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When Chris Nolan is your director you are like, "I trust that, I'm wrong."
Sep 29, 2025
Everybody is so sensitive, you'd think Nolan Ryan was pitching.
I really hope that I get to work with Chris [Nolan] some day.
It's nice to not feel like you're just re-enacting a preconceived moment, but there's room for an organic feeling to develop while the camera is rolling. Even amidst these enormous technical productions, Chris [ Nolan] always prioritized making sure that sort of spontaneous and organic feeling could happen at the moment.
Nolan Ryan helped me with baseball, and my dad passing away gave me a bigger heart.
What man in his 40s would not like to look in the mirror and find Nolan Ryan?
And I think that if something doesn't make sense, forcing yourself to understand it from [Chris Nolan's] perspective makes you better.
Just watching Chris Nolan direct was amazing. He is one of the most lovely people, which as you know doesn't always go hand-in-hand with great directors. But with Christopher Nolan, and there's only a few I think like him in Hollywood, that's absolutely true.
I was obsessed with Batman as a kid. I did the film in part just to be near the Batmobile. But I also think [director] Christopher Nolan made a very fine, intelligent film.
People like Chris Nolan are shooting isolated sequences in IMAX. Those cameras are the size of a Volkswagen.
Chris [ Nolan] and I have a strange way of working from the non-movie process, where after all these conversations and reading the script and more conversations, Chris went out and shot the films and the first thing he did, he wouldn't show it to me until I had written the music - not out of meanness, or anything, it just sort of seemed an interesting idea to see if there was some synchronicity and letting me use my imagination to the fullest instead of being constricted by cuts and images.
When a film like Chris Nolan's Memento cannot get picked up, to me independent film is over. It's dead.
I feel like the big twist shows are now off the table. I think Westworld was probably the last one to Trojan horse this idea of the young man in black. They were doing non-linear storytelling, but disguising it. Jonah Nolan and Lisa Joy have spoken openly about how they just didn't think people were going to figure it out that fast.
You don't face Nolan Ryan without your rest. He's the only guy I go against that makes me go to bed before midnight.
I think that I'm a pretty great producer, but the vision behind Batman is Chris Nolan. I'm there to do my best to help execute that vision, and I think I do a really good job, but the vision is Chris Nolan.
You get to a certain moment where you realize all those humans who landed on the moon did so in between Chris [Nolan] being born and me being born and no one had gone back since, all these Super-8 films we grew up watching of rocket launches, you get to a certain age and you realize all the speeches about going back, they're speeches, there's no money there, we're not going back.
I guess I'm the only guy old enough to figure him (Nolan Ryan, 1-Hitter Game in 1991) out.
Those were the Rommely women: Mary, the mother, Evy, Sissy, and Katie, her daughters, and Francie, who would grow up to be a Rommely woman even though her name was Nolan. They were all slender, frail creatures with wondering eyes and soft fluttery voices. But they were made out of thin invisible steel.
I really enjoyed working on the first one [Batman franchise] and I wish I could have worked with Chris Nolan again and I hope to work with him again.
I don't see what women see in other women," I'd told Doctor Nolan in my interview that noon. "What does a woman see in a woman that she can't see in a man?" Doctor Nolan paused. Then she said, "Tenderness.
The truth is at Legendary we really make movies that we want to see, and someday I'm sure that won't work but - I remember, it's obviously a completely different thing, but our first movie was Batman Begins, and there was a lot of things about Batman back then, and there was this guy named Christopher Nolan, that seemed to have worked out okay with him at the helm.
It's depend of the communication, I think it's very important to let the director make his own vision of the character, not making a studio movie. Look the Dark Knight it's totally the vision of Nolan.
There's no question about it. If you look at the map, there's hardly any [Democrats representing rural districts]. There's me, [Rick] Nolan, [Tim] Walz, [Dave] Loebsack and Cheri Bustos. So that's five. And all the rest of them are in urban cities. That's a problem.
Christopher Nolan's astounding third Batman feature, 'The Dark Knight Rises,' represents the true maturation of the superhero movie - and provides the key to understanding the bottomless craving moviegoers have for these films, 34 years after the Christopher Reeve Superman gave birth to the genre.
I would have played street cop number three if it meant getting to work with Chris Nolan.
Christopher Nolan’s 168-minute odyssey through the space-time continuum is stuffed with stuff of bewildering wrongness.
Some of the things I love the most are when a writer or a visionary takes on sort of an iconic character and then spins it. Like with Frank Miller, Batman was this one thing for basically forty years, and then Frank Miller came along and said he can also be this other thing. And Christopher Nolan came along and said he can also be this other thing. The idea of taking iconic comic book characters or superhero characters or mythic characters and subverting the genre or coming up with a new idea is something that's really interesting to me.
Chris [Nolan] comes at this with such a different take on Batman, so I didn't feel that I had to be true to any other actor playing this role. Of course, I read the comic books. His relationships with Lt. Gordon and with Batman, with Gotham City, those really helped me the most.
