity to love, that is to SEE, that the liberation of the soul from fantasy consists. The freedom which is a proper human goal is the freedom from fantasy, that is the realism of compassion. What I have called fantasy, the proliferation of blinding self-centered aims and images, is itself a powerful system of energy, and most of what is often called 'will' or 'willing' belongs to this system. What counteracts the system is attention to reality inspired by, consisting of, love.

There is an instinct for realism, a powerful drive to reproduce oneself. The fascination of photorealistic paintings lies partly in their apparent replication of life, but these are not merely replications. These paintings are often out of life scale, varying from over life-size to under life-size, from brilliant, heightened color to pale, undertone hues.

I had the idea that there were two worlds. There was a real world as I called it, a world of wars and boxing clubs and children'shomes on back streets, and this real world was a world where orphans burned orphans.... I liked the other world in which almost everyone lived. The imaginary world.

One of the things that bugs me about the Western Literary Tradition is that the conventions of narrative in particular seem to confine the stories you can tell about characters to tropes of bone-headed action and old models of psychological realism. And as readers, too, we have been conditioned to understand characters as - and forgive me for saying it out loud - what the market says they should be. Namely, safe, clean, proper.

For me, fiscal realism is not a betrayal of Labour values; it is the foundation by which we win the trust of the public.

It has generally been assumed that of two opposing systems of philosophy, e.g., realism and idealism, one only can be true and one must be false; and so philosophers have been hopelessly divided on the question, which is the true one.

You try to make characters you care about, and I think realism helps. Even though this is a high concept, the characters have got to be real.

I love the medium of photography, for with its unique realism it gives me the power to go beyond conventional ways of seeing and understanding and say, This is real, too.

There are two ways of confronting the country's problems.One is through a management style based on adventurism, instability, play-acting, exaggerations, wrongdoing, being secretive, self-importance, superficiality and ignoring the law. The second way is based on realism, respect, openness, collective wisdom and avoiding extremism.

Since philosophy is the exploration of the rational, it is for that very reason the apprehension of the present and the actual, not the erection of a beyond, supposed to exist, God knows where, or rather which exists, and we can perfectly well say where, namely in the error of a one-sided, empty, ratiocination.

Realism is always subjective in film. There's no such thing as cinema verite. The only true cinema verite would be what Andy Warhol did with his film about the Empire State Building - eight hours or so from one angle, and even then it's not really cinema verite, because you aren't actually there.

I believe realism is nothing but an analysis of reality. Film scripts have a synthetical constitution.

"Hard" science fiction probes alternative possible futures by means of reasoned extrapolations in much the same way that good historical fiction reconstructs the probable past. Even far-out fantasy can present a significant test of human values exposed to a new environment. Deriving its most cogent ideas from the tension between permanence and change, science fiction combines the diversions of novelty with its pertinent kind of realism.

... the thing that's happening today vis-á-vis computer imaging, vis-á-vis alteration, is that it no longer needs to be based on the real at all. I don't want to get into jargon - let's just say that photography to me no longer pertains to the rhetoric of realism; it pertains more perhaps to the rhetoric of the unreal rather than the real or of course the hyperreal.

But with The Dark Crystal, instead of puppetry we're trying to go toward a sense of realism - toward a reality of creatures that are actually alive and we're mixing up puppetry and all kinds of other techniques.

I dream about speaking in big forums about issues that need to be spoken about. I dream about helping others who I know and love, helping them realize their dreams. I dream about being able to express myself through acting and writing, definitely. I dream about bringing more realism into the world. Sometimes I just feel like certain things are so glossed over and covered up and swept under the rug and I just want to bring them out.

Abstraction and realism work best together.

I firmly believe that a representational painting is only as strong as its abstract components.

I often told the fanatics of realism that there is no such thing as realism in art: it only exists in the mind of the observer. Art is a symbol, a thing conjuring up reality in our mental image. That is why I don't see any contradiction between abstract and figurative art either.

Realism and Naturalism rely mostly on the eye of the flesh. Abstract, conceptual and surrealistic art rely mostly on the eye of the mind. Great works of art rely on the eye of contemplation, the eye of the spirit.

It is the same among the men and women, as among the silent trees; always a referred existence, an absence, never a presence and satisfaction. Is it, that beauty can never be grasped? In persons and in landscape is equally inaccessible?