Rolling Stones Quotes

General McChrystal wanted to be on the cover of Rolling Stone.

How does it feel, how does it feel to be without a home, like a complete unknown, like a rolling stone.

When people talk about the '60s I never think that was me there. It was me and I was in it, but I was never enamoured with all that. It's supposed to be sex and drugs and rock and roll and I'm not really like that. I've never really seen the Rolling Stones as anything.

I always say that I am very proud of the work that I did with the Rolling Stones and that I am also proud of what I have done with the Rhythm Kings.

I don't really have an ambition to become the Rolling Stones, or anything like that. For me, it's just playing music is kind of a transcendent, amazing gift, so when people come together and they play, I think it's a real special thing.

But we weren't a phenomenon like the Beatles or Elvis Presley or the Rolling Stones: We were only as good as our last hit. We lived on our music and couldn't slide on anything - and this show is that story.

You've got the sun, you've got the moon, and you've got the Rolling Stones.

There are so many things that are misunderstood or not recognized about my father's music because they've been filtered by people who work for magazines like Rolling Stone.

What I like about music is the songs you can remember the lines of in a single second. The Beatles, The Rolling Stones... You can remember every line to their songs. But today, how often do you remember any of the lines to songs? I mean, I know that one of the Lily Allen's last albums is called It's Not Me, It's You. But I don't know how the songs go.

I wanted to be in Rolling Stone number two with a tomorrow feel to it, like an experimental Rolling Stones with Jagger singing.

It has been said that a rolling stone gathers no moss. I would add that sometimes a rolling stone also gathers no verifiable facts or even the tiniest morsels of journalistic integrity.

I've been meaning to write about the Rolling Stones, but I am the furthest thing from a hipster rock journalist.

So by the time the 60s rolled in that became a huge art form in its own right with bands like the Beatles and the Rolling Stones and Hendrix doing total concept albums, same thing with Pink Floyd.

The Rolling Stones are violence. Their music penetrates the raw nerve endings of their listeners and finds its way into the groove marked 'release of frustration.'

You also said in Rolling Stone that your look is based on mine. The look I chose, I chose on purpose at a time when my record company were encouraging me to do what you have done. I felt I would rather be judged on my talent and not my looks. I am happy that I made that choice, not least because I do not find myself on the proverbial rag heap now that I am almost 47 yrs of age.. which unfortunately many female artists who have based their image around their sexuality, end up on when they reach middle age.

I'm with Milton and the Rolling Stones: I don't find the Devil an unsympathetic character. But in any case, my fiction is populated as much by people who do good as it is by those who do bad. I'm interested in imaginatively accommodating as much of the human as possible, for which you need both moral extremes and everything in between.

I love pop culture -- the Rolling Stones, the Doors, David Lynch, things like that. That's why I said I don't like elitism.

You can't always get what you want, but if you try sometimes, you might find, you get what you need.

And what if in the future we're at war again, or we still haven't elected a non-white or non-male president, or the Rolling Stones are still dragging their tired old butts on stage? That would depress me way too much.

I don't like answering to other people's philosophies. I don't have any philosophy, I just believe in stuff. Either I believe in something or I don't. Like, I believe in the Rolling Stones but not in the Dave Clark Five. There's nothing philosophic about it. Whenever I'm linked with a movement, it pisses me off.

One day, I remember it was in television. I was a fan of the Rolling Stones. One of the members, the guitarist, had died from an overdose of drugs. I cried tears – my model had died. After this, an exciting new group, the Radha Krishna Temple, came on and sang the Hare Krishna mantra. I immediately felt deep solace.

Disaster beats stasis. Better a rolling stone than a moss-covered rock.

I guess it really didn't even dawn on me that you could be a rock critic as a job until I was maybe almost out of college. I knew criticism existed. I read Rolling Stone and Spin. Siskel and Ebert were on television. But I had absolutely no idea how to get that kind of life. And moreover, it didn't interest me that much. I just sort of read normal books growing up. I wasn't that media-conscious. I felt like the one thing I was able to do was to listen to a record and decide whether I liked it.

The very first concert I ever went to on my own was actually Rory Gallagher. In a one-month period in 1973 or '74, I saw him, Thin Lizzy and the Rolling Stones. I wasn't really a big Rory Gallagher fan, but I thought his guitar playing was fabulous. But Thin Lizzy, they were fabulous.

I had two projects that fell apart during preproduction. The first one was this movie that Judd Apatow and I had written about two guys following the Rolling Stones. It was going to be half concert film, half pseudo-documentary. It was Mick Jagger's idea.The other one was Simple Plan, based on a novel by Scott Smith. It's a great book - really stark, not a comedy - about a guy who finds $4 million in a plane crash and decides to keep it.

I started wanting to inject more colorful chord phrasings from the music I actually grew up on, which was Hendrix, Rolling Stones, and stuff like that.

At some point around '94 or '95, 'Rolling Stone' said that guitar rock was dead and that the Chemical Brothers were the future. I think that was the last issue of 'Rolling Stone' I ever bought.

When I started Rolling Stone in November 1967, the magazine's initial chapter was to cover rock & roll music with intelligence and respect. Even then, we knew that the fervor sweeping our generation encompassed more than just music.

