Milton Quotes

Shakespeare wrote better poetry for not knowing too much; Milton, I think, knew too much finally for the good of his poetry.

Neither claimed any responsibility for Milton Keynes, but both reported it as a success.

[Milton] calls the university "A stony-hearted step-mother."

There are no mute, inglorious Miltons, save in the hallucinations of poets. The one sound test of a Milton is that he functions as a Milton.

I don't believe there's a man in Milton who knows how to sit still; and it is a great art.

O mighty-mouthed inventor of harmonies, O skilled to sing of Time or Eternity, God-gifted organ-voice of England, Milton, a name to resound for ages.

We must be free or die, who speak the tongue That Shakespeare spake; the faith and morals hold Which Milton held.

His books were part of him. Each year of his life, it seemed, his books became more and more a part of him. This room, thirty by twenty feet, and the walls of shelves filled with books, had for him the murmuring of many voices. In the books of Herodotus, Tacitus, Rabelais, Thomas Browne, John Milton, and scores of others, he had found men of face and voice more real to him than many a man he had met for a smoke and a talk.

I'm with Milton and the Rolling Stones: I don't find the Devil an unsympathetic character. But in any case, my fiction is populated as much by people who do good as it is by those who do bad. I'm interested in imaginatively accommodating as much of the human as possible, for which you need both moral extremes and everything in between.

Open-mindedness should not be fostered because, as Scripture teaches, Truth is great and will prevail, nor because, as Milton suggests, Truth will always win in a free and open encounter. It should be fostered for its own sake.

Everything reminds Milton of the money supply. Well, everything reminds me of sex, but I keep it out of the paper.

Digression is the soul of wit. Take the philosophic asides away from Dante, Milton or Hamlet's father's ghost and what stays is dry bones.

We cannot arrive at Shakespeare's whole dramatic way of looking at the world from his tragedies alone, as we can arrive at Milton's way of regarding things, or at Wordsworth's or at Shelley's, by examining almost any one of their important works.

That mighty orb of song, The divine Milton.

There is something frightful in being required to enjoy and appreciate all masterpieces; to read with equal relish Milton, and Dante, and Calderon, and Goethe, and Homer, and Scott, and Voltaire, and Wordsworth, and Cervantes, and Molière, and Swift.

I own that I am disposed to say grace upon twenty other occasions in the course of the day besides my dinner. I want a form for setting out upon a pleasant walk, for a moonlight ramble, for a friendly meeting, or a solved problem. Why have we none for books, these spiritual repasts-a grace before Milton-a grace before Shakespeare-a devotional exercise proper to be said before reading The Fairie Queene?

There is only one sin and it is: weakness. When I was a boy, I read Milton's Paradise Lost. The only good man I had any respect for was Satan. The only saint is that person who never weakens, faces everything, and determines die game.

A woman who utters such disgusting and depressing noise has no right to be anywhere, no right to live. Remember that you are a human being with a soul and the divine gift of articulate speech, that your native language is the language of Shakespeare and Milton and The Bible. Don't sit there crooning like a bilious pigeon.

The myth of the inevitability of economic globalization is based largely on the work of Milton Friedman, and easily the most underreported story of our time is that the current economy proves Friedman flatly wrong.

Milton, of all people, gave the most perfect definition of the state of mind required to play jazz: ' with wanton heed and giddy cunning.' That's how you play jazz.

When I write what publishers call 'fantasy' I am writing in what I think is the most important tradition of fiction: starting with Homer and up through Shakespeare and Milton, the most important themes to tackle are those of the mythopoeic domain, tales of the body and mind seen through a temperament and a cosmos divorced from current reality so what is said can be more clear.

Male conspiracy cannot explain all female failures. I am convinced that, even without restrictions, there still would have been no female Pascal, Milton, or Kant. Genius is not checked by social obstacles: it will overcome.

Milton, when he went blind, declared that he could now begin the real work of his life. Similarly, with the merciless passage of time reducing my phisical strengh, I find myself less able to explore the outer world, but better prepared to explore the inner.

Milton Friedman had the grace and good sense to recognize that he wanted to talk to the general public. He wasn't going to just lecture to the people who happened to appear in his classroom in Chicago or on some lecture circuit. He went out to talk to the general public, believing that you had to convince a democratic nation to change its ways, and he succeeded to a considerable extent.

Milton, Madam, was a genius that could cut a Colossus from a rock; but could not carve heads upon cherry-stones.

If you read only the best, you will have no need of reading the other books, because the latter are nothing but a rehash of the best and the oldest. To read Shakespeare, Plato, Dante, Milton, Spenser, Chaucer, and their compeers in prose, is to read in condensed form what all others have diluted.

I was sorry to have my name mentioned as one of the great authors, because they have a sad habit of dying off. Chaucer is dead, Spencer is dead, so is Milton, so is Shakespeare, and I’m not feeling so well myself.

No poem, not even Shakespeare or Milton or Chaucer, is ever strong enough to totally exclude every crucial precursor text or poem.

Every author has the whole past to contend with; all the centuries are upon him. He is compared with Homer, Dante, Shakespeare, Milton.