When I got my start, I kind of got my big break with The Princess Diaries and during the press rounds for that everyone asked me: "Did you always want to be a princess growing up?" And the truth was, no I wanted to be Catwoman. And I think a lot of women feel that way. And the fact that I am actually her is such a dream come true. It's such a pinch me moment. And the fact that I am Catwoman in Chris Nolan's Gotham to Christian Bale's Batman is unbelievably cool.
If Doctor Nolan asked me for the matches, I would say that I'd thought they were made of candy and had eaten them.
Any time Chris Nolan wants to call me for advice, he can.
At first I wasn’t all that tempted by him, but then he killed the spider. Which was a huge point in his favor.” “Absolutely. I love men who kill bugs.” “And then when I was freaking out and couldn’t breathe, he was so…gentle.” Zoe sighed and colored, remembering. “He was holding me, and talking to me in that voice…you know, sort of low and rough around the edges…” “All the Nolans sound like that,” Justine said reflectively. “Like they’ve got a mild case of bronchitis. Totally hot.
People want fun and escapism at the moment. Look at the success of Guardians of the Galaxy. I think Nolan kick-started a very dark, bleak style of superhero escapism, and I think people have had enough of it.
What I hate is the thought of being under a man's thumb," I had told Doctor Nolan. "A man doesn't have a worry in the world, while I've got a baby hanging over my head like a big stick, to keep me in line.
I remember when we were doing "Batman Begins" and to watch Chris Nolan go from "Memento" to "Batman" and take that leap from such a smaller size to a big movie, that's inspiring. But those movies are their own type of art and you have to really understand it and really know that world and I would have to take a long time to figure that out.Because my brain doesn't naturally go there.
There's so much technology [in the Batman movies] that's unbelievable and seems unreal, so it's hard trying to get the audience to believe that it all exists. So we got Morgan Freeman to tell them that it's real. And that is why Christopher Nolan is a genius.
[Director Christopher] Nolan has not only crafted the best Batman movie, but arguably the second-best motion picture superhero narrative (topped only by the linked duo of Superman and Superman II). For those who thought Spider-Man and X-Men had a lot to offer, wait till you see where this film goes. Batman Begins is a strong re-start to a franchise that deserves better than it has often been accorded.
It gave me no chance. He (Nolan Ryan) just blew it (strikeout #5,000) by me. But its an honor. I'll have another paragraph in all the baseball books. I'm already in the books three or four times.
I wanted to be like Nolan Ryan. I didn't want to be like Pete Gray...And I don't want kids to be like me because I have one hand. I want kids to be like Jim Abbott because he's a baseball pitcher at Michigan and he won the Big Ten Championship game, and not because I can field a bunt and throw to first.
Every hitter likes fastballs, just like everybody likes ice cream. But you don't like it when someone's stuffing it into you by the gallon. That's what it feels like when Nolan Ryan's thrown balls by you.
I've got to say that when you're able to work with people like this, whether it's Gareth or Guillermo or Zack Snyder or Chris Nolan, it's a privilege to do this and I've never lost the awe, the awe factor of just going in and watching peoples reactions to what you've spent, in a lot of cases, years working on. That's a good way to put it, I love what I do and it's a privilege to do it.
I have done many movies that people hadn't seen. 'The Fountain,' I spent a year on that. 'The Prestige' with Chris Nolan, and 'Australia.' From my perspective it's very satisfying. Some movies people see and other movies they don't. 'Wolverine,' 'X Men,' I know that in some level people know me just for that and it's fine for me.
Nolan Bushnell, the creator of the Atari video game system, once stated, ‘Everyone who’s ever taken a shower has had an idea, It’s the person who gets out of the shower, dries off, and does something about it who makes a difference.
I was so fortunate to work closely with the designer Nolan Miller whilst on 'Dynasty' to create the wardrobe for Alexis Carrington Colby, and we had great fun sourcing outfits.
For film, you know, the Tarantinos and Nolans of the world who are very focused on a certain kind of film aesthetic and a certain kind of presentation, to be honest, that comes from a place of privilege. It comes from a place of always having access to such, but when you ain't never - you can't see it because you can't even get to it.
Just women who are really eclectic, so every woman from Gwyneth Paltrow to Peggy Nolan, who has half a shaved head and has a totally wild aesthetic. They're woman who are doing things, running their own businesses, taking chances at different levels of success and different industries. A lot of my friends are creatives. It was just who I really adore and wanted to share with a greater audience.
What people adore about superhero movies is the signal quality of the Christopher Nolan films - their complete lack of irony when it comes to the portrayal of heroism and the need for heroes to confront evil.
J.J. Abrams and Jonah Nolan and Lisa Joy, who are brilliant people, so I knew it [Westworld] was going to be amazing.
The atmosphere and the environment that you get on a Chris Nolan film that he and Emma [Tomson] create is one where you feel very safe and very confident and able to experiment with characters. It's a great place to be as an actor.
It's almost inherent, but I'm a massive Stanley Kubrick fan. I'm a big admirer of what guys like Christopher Nolan have been able to do. For me, to be able to try to make big films that reach a lot of people, and that hopefully have something to say, is a lofty goal, but that's my goal.