Explore the wonderful quotes under this tag
When I'm creating a character, I don't see it so much as playing someone else as just playing a specific part of myself under certain circumstances.
Sep 28, 2025
I like to do things in which I'm playing someone else entirely.
You always have to make positive choices as an actor, even when you're playing someone who may not be doing the best things.
I love playing someone who just skates by and does anything she wants.
I am not confident unless I am playing someone else.
There is nothing nicer than playing someone who is cooler, tougher, more virtuous and sexier than yourself and thinking, 'I can be anyone.
If you're playing someone who's got marital problems, you have to play someone who's trying not to have marital problems. So, you've got to get into the problem first.
There's something very intoxicating about playing someone so volatile and someone who can lose his temper at any second.
If there's a role you're playing and there's a great deal of material to explore because the person was real then it's a completely different preparation time and message to playing someone fictional.
Even when you are playing someone who is real, you get their mannerisms and you get their little quirks, but, it still has to be something inside of you that connects with the role, or else you will not be any good.
From a personal standpoint, playing someone judged negatively by her friends is not difficult.
I think that when you're playing someone who does really questionable or even really terrible things in a movie, it's important to show where that person is coming from. They're doing it from a necessary impulse. There is a struggle that's going on within them as a human.
Work was never about wanting fame or money. I never thought about that. I loved getting the job, going to rehearsal, playing someone else, hanging around with a bunch of actors. I needed that, the way you need water.
I mean, before this, I would have said playing Bill Gates, because I'm playing someone obviously who is alive and is the richest man in the world. That was a heavy responsibility.
When you're a movie star and you're young, you are always playing someone who's a better fighter, a better lover, a better everything than you.
If you're playing someone who's impeded by fear, or shyness, or has whatever dysfunction your character might have, you have to achieve the dysfunction first, imaginatively, in order to play someone who is trying to negotiate their way out of it.
I'm always interested in playing different people, in different situationsIt doesn't matter to me whether someone is in love with a man or a woman. I find the idea of love and romance interesting. I'm a sucker for it. I like playing someone who's falling in love because I like the sensation of it. People do extraordinary things when they're falling in love.
It's almost jarring when you go to play a different character, after playing someone for so long. I love it!
As a young performer, I didn't know that you can have a great time playing someone in terrible crisis. The more you know it's not real, the deeper you can go into it. And the easier it is to let it go when it's done.
The danger with playing someone tough is that the character can become two-dimensional and mean and nobody likes her.
How do I do that preparation [for film]? Just an immersion. I have a musician's, I guess, ear for the sound of the voice but it's also important to me, in the case of [playing] someone who is controversial, to get the outlines of the character right because how they present themselves to the world has a great deal to do with how people feel about them.
It's always hard when you're playing someone for a lot of people out there who are going to see the movie after reading the books. There's a communion between a reader and the writer, so people will have an idea who Sirius Black is and I might not be everyone's idea of that.
I really wish that peoplewould just say, 'Yes, it's a comic. Yes, this is fantasy. Yes, this is Science Fiction,' and defend the genre instead of saying, 'Horror is a bit passe so this is Dark Fantasy,' and that' s playing someone else's game. So that's why I say I'm a fantasy writer and to hell with 'It doesn't read like what I think of as a fantasy'. In that case what you think of as a fantasy is not a fantasy. Or there is more to it than you think.
I've never worn incredible clothes - I'm not used to playing someone so put together and fashionable.
Mandy is not calm. So that's acting. I'm acting. And, and I love playing someone calm.
Human beings have a bunch of different dimensions, so even if you're playing someone who you think maybe the audience might not like, might not be going for, you still have to give them the dimensions to make them a real human, otherwise there's no point.
When you take on the idea of playing someone like Jimmy Bulger, it's a radically different process because you're going into make-up. The only way you can do it is to come out of make-up looking like the guy. If you don't look like the guy, it's going to bug you, all day.
I couldn't imagine playing someone young now; it would be so boring
There is something to the fact that when you're on stage or when you're playing someone else, you're able to transmute all the things inside you that maybe get a bit blocked by the wall of shyness, or the wall of anxiety, or [by] overthinking. They sort of fall away in that moment and channeled into something else.
I think the best roles are in dark movies. It's roles that aren't you. It's fun playing someone that's not me. If I'm playing me all the time, then it's not acting. It's just being yourself.
David Lee Roth had the idea that if you covered a successful song, you were half way home. C'mon - Van Halen doing 'Dancing in the Streets'? It was stupid. I started feeling like I would rather bomb playing my own songs than be successful playing someone else's music.
In The Godfather, for instance, they say they won't deal drugs because they have a code of behaviour. He is the last remnants of that. So playing someone like that, who is also in pain with his kidney stone, means you're beginning to find a dimension of the guy who is king and all show and the private guy who is in pain.
Playing someone drum 'n' bass for the first time in 'Pass Out' - they're like, 'Oh my God, what is this?' I'm having a lot of fun and a good time showcasing the music.
If I'm playing someone who's smart, suddenly every character I've played is smart. If I'm playing a bad guy, every character is a bad guy. I suppose it's that thing where people want to see a through-line to understand you. I mean, you know, I have played pretty ordinary people too.
I'd been trying for a while to get parts that weren't just the English bad guy, so it was quite refreshing to be playing someone who was a compassionate, decent guy.
I prefer working on films. I like the variety. There is nothing better than playing a bad girl for two months, then playing someone sweet for the next two. Films give you this opportunity.
When I first thought about becoming Jane Austen I had to forget about the fear, or at least choose something else to focus on because it was becoming paralysing, I couldn't focus. I felt frightened, not so much by her fans' reaction to my performance but that I would be playing someone who I think is a legend, who I respect and admire so much. I didn't want to fail, so I was putting a lot of pressure on myself.
Hitchcock is a big ask. I am playing someone significantly older than me and someone significantly bigger than me. The stuff I find very interesting is why certain physical things have come about. How can he be light on his feet when he is so big? How can his weight vary so much? Where does this rather beautiful voice come from?
I was able to be distant by portraying another person, another character, if you will, and I found myself not stuttering and not having anxiety attacks when I was portraying another soul, another being, and I found comfort in that. I think many actors do, playing someone other than themselves.
Even when I'm playing someone named 'Fat Amy.' I'm all about confidence and attitude.
On the basis of being a woman, by playing an alien, I avoid playing someone's girlfriend here on Earth because that's a bit of a canker sore.
As an actor, the second and last ones were interesting for me. Because those parts had the most change in playing someone who was both light and dark, sort of Jekyl and Hyde.
It's much less interesting as an actor playing someone who's purely good or purely evil.
My heart gets very tender when it comes to playing someone who has wronged someone else. I almost feel like it's easier for me to play having been wronged than it is to actually feel like you had an active part in hurting someone.
When you're playing someone who really lived, you carry a burden, a burden to be accurate. But it's one that you have to let go of ultimately.
When I am playing a role far away from me with an accent that is not mine I always employ a dialect coach. I am almost always playing someone that has an accent that is not mine.
Your time is limited, so don't waste it living someone else's life.
All collections loaded