Milton Erickson was a master at using experiential techniques to elicit strengths that were previously dormant. Mills and Crowley have masterfully captured essential elements of Erickson's work and applied it to therapy with children. Easy to read, meticulously referenced, and filled with inspiring case studies, Therapeutic Metaphors for Children and the Child Within has now been updated with important new findings, and it's essential reading for clinicians who work with children as well as for those who want to improve their use of therapeutic metaphor.

Take Milton Friedman, he sits at his desk pontificating about such bunk as the monetary system being the answer to our problems. The monetary system is a legal contrivance. Property, not money, is real wealth. It's physical, not legal.

I didn't want to be the archetypal sponging brother-in-law, so I didn't go into acting when I got to the States. I thought, 'No, I'll go to school and then I'll be an English teacher; that'll be fun.' But I was horrible as a teacher. As hard as I tried, I just couldn't inspire those kids to take an interest in Milton and Shakespeare and Donne.

I really wouldn't call a lot of what's online "literature" since that word, to me, refers to a sub-genre of writing that belongs to the heavy-hitters, the canonical writers, Shakespeare, Dante, Milton, Dostoevsky, Kafka, and even Toni Morrison, George Saunders, Thomas Bernhard, Sebald, Borges, DFW, e.g.

The sightless Milton, with his hair Around his placid temples curled; And Shakespeare at his side,-a freight, If clay could think and mind were weight, For him who bore the world!

I just think, realistically, there's a lot of room outside the Trump populist right and the Bernie-Sanders-Elizabeth-Warren populist left. There are a lot of us who believe in open trade, open borders, a dynamic forward-looking economy, not a nostalgic economy, but do want to provide a significant level of social service or sort of economic Milton Friedman foreign policy, Ronald Reagan domestic policy, Franklin Roosevelt. And there's a lot of room in the center.

I can scarce bring myself to believe, that I am admitted to a familiar correspondence, and all the license of friendship, with a man who writes blank verse like Milton.

Homer and Shakespeare and Milton and Marvell and Wordsworth are but the rustling of leaves and crackling of twigs in the forest, and there is not yet the sound of any bird. The Muse has never lifted up her voice to sing.

Remember that you are a human being with a soul and the divine gift of articulate speech: that your native language is the language of Shakespeare and Milton and The Bible; and don't sit there crooning like a bilious pigeon.

To me this world is all one continued vision of fancy or imagination, and I feel flattered when I am told so. What is it sets Homer, Virgil and Milton in so high a rank of art? Why is the Bible more entertaining and instructive than any other book? Is it not because they are addressed to the imagination, which is spiritual sensation, and but immediately to the understanding or reason?

It is a shallow criticism that would define poetry as confined to literary productions in rhyme and meter rhythm. The written poem is only poetry talking, and the statue, the picture, and the musical composition are poetry acting. Milton and Goethe, at their desks, were not more truly poets than Phidias with his chisel, Raphael at his easel, or deaf Beethoven bending over his piano, inventing and producing strains, which he himself could never hope to hear.

Formerly Milton's Paradise Lost had been my chief favourite, and in my excursions during the voyage of the Beagle, when I could take only a single small volume, I always chose Milton.

Poetry is the most subtle of the literary arts, and students grow more ingenious by the year at avoiding it. If they can nip around Milton, duck under Blake and collapse gratefully into the arms of Jane Austen, a lot of them will.

The greatest artists, saints, philosophers, and, until quite recent times, scientists... have all assumed that the New Testament promise of eternal life is valid.... I'd rather be wrong with Dante and Shakespeare and Milton, with Augustine of Hippo and Francis of Assisi, with Dr. Johnson, Blake, and Dostoevsky than right with Voltaire, Rousseau, the Huxleys, Herbert Spencer, H. G. Wells, and Bernard Shaw.

I photographed Arthur Coble and his sons Milton and Darrel as they did chores, but the vicious winds made it difficult to see and breathe.

Milton has carefully marked in his Satan the intense selfishness, the alcohol of egotism, which would rather reign in hell than serve in heaven.

And malt does more than Milton can to justify God's ways to man.

Where are Shakespeare's imagination, Bacon's learning, Galileo's dream? Where is the sweet fancy of Sidney, the airy spirit of Fletcher, and Milton's thought severe? Methinks such things should not die and dissipate, when a hair can live for centuries, and a brick of Egypt will last three thousand years. I am content to believe that the mind of man survives, somehow or other, his clay.

GUNPOWDER, n. An agency employed by civilized nations for the settlement of disputes which might become troublesome if left unadjusted. By most writers the invention of gunpowder is ascribed to the Chinese, but not upon very convincing evidence. Milton says it was invented by the devil to dispel angels with, and this opinion seems to derive some support from the scarcity of angels.

[Milton's] argument is (a) St. Augustine was wrong in thinking God's only purpose in giving Adam a female, instead of a male, companion, was copulation. For (b) there is a "peculiar comfort" in the society of man and woman "beside, (i.e. in addition to, apart from) the genial bed"; and (c) we know from Scripture that something analogous to "play" or "slackening the cords" occurs even in God. That is why the Song of Songs describes a thousand raptures...far on the hither side of carnal enjoyment.

I'd seen all the great entertainers by the time I was 14 or 15. My mother was artistic. My father was a bookmaker, so he had access to all those nightclubs, and he was smitten by certain artists, and we would go see them. We'd see comics like Sid Caesar and Milton Berle - those kind of artists - many of whom I worked with later in my life.