Slapstick Quotes

If you can do no good, at least do no harm.

Chris Farley, I was a huge fan of his growing up. I would love to do something kind of slapstick and funny, maybe where I could change my look even a little bit.

I'm pretty slapstick in my life but nobody sees that. You get typecast. I'm from New York and I have a sh*t-detector that's outspoken. I'm very streetwise and the producers detect that. So they get me on a movie and kill me. I go into their offices and I'm sure when I leave they say, 'You know, he'd be great to kill'. I've been killed every way you can imagine.

I think I love humor in poetry, but not that slapstick cheap easy humor, but that uncomfortable, "did she say that out loud?" kind of humor.

My nan used to look after me in the summer holidays and she had a cat with one eye. It used to walk into walls and tables. I used to think it was hilarious. It was a slapstick cat.

History is merely a list of surprises... It can only prepare us to be surprised yet again.

Comedy is difficult, especially slapstick. The trick is to have fun while you are performing it.

I can do comedy but it's a certain type. I'm not a physical comedy guy. I'm not Will Ferrell - there's just this crazy and get naked and run through the thing screaming. That's just not my style; my style is drama or - I'm not slapstick.

I'm not really big on slapstick humor. I like gentle humor.

Love is where you find it. I think it is foolish to go looking for it, and I think it can often be poisonous.

A farce, or slapstick humor, does well universally.

I like both slapstick and contradiction. Like philosophers.

Please — a little less love, and a little more common decency.

I always think of "Popeye" and "Barney Google" as quintessential comic strips in that old rollicky, slapstick way we've sort of lost.

Painting, by its nature, cannot provide an object of simultaneous collective reception... as film is able to do today... And while efforts have been made to present paintings to the masses in galleries and salons, this mode of reception gives the masses no means of organizing and regulating their response. Thus, the same public which reacts progressively to a slapstick comedy inevitably displays a backward attitude toward Surrealism.

Sometimes you don't want to be a slapstick clown in order to convey a funny perception of the world.

Imagine (if you dare) a whimsical marriage of Lord Dunsany and S.J. Perelman, and you have something approaching the tales of Rhys Hughes, filled with gaudy colour, slapstick, puns, fantastic creatures, and the occasional unexpected chill. Hughes' world is a magical one - and his language if the most magical thing of all.

I like broad comedy. If I had an idea tomorrow for a film that was all slapstick and broad comedy, and it was an idea that interested me, I would not hesitate to do it because I enjoy watching these kinds of film.

I wish that people who are conventionally supposed to love each other would say to each other, when they fight, "Please - a little less love, and a little more common decency."

People still talk about a British sense of humour, or French slapstick or how the Germans have no sense of humour - and it's just rubbish. I do strongly feel that we are all the bloody same.

I thought the other ones were so obviously - what are we going to do if she burns down the house? The DEA, which I think was maybe the best one because she's wearing the jacket when she goes through the mirror and I think that was kind of amazing because you really weren't expecting that. There's something almost slapstick about this in a way that worried me. It was a little pratfalley with the golf club and the - but I think it probably cut together okay.

I think that fact alone levels everything. Slapstick amazes me, the folly of humans today, the Ponzi schemes, giving birth to eight babies at once, it's amazing... And I know, it's horrible to have your money stolen and all that, but those are amazing stories.

Old friend, there are people—young and old—that I like, and people that I do not like. The former are always in short supply. I am turned off by humorless fanaticism, whether it's revolutionary mumbo-jumbo by a young one, or loud lessons from scripture by and old one. We are all comical, touching, slapstick animals, walking on our hind legs, trying to make it a noble journey from womb to tomb, and the people who can't see it all that way bore hell out of me.

The music of Gavin Bryars falls under no category. It is mongrel, full of sensuality and wit and is deeply moving. He is one of the few composers who can put slapstick and primal emotion alongside each other. He allows you to witness new wonders in the sounds around you by approaching them from a completely new angle. With a third ear maybe.

Writing about the indignities of old age: the daunting stairway to the restaurant restroom, the benefits of a wheelchair in airports and its disadvantages at cocktail parties, giving the user what he described as a child's-eye view of the party and a crotch-level view of the guests. Dying is a matter of slapstick and pratfalls. The aging process is not gradual or gentle. It rushes up, pushes you over and runs off laughing. No one should grow old who isn't ready to appear ridiculous.

Dying is a matter of slapstick and pratfalls. The ageing process is not gradual or gentle. It rushes up, pushes you over and runs off laughing. No one should grow old who isn't ready to appear ridiculous.