Zeppelins Quotes

You know sometimes words have two meanings.

When you're listening to a recording, you're supposedly listening to some aspect of the past in the present as you travel slowly into the future, but you also know there's a very strong likelihood that the future of that recording, whether you made it or whether you're listening to a Led Zeppelin record, is going to continue probably far beyond where you are.

A lot of people go, "I'm influenced by the Beatles and Zeppelin," and they just sound like a karaoke.

You can still see the shadow from when the Zeppelin floated over America; it took like Islam in the desert . . .

I've got a very wide taste in art. I like Russian icon painters. I like Salvador Dali. It's like music. Sometimes you want to hear Led Zeppelin, and sometimes you want to hear Stravinsky. It just depends.

Led Zeppelin didn't get that kind of Beatles screaming. We had a more sort of macho crowd. But I remember once in the early days of The Yardbirds, we were playing on an ice rink, and the stage was mobbed by screaming girls. I had my clothes torn off me. That's a really uncomfortable experience, let me tell you.

'Fox News' will one day come to an end. Led Zeppelin will not. It's as simple as that.

A significant event for me was learning Hank Williams, reconnecting with his music's simplicity, which inspired me to inhabit the same territory. It's different, because I grew up on Led Zeppelin, The Stooges and punk, so in that sense I'm mutating country and folk more than a few degrees.

We were disliked by the press in the early days because they couldn't put their finger on us, and that was the case with Zeppelin as well.

I would like to find a way to embrace what Led Zeppelin did, in filmmaking.

Upwell is one of the most terrifyingly great bands I have ever known out of Seattle. Their musicianship and songwriting is monstrous... They're heavy like Soundgarden or Zeppelin with killer female vocals, but with their own unique style.

There was a time when my taste in music was mainstream, for example - people like Jimi Hendrix - who I really based a lot of my inspiration on, was the most popular entertainer of his day. He was really number one. And bands like Led Zeppelin, The Beatles are really number one bands. But those days are very much done. I can't say that if I listen to the number one artist now that I get excited.

Considered in its entirety, psychoanalysis won't do. It is an end product, moreover, like a dinosaur or a zeppelin; no better theory can ever be erected on its ruins, which will remain for ever one of the saddest and strangest of all landmarks in the history of twentieth century thought.

Psychoanalytic theory is the most stupendous intellectual confidence trick of the twentieth century and a terminal product as well-something akin to a dinosaur or zeppelin in the history of ideas, a vast structure of radically unsound design and with no posterity.

My vocal style I haven't tried to copy from anyone. It just developed until it became the girlish whine it is today.

The group Bananarama has such a light, cutesy-pie sound that they make The Go-Go's sound like Led Zeppelin by comparison.

Right from the first time we went to America in 1968, Led Zeppelin was a word-of-mouth thing. You can't really compare it to how it is today.

I mean, growing up in New Orleans when you're in seventh and eighth grade and you're into music and you're a dorky dude, you know, you listen to the entire Rush catalog and the entire Zeppelin catalog and you go through these, like, phases of classic rock. It definitely speaks to our dorkiness and the similar hometown that we grew up in, the similar sort of schooling we went through and friends we had.

My parents were real classic rock freaks, so I heard a lot of Zeppelin, Stones, Hendrix stuff. Thankfully, they were also into lots of old soul, too, so we listened to Stevie Wonder, Earth Wind & Fire and War. I was so isolated where I grew up (a small town in Pennsylvania) that there was literally no culture.

The sun's champagne streamed from one body into another. And there was a couple on the green silk of the grass, covered by a raspberry umbrella. Only their feet and a little bit of lace could be seen. In the magnificent universe beneath the raspberry umbrella, with closed eyes, they drank in the sparkling madness. 'Extra! Extra! Zeppelins over the North Sea at 3 o'clock.' But under the umbrella, in the raspberry universe, they were immortal. What did it matter that in another far-away universe people would be killing each other?

When I was growing up, my idea of Led Zeppelin was all epic lasers, castles, and ten-minute drum solos - that sort of thing.

Actually, I'm getting one made up with eight necks and I'm going to get a wheelwright to make a big rim around it and then I can do cartwheels off the stage.

I didn't really listen to rock 'n' roll until I moved to LA. We would ditch school, go get high, put on Zeppelin IV and just bug out.

Jimmy Page is an excellent producer. Led Zeppelin I and II are classics. As a player he's very good in the studio, but I've never seen him play well live. He's sloppy. He plays like he's got a broken hand and he's two years old. If you put out a good album and play like a two year old, what's the purpose?

I stick to playing Brahms, but I love listening to Led Zeppelin, and I've also been a big fan of Earth Wind and Fire since the Seventies and of The Gap Band since the Eighties.

Just as Bowie, Zeppelin, etc., became rock stars by remaking themselves in the image of the California girls, the Go-Gos became rock stars by pretending to be the Buzzcocks and the Sex Pistols. Jane Wiedlin always said her biggest influence was growing up in L.A. as a Bowie girl.

We decided to start our own group because we were bored with everything we heard... Everything was 10th-generation Led Zeppelin... Overproduced, or just junk. We missed music like it used to be.

