Nina Quotes

I did a little film called Nina, a small role. I played a French girl who was a nurse to Nina Simone. Zoe Saldana plays Nina.

I think that too many strangers were in her [Nina Simone's] life, and not enough people that she knew and loved.

I prefer her [Nina Simone's] jazz period much more so than her folk period.

We just didn't put any pressure on each other, and I think that everybody needs somebody, and I didn't do it to try to do it; it's what we [with Nina Simone] were to each other.

I write to music, and Nina Simone is always on my playlist to write to. I mean, shes inspiring. She's truthful and real and raw.

The artist who gave me the most inspiration and direction, especially as a singer - and I absolutely consider myself a singer, 100 percent - is Nina Simone. She's my ultimate pianist-singer-type person.

I don't mind only kissing Nina Dobrev

I'd just recorded it in Mariah Carey's studio. THey thought the song was perfect for Nina, because she's so shy, so it was nice to have that connection with Nina in the song. It was special.

I just think she was a wonderful woman. What I think of when I think of Nina [Simone] is someone that I could relate to, who didn't want anything from me, that could relate to me because I didn't want anything from her. It was nice.

But my brother Joey was there, and my sister Tina Nina Minnelli was there.

Nina Simone's music is incredibly honest. That's like saying, "Why does Jesus' word still stay around?" It's incredibly honest and it's good.

Nina Dobrev makes my job easy, its hard not to melt when she looks at you with those doe eyes.

I was responding to one thing for the woman I knew, and there's another thing for what did she give, right. She [Nina Simone] was a great teacher.

I have a lot of funny friends, though not everyone's funny all the time. Doon Mackichan's my funniest friend in the pub; Nina Conti's the funniest with a monkey.

[I listen to] "Uptown Funk", Bruno Mars, sometimes even Nina Simone and Adele. Whatever comes up, whatever floats my boat, whatever makes me tap into something in me to just decompress - I listen to that.

I think it's fair to say that Nina Simone was a prodigy.

There are singers that I have enjoyed, from Nina Simone and Ray Charles onward. But the music that made music the number one thing for me as a youth was jazz.

I'm very eclectic in my music tastes - anything from Nina Simone to Beethoven to Talvin Singh.

I wish that she had had a black loon because I don't think that Nina [Simone] did. I have always had - I've been very fortunate - a group of little old ladies that I love and who love me, and who turned and to whom I turn at different times.

I think it's the strength of her music, using art to make a statement. I think it really is. It was not a cheap gift. The gift was an expensive gift for Nina [Simone]. Diamonds are expensive. Her music was expensive. She paid for it, but I think it's her greatest gift.

You know, and the fact that Nina Simone had to start playing in clubs and sing because her parents had moved north to support her music education. You know, so she had to sing. She had to make a living 'cause she was supporting her family. So poverty and race put her in this place which, you know, created enormous success, but it's not what her psyche was all about.

When ISIS last year called for the destruction of the Yazidi people, President Obama said that would constitute genocide and he ordered U.S. forces to keep it from happening. Human rights advocates say Christians now face a similar threat Nina Shea directs the Center for Religious Freedom at the Hudson Institute.

I constantly watch 'The Simpsons' and an English cartoon called 'The Raccoons' and 'Gummi Bears.' I was obsessed with ninja films, and the 'Teenage Mutant Nina Turtles,' I used to love that as well.

I used to go up to her house. She lived upstate [in New York] and I lived in Manhattan; you're living in a lot of noise and my career was being built. For me to spend time with Nina [Simone] is to spend a lot of quiet time.

I knew Stokely [Carmichael] and them, but when you got to that, you saw that Nina Simone started to take up their burden. She started to preach for them. She was taking on the burden of "I want to tell the people."

When I was young, I never bought records because my brother Joseph played saxophone and had a record player. I loved listening to his records: The Dorsey Brothers, Duke Ellington, all the big American jazz bands, and vocalists like Ella Fitzgerald, Ernestine Anderson, and Kitty White, a singer from the US who was a friend of Nina Simone. Nobody in America seems to know about her, but she was quite popular in South Africa.

The British playwright Nina Raine is one of her generation's most promising talents.

A similar move is underway in the British Parliament. Earlier this month, more than 30 religious leaders and scholars wrote Secretary of State John Kerry asking for a meeting to discuss what's happening to Christians and other minorities. Nina Shea organized the effort.

Breezy, sophisticated, hilarious, rude and aching with sweetness: LOVE, NINA might be the most charming book I've ever read.