Kylie Minogue - she's so great. You'd love her if you met her. Everyone would. In a way I wish everyone could, to see what a person she is. She's so sweet and no bull and really funny, man, really funny. The Rolling Stones are like a weight around your neck. All that..'you're not meant to rock after you're 30...you've got to die in a car crash or of a drug overdose.

The '60s in London obviously brought about the explosion of music, the Beatles especially, and then the Rolling Stones and other forms of music, and then fashion and photography and films - kitchen-sink dramas we called them at that time, which was our nouvelle vague in Britain, films that talk about real life.

With the groups who asked me to join them - like the Rolling Stones, Spirit, David Bowie, and Blood, Sweat & Tears - I said no right away because I was way too much into my own thing.

They got love bigger than the Beatles, wild and free like the Rolling Stones.

All right. Tell me what I'm looking at." From the improvised Rolling Stones T-shirt bag tied to my sash, Bob the Skull said, in his most caustic voice, "A giant pair of cartoon lips." I muttered a curse and fumbled with the shirt until one of the skull's glowing orange eye sockets was visible. A big goofy magic nerd!" Bob said.

Joe Klein is the flower of American political journalism, a sharp raconteur who shows traces of the gonzo style that was in vogue when he was honing his craft at Rolling Stone back in the day.

Back in the day, in '91 or so, I tried to interview Fugazi for Rolling Stone, which the band felt stood for everything they detested about corporate infiltration of music. They said, 'We'll do the interview if you give us a million dollars of cash in a suitcase.' Which was their way of saying no.

If you're going to kick authority in the teeth, you might as well use both feet.

I've been meeting with Live Nation CEO Michael Rapino for years, trying to figure out how to fix the concert industry. We're all so overpaid. It's ridiculous. People stopped going to concerts because they can't afford them. The Rolling Stones are charging $650 per ticket! That just makes me speechless. I love the Stones, but I won't be attending.

The Stone trembled and threw herself outward bound, toward Saturn. In her train followed hundreds and thousands and hundreds of thousands of thousands of restless, rolling Stones . . . to Saturn . . . to Uranus, to Pluto . . . rolling on out to the stars . . . outward bound to the ends of the Universe.

Bob Dylan was really mad with my wife. I had asked by Rolling Stone - the only assignment I ever had for them - to do a story on the Rolling Thunder Review, which was Bob Dylan, Alan Ginsberg, Joan Baez and a host of stars. My wife, some weeks before, had written in The New York Times that The Kid wasn't The Kid anymore and he wasn't all that winning anymore.

I fell into hip-hop right from the beginning. I was a teenager in the '60s, so I was putting all my pocket money into buying LPs. I followed the ascent of the Rolling Stones, the Beatles, and Stevie Wonder. I followed popular music very closely, and I've never stopped.

By the late '50s, something was happening in England, and it got to be quite exciting. The music world then started to explode with the Beatles and the Rolling Stones. It was an incredible time with this mixture of independence in art, fashion, and the explosion of the pop sensibility. London was certainly at the center of it all for a few years. And as far as art is concerned, I think that sensibility of what was later called Pop art started in England even before America. And so I was lucky to be there.

I want to win a Grammy. I want to be on the cover of Rolling Stone. I want to be a musical guest on 'Saturday Night Live.' And I want to play arenas and have tons of people watching me.

The Rolling Stones are constantly changing, but beneath the changes they remain the most formal of rock bands. Their successive releases have been continuous extensions of their approach, not radical redefinitions, as has so often been the case with the Beatles.

I have been a gigantic Rolling Stones fan since approximately the Spanish-American War.

Every now and then, I have blissful moments of thanking God for all the amazing things that are happening. When I leave the White House after just meeting Obama or when I see my face on the cover of 'Rolling Stone' or when I meet someone who tells me that their daughter is inspired by me, those are moments that are incredibly joyful.

In an interview with Rolling Stone, Senator John Kerry, who is running for president, said that when he voted for the war in Iraq, he didn't expect President Bush to 'f--- it up as badly as he did.' Here's some breaking news, tomorrow former Vice President Al Gore expected to endorse Howard Dean as the Democratic nominee for president of the United States - and you thought John Kerry was using four letter words before! Actually, to John Kerry, Dean is a four letter word.

The rolling stone rolls echoing from rock to rock; but the rolling stone is dead. The moss is silent because the moss is alive.

I've always said that if you want to find out what's going on in Iraq or Afghanistan or Libya, I'll give you a choice. You can either read The New York Times, Washington Post, Wall Street Journal, Newsweek, Rolling Stone, or you can go to the NATO, ISAF, multi-national force websites where they have their own news releases. Who will give you a more accurate picture? I'll take the mainstream media.

Adam Levine and I remade the Rolling Stones' classic Wild Horses, and it is right up my alley, that whole style. It has a style of its own but still stays very true to the classic arrangement, and I love it.

Seriously. It was running out at Rolling Stone. First of all, they didn't feel the need for a dissident conservative voice in a world where certain conservative aspects had become intellectually dominant. I would actually argue against that, but on the surface of it, in the [Bill] Clinton years the market economy triumphed, certain libertarian ideas became ordinary, and certain early-20th-century ideas about centralization of government and economic planning and socialism with a small "s" had obviously gone out the window. The Cold War was over, blah blah blah.