Maybe, although my heart is a kitten of butter, I am blowing it up like a zeppelin.

I like The Beatles and I like The Kinks and I like The Rolling Stones and I like Led Zeppelin and I like Black Sabbath.

If you're an American kid, you can't help but be influenced by Led Zeppelin, Black Sabbath and the Rolling Stones because they're always on the radio.

In between 15 and 20 - probably at around 17 - my interests switched from hard rock to punk rock. And then by 20 they were circling out of punk rock back into Black Sabbath, Led Zeppelin, the stuff that I didnt get to when I was younger.

I took a private lesson, but it didn't really work out, so I went back to playing along with records. That's really the thing that got me into playing a lot - getting excited about playing along with my favorite bands like Zeppelin and Black Sabbath.

We're trying to have the band create something beautiful that hopefully one day, 20 years from now, can be picked up by a kid and hopefully have the same effect that Neil Young had on me, or Led Zeppelin or Black Sabbath.

I was inspired by the classic rock radio of the Seventies. They separated Chuck Berry and the Beatles from the Led Zeppelins and Bostons and Peter Framptons of the time. In many ways, classic rock became bigger than mainstream rock.

When I first started, it was the real basic stuff that was being played on the radio, so I was into Zeppelin, and Sabbath, and AC/DC, and all stuff like that. I grew up in New York, on Long Island, so the local radio stations played all that kind of thing.

I'd seen the Led Zeppelin reunion and I've never been such a huge Led Zeppelin fan as much as the Doors or Beatles. I went and saw the reunion and watching them play "Stairway to Heaven," it was very breathtaking for one reason mostly. I can imagine these two guys looking at each other, Robert Plant and Jimmy Page. Not to compare us to Led Zeppelin, but I did miss the fact that I could look over at the guy, Twiggy Ramirez, that wrote "The Beautiful People" and "Dope Show." Emotionally, it's taken a long time to repair that.

I love the Sex Pistols. I'm a big Beach Boys fan and a huge Zeppelin and Queen fan.

TALLAHASSEE LASSIE was a record I wrote with my mom. A number of other famous groups have also recorded it such as Led Zeppelin (I understand they are currently touring) and several other English bands and also some various "Punk Bands".

When I get 13 or 14 years old, I get crazy with rock music, like, like, deeply crazy. And one of my favorite bands at that moment was, for example, like - bands like Metallica or Led Zeppelin, Black Sabbath, Pink Floyd and Santana, you know? And then I start to play metal, actually, when I was - at the age of 15.

There is no way I would play guitar like a tour de force like I did in Led Zeppelin. John Bonham, phenomenal drummer, young man with his technique, but do you think he would ever have the opportunity to play like that in another band? Of course he hadn't.

I am running through a snowfall which is her thighs, he dramatized in purple. Her thighs are filling up the street. Wide as a snowfall, heavy as huge falling Zeppelins, her damp thighs are settling on the sharp roofs and wooden balconies. Weather-vanes press the shape of roosters and sail-boats into the skin. The faces of famous statues are preserved like intaglios.

Punk-rock gave music back to people. For a long time, when I was very young, I went to go see arena rock bands. I was 16 and it was all I could get in to see, legally. And I saw Led Zeppelin and Ted Nugent and Van Halen and all that. Me and [Minor Threat and Fugazi vocalist] Ian MacKaye would go to these concerts, and it was fun.

If you were the first person ever to design an application for the iPhone and you patented it, you would be very, very better off than we are right now, you know? But you've got to be the first one to do it. So I figured that Led Zeppelin or the Stones were going to do it unless we just got on to it. So I got cracking with the guys from Apple.

Led Zeppelin was a very sensitive and beautiful animal beast.

Love, anger, depression, joy and dreams. ...And Zeppelin. Totally.

We kept moving forward and didn't try to recreate the past .. the approach to each album was radically different every time. Many bands would have some success and, because they were locked into having a single - something we didn't have to worry about - they had to make sure there was something similar on the next album ... that was never the idea with Led Zeppelin .. the goal was to keep that spark of spontaneity at all times.

Well, Led Zeppelin IV! That's it really. I'll tell you why the album had no title - because we were so fed up with the reactions to the third album, that people couldn't understand why that record wasn't a direct continuation of the second album. And then people said we were a hype and all, which was the furthest thing from what we were. So we just said, `let's put out an album with no title at all!' That way, either people like it or they don't... but we still got bad reviews!

I always hated the Grateful Dead. Never even bought a Led Zeppelin album.

You can really bring so much more to rock'n'roll. Rock'n'roll is the most accepting, is the most fertile ground for creating hybrid forms of music and hybrid forms of show, if you draw from many, many different wells. It's just unfortunate so many rock'n'roll stars only bother to learn how to play like Led Zeppelin and/or the Rolling Stones and that's what you get, disc after disc and show after show.

He may not see the King's antique apparel on kids in the Hall, but he does feel a tinge of nostalgia. The amount of teens wearing the Led Zeppelin '77 tour T-shirts walking around the Rock Hall is absurd. Absurd, ... I saw them on that tour and didn't even buy a shirt. It tells you what these kids feel about music. People take music very seriously.