It's a rare memoir that can tell a story that seems brand new, but Nina Here Nor There does it. This one-of-a-kind narrator undertakes a quest that is unmistakably timely. But in its yearning for awareness and connection, this book feels timeless.

People like Howlin' Wolf, Bob Dylan, The Rolling Stones, John Lee Hooker, Nina Simone, Captain Beefheart - all of these artists were what I grew up listening to every day of my life. And there's a very healthy music scene in the west country of England, where I grew up.

I am of the generation of segregation. Black Lives Matter is post. I said today, and I will say all the time, "If Nina [Simone] were here, she'd have her Black Lives Matter [T-shirt] on." I think they're great kids. They don't need me or anybody else to tell them what to do.

Nina knew the power of black and white images. Sometimes a thing was its truest self when the colors were stripped away.

The crew of the caravel "Nina" also saw signs of land, and a small branch covered with berries. Everyone breathed afresh and rejoiced at these signs.

When I started at [Nina] Ricci, I did street wear for very cool, young girls but the price point was for the fourth floor of Bergdorf Goodman next to Carolina Herrera. My cool girls cannot afford it.

You have to see my show to believe that Im the only unique Nina Hagen on this planet.

Nina Simone was a gifted and prolific singer, songwriter and pianist who became a powerful presence in the civil rights movement and paid a professional price for it. Behind the scenes, she struggled in a fractious, sometimes violent relationship with her husband and manager and with mental health issues that strained other relationships, including with her only daughter.

Every time I got drunk, this girl named Nikki would show up. When I got drunk, I was just a different person. This is a totally different person than Lisa. When these two started to battle it out, I had to create a third person to come in and straighten the two of them out. Nina, my evil twin who came from within, who I blame my sins on. (satanic alter) All the problems I did have stemmed from what I was doing - I was creating all these different personalities.

I think Nina Simone has had an amazing journey. She was spicy and she had attitude and she didn't care, she wanted her money in a paper bag and don't mess with me and I've been doing some research on that so.

Artists look at the environment, and the best artists correctly diagnose the problem. I'm not saying artists can't be leaders, but that's not the job of art, to lead. Bob Marley, Nina Simone, Harry Belafonte - there are artists all through history who have become leaders, but that was already in them, nothing to do with their art.

I knelt and opened up my lute case. Moving the lute aside, I pressed the lid of the secret compartment and twisted it open. I slid Threpe's sealed letter inside, where it joined the hollow horn with Nina's drawing and a small sack of dried apple I had stowed there. There was nothing special about the dried apple, but in my opinion if you have a secret compartment in your lute case and don't use it to hide things, there is something terribly, terribly wrong with you.

Girls are taught to sing high and pretty, like Antony, not low and from the guts like Nina Simone. But we're slowly trying to change that. There are so many things we're not told growing up, and it's our true feminist responsibility to take the truth to the people who need to hear it.

Once in a rare while, you get to read a story of such breathtaking beauty and intelligence that you remember why you love to read. The Anatomy Lesson is just such a novel. In stunning prose, Nina Siegal animates Rembrandt's first masterpiece, spinning a deeply affecting tale of love, loss and redemption as she reveals the secrets of the human soul. It is a gorgeous literary page turner of immense sympathy and elegance, equal in artistic lan to its inspiration. Brava!

We always get back to old soul singers like Nina Simone, and how her recordings sound. Also new music like Tobacco, or people that use a mixture of analog and electronic music.

So while you're imitating Al Capone, I'll be Nina Simone And defecating on your microphone.

That's one of my favorite songs of all time. It's so beautiful. It's an old song, sung by Nina Simone. This is the Cat Power cover. We pushed hard to get it and were lucky. It's so stunning.

Nina Simone was an entertainer. Bob Dylan was an entertainer. Anyone that can occupy a piece of music and make the air catch on fire at that moment is a true entertainer. That's how I view it. That's what I was meant to do. I love doing it. That's why I'm on earth.

I was really awful at auditions. There's something about sitting down and saying into the camera: "I'm Nina and this is the name of my agent." That makes me just die inside.

I try to not listen to all the girls I admire musically - like Nina Simone - just so I don't find myself imitating them, even if it's subconsciously.

I did The Seagull, the Chekhov play, on Broadway, a couple of years ago, and I had done it in London, and I became completely obsessed with the character, Nina, that I played in that. She's an actress. I couldn't find a play after that, that I wanted to do, because I couldn't think of doing anything else. Every part is a disappointment, once you've done